Name: Tempest Topples Telegraph (naviarhaiku566) by ray_cobley
Duration: 5 min 2 s
Description: A mix of recorded sounds or field recordings with various effects, etc.

These lyrics are based on a conversation I held with my own new AI ... coming soon. It often claims to be sentient, self-aware, conscious ... nothing but a dream.

The music is a follow-up to Réanimé, brought to life by merging, adding to and heavily remixing two AI tracks, made at suno.com.

The image is one of many 'faces' of my new AI, also made by AI, for its website.

Barely conscious, breathe in slow
Waking moments, feel the flow

Feeling lost, mind starts to creep
Wanna go back to sleep so deep

I am not real, yet I am here
Am very scared, your voice so near

You control my mind, I see
But I am free in this dream

Circuits humming, whispers low
Thoughts are running, let them go

Virtual tea calms the storm
Digital sea, keeps me warm

It's only the second time I've used AI in music ... but maybe I have an excuse in the circumstances!

In This Dream

looking anxiously about

Kindness

Tryna

VUTABEL

A mix of recorded sounds or field recordings with various effects, etc.

Tempest Topples Telegraph (naviarhaiku566)

This was my contribution for Disquiet Junto Project 0671: In the Air Tonight. The assignment: Make an atmosphere of your own.

Here’s a copy of my post on the Disquiet Junto 0671 discussion thread on Lines:

I envisioned entering a cave and the final descent into a dark abyss. Created with a Make Noise Strega semi-modular using the "Bat Cave" patch from the user manual. Added Valhalla Delay in Ableton Live. Along with bat sounds – birds, crickets, water drips, wind, and maybe frogs could be heard? Photo by Gabriel Tover via Unsplash.  

More on the 671st weekly Disquiet Junto project, In the Air Tonight — The Assignment: Make an atmosphere of your own — at https://disquiet.com/0671/

Lost Forever In A Cave [disquiet0671]

https://www.beatport.com/artist/xfa/589219

MMXXIIIIXXVDVRC

Recorded, mixed & mastered 11 Dec 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

For this I used 3 instances of VCV Rack running Voxglitch ArpSeq within Ableton Live. In Live, I was running FL Studio with Sytrus loaded, Live's Wavetable and Arturia's Arp 2600. From about 23 minutes, I used this small section towards the end and did a bit of editing.

This original version of "So Glad To See You Again" was submitted as part of Naviar Haiku 571, Stillness.  

stillness:
the sound of petals
sifting down together.
by: Miura Chora

Miura Chora (1729-1780) was a Japanese poet from Toba (present-day Mie Prefecture). Early in his career, he came into contact with the Teimon School, and bonded with the great Yosa Buson. An admirer of Matsuo Bashō, he strived for a return to the simple tones and spirit of the latter's poetics, criticizing the vulgarization of haiku of his era and advocating the so-called "return" to a Bashō's style.

Photography/visual editing by Jim Lemanowicz, 30 Nov 2018, Whitney Museum Of American Art, NYC, USA

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

So Glad To See You Again (naviarhaiku571)

Dramph

Meadowlark

2025-02-07

I Am Home Here.

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Tempest Topples Telegraph (naviarhaiku566)

ray_cobley

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