"By myself but not alone"

This tune was first sang in 1964 by Julie Andrews as Mary Poppins in the movie of the same name. Performed by me on my Yamaha PSR-SX900 arranger keyboard. 

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

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Name That Tune #459 by Julie Andrews

This version is not final but mostly. Vocals and second guitar a yet to be added

By Myself But Not Alone

Tell Me Something

# 21 [Tell Me Something]

The lethal path of deception

# 23 [The lethal path of deception]

The Road Will Be Our Friend

This tune was released by Diana Ross & The Supremes in 1964 and performed by me here on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: www.harveytwyman.com

Name That Tune #548 by Diana Ross & The Supremes

Short acoustic track written in the key of A minor, which si the key I have been, for some unknown reason, writing in lately.

It Was Always You

# 26 [Incubator]

2TOOTH – Again and Again

This was the first track that kicked off my weekly series — and I think it still captures something honest I didn’t fully plan.

I was just trying to make something simple, lo-fi, and smooth… but what came out was this slow, emotional loop that felt like memory. Like when you keep replaying something in your head — not because you want to, but because it’s stuck there. A feeling, a moment, a person. Again and again.

It’s built around soft R&B chords, a steady beat, and subtle vocal layers — male to female — that shift like the voice in your own mind. You don’t really notice the change at first, but it hits when it’s supposed to.

The groove doesn’t shout. It just moves. There’s no big chorus, no massive drop — just mood. And that’s kind of what I wanted: a song that stays with you without asking for attention.

I made it using a combination of tools, mostly just following the vibe more than a plan. Letting the track decide where it was going. And I think that’s what makes it work — it’s imperfect, emotional, and real.

Thanks for listening to where it all started.

Again and again

the chewedWIP4

All That Almost Was is an introspective piece about the quiet moments we overlook, the lives we might have lived, and the gratitude that grows in their shadows. Rooted in warmth and loss, the track blends organic textures and surreal tones to reflect on how the past (even the missed and the mourned) shapes the path we walk now. A song for everything that mattered, even if it didn’t last.

All That Almost Was

This song is a cry out to those parents and society that neglect, abuse, and harm children by their inaction, indifference, and hate.

ATROCITIES

A selection of songs made throughout the year 2025

Analogue synths, drop F# guitars and mega drive noises

# 26 [Incubator]

Ray Warlock

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