* THAT STUPID GOAT IS A FALSE PROPHET !
* LEADING YOU ALONG WITH PROMISES OF GLORY AND HAPPINESS ! ITS SICKENING !!
* AND YET YOU STILL CHOOSE TO TAKE HIS SIDE ?!
* ...
* ... SO BE IT .
* ILL SET US FREE FROM THE SHACKLES OF THIS BROKEN SYSTEM ...
* WHETHER YOU WANT IT OR NOT .
----------------------------
GILMORE - A man beyond boundaries, done playing games.

Finally, Gilmore's boss theme is here! I finally have a secret boss with a fight theme, so cool.......
Thanks to @realhodgepodge for helping with this, and @astromity-966418615 for the thumbnail art!

If you want the FLP so you can make a cover or something, here you go!
https://cdn.discordapp.com/attachments/1021163482688802959/1091486235861733407/gilmore_boss.flp

If you'd like to know more about Gilmore, here's some info:
https://www.tumblr.com/creepa-b0t-inc/712596833444233216/creepa-bot-inc-dr-fanstuff

OBSOLETION_IS_IMMINENT (ft. Hodgepodge)

original - https://soundcloud.com/drch3_01/x_rael

IDENTITY CRISIS (Arrangement)

OG song by: @redmatazz
Art and music by: MEEE
Character by: @mr-rattel-m-bones-1

Falling Petals ~ Raspberry Flavored V2

*Schemanic laughs maniacally. The laugh seems to be endless.
*SCHEMANIC - ATK 𝐿𝒳𝒳𝒱𝐼𝐼𝐼, DEF 𝐿𝒳𝒳𝒳𝒱𝐼𝐼. The craziest enemy.

____________________________________________________________

YOOOOO FINALLY

So uh, first - the credits

song by @sinholderangles MY GUY saved the day
Design based on drawings by @sinholderangles and @gooigi-gamer
Final design and thumbnail done by https://hipolink.me/krutch_0v0

Nooooow...
Five COOL and AWESOME facts about Schemanic
1) The name is (obviously) a play on schematics and manic. But it also ties into the funny anagram thing (spamton-postman), by being an anagram of Mechanic (with an s) and Mischance.
2) Mischance... Schemanic is, shockingly, based on William FUCKING Afton. Aka he tried to build a suit but it springlocked, paralysing him.
3) The reason he built the suit... Is to fly, mama!
4) Since dont forget swaps with freedom, he... Well, he got forgotten! He was left in the tower, and nobody remembered he was there.
5) In the fight you can either tire him out - then he runs out of power and you can carefully free him from the suit.

Or you can beat him til the suit springlocks again, killing him.

oops!

Either way, this was done like 7 months ago, fucking HAPPY to finally release it!

Also, since the Will Wood inspo is MANDATORY...
I told sin "Could you make a 5/4 switch? Like in Dr. Sunshine"

and he took it to a WHOLE new FUCKING level, love that man


4k views, 200 likes and we're realeasing(fr this time) a folder with all his flps and all of his old designs and materials.

!!!!

SCHEMATIC PANIC

Fryton's "THE WORLD REVOLVING"
have fun!

OG - FUCKIGN DEAD
————————————
some lore:

Fryton was running a little pizzeria at Heat Forest, and wasn't so successful until recieved a strange call from someone. Abandoning his place and the Scullisons, his friends, he moved to Frost Palace and quickly became Prime Queen's head chef. After some time, more calls appeared, dictating Fryton more and more strange ideas. The final command was poisoning the food at Prime Queen's ball. They found out the food was poisoned, and Fryton was trying to start an aggressive massacre, but they captured him and locked at the kitchen due to lack of the prison in the palace, where he met his unfortunate demise.

Fryton can't escape the kitchen and thinks that getting a Lightner's soul will revive him.

In Light World Fryton is a broken meat grinder in the school's kitchen.

This is a joke swap parody AU. Don't take it seriously lol
————————————

thanks @karolkpusta for wonderful cover and FLP, i used some things for it
Deltarune/Undertale by Toby Fox & Temmie Chang
@chapter-rewritten parody
Pizza Tower by Tour de Pizza
thumbnail by @viput-gerfo
FOOL'S GAMBIT by @punkipatch (inspo)

merry Christmas everyone

DEEP FRIGHT (REgeefed)

au i thought up of a while ago where the secret bosses would swap places, so spamton in chapter 1 and jevil in chapter 2. didn't really make any lore, just some tracks.

this would play after beating the scrapton neo fight at the fountain during a massacre run. would most likely not be used because you can't weird route in chapter 1 lol...
(scrapton is spamton)

Final Act - Deltarune Boss Swap

Helloooooooooooooooooo!!

I just decided to make a THIN ICE cover since I'm bored.. and sick.
I love being sick! (I don't.)

Original by Inbetweener: https://soundcloud.com/inbe7weener/icepalace_boss

THIN ICE (Cover)

FINALLY FUCKIN' MADE THE V2 OF THIS YEAAGH

Music and Art by @creepabotinc

PURSUIT ~ IT'S ALL CONNECTED (v2)

og by toby fox
https://drive.google.com/file/d/1FUMcpj1s7In_C4uWEcN5o94aZDmUff0y/view?usp=sharing

catswing [ reverified ]

* Camillah begs you to stay still.

honestly this one barely even resembles the original song but uhhh idc

inspired by art by @miebot on vision crew server. cool art good art

Creative Freedom (MANIAMIX)

Electric guitars, Bass, Keyboards, MIDI drums

An upbeat, lively rockabilly type piece featuring a melody played by a somewhat clean twangy Fender Telecaster. The song begins with 4 bars of double-time drums, with a fill on the 4th bar and a bass guitar sliding on a high note down to the tonic at the first beat of bar 5. The Telecaster also does a 2 note pickup on the 4th beat leading into bar 5. The tune starts with 2 rounds of the chorus, instead of the verse as most songs do. A Fender Stratocaster plays rhythm chords strumming throughout the choruses. A distorted Gibson Les Paul enters the 2nd time through the chorus, playing a similar lead melody an octave higher than the Telecaster. The keyboards also enter here, with a Hammond organ sound laying a bed, with little flourishes at the end of the guitars' melody figures. After the 2nd chorus, the song enters verse 1 in a mellower mood, with the drums no longer in double time. The guitar and organ play soft arpeggiated patterns while the keyboards play the lead melody, with a bright brass section sound utilizing both studio horns and Mellotron horn sections. The organ also plays this same figure, creating a layered texture. Half way through the verse, a bright piano takes over the melody role from the horns, and the Twangy Telecaster returns in the final 2 bars to lead the tune back into the faster chorus. The chorus is played two times through once again, only this time leading into a "middle eight" or "bridge" section featuring heavily distorted Fender guitars panned left and right, playing an aggressive, jagged metal type riff. Half-way through this the Hammond organ sound plays a high melody, with a Leslie rotating speaker effect, giving it a screaming sound. The 4th time through the organ drops out and the lead is taken over by a heavy sounding Les Paul guitar playing a whirling serious of fast-picked and hammered 16th and 32nd note ascending patterns, climaxing into the highest note which then dives down like a missile via the whammy bar. The song returns to 2 more choruses with similar instrumentation as before. It then plays the chorus in a new key one time through, and then another key for the next go-round. This time features the brass section adding little blasts here and there for emphasis. Finally working it's way back to the original key, the chorus is repeated one final time, with the lead melody shifting up an octave and finishing with a cadenza-like ornamented version of the melody, before doing a ritardando down to 4 final descending chords landing on the tonic.

An interesting feature of the song is the chordal pattern consisting 6 chords going from D to A, C to G, then unexpectedly, Bb to F, ending on C. It then does the exact same pattern, only beginning with C to G, Bb to F, Ab to Eb to Bb. Then it repeats for the 2nd chorus. Another treat for the listener is during the final section it plays the whole pattern beginning with Bb to F, Ab to Eb, Gb to Ab, then the pattern begins again starting on Ab to Eb, Gb to Db, E to B to Gb. Continuing the cycle, it goes Gb to Db, E to B, D to A to E, then E to B, D to A, C to G to D. At this point it has returned to the original first chord, D, where it plays the chorus one final time in it's original key. The listener is now aware that the entire chord progression has worked its way logically through a cycle of 4 key changes before landing naturally back to the beginning, essentially creating a circular chord progression.

Razor Clam Stomp

Hi I’m RazFraz! :D
I use She/They Pronouns!
My Discord is also razfraz 
I like to make music and art for fun
I’ve been making music for 5-7ish years
I’m very ambitious and loving doing big projects, maybe a little too much lol
Ok bye!