Be Thankful For What You've Got (Rework)

With over five decades of success and influence, Vincent Montana Jr., Producer, Arranger, Composer, Conductor and renowned Vibraharpist, continues to be a vital force in music today. With countless gold and platinum awards to his name, his contribution and dedication to the music industry has inspired and profoundly affected many producers, DJs, artists, musicians, listeners and dancers alike. 

Among the numerous credits to his name, Montana is most recognized for his integral role in both the development of 'The Philadelphia Sound' as key MFSB rhythm section member and established studio musician for Philadelphia International Records as well as dance pioneer of the 'Disco Era' as the creative and driving force behind the legendary Salsoul Orchestra. Further contributions include his remarkable productions with The Montana Orchestra and Goody Goody (Atlantic Records) and particularly, the signature club classics on his own “Philly Sound Works” label.

Given the era in which these recordings were made, the music of Vincent Montana, Jr. was produced with a futuristic perspective; this is evident due to the fact that his grooves and riffs are still being sampled and utilized to this day. The staying power of his enduring career is certainly because of his exceptional good taste and diversified talent, but also is the fact that although he is firmly rooted in traditional instruments and ways, he has managed to embrace newer styles and to use technology to his advantage.

Even now Montana continues to make his mark on the industry, whether directly through his efforts with today's most prominent artists and producers - Dimitri From Paris: "The Way You Love Me", Masters At Work: “Nuyorican Soul”, “The Boss”, “Always There”, David Morales: Pet Shop Boys “New York City Boy” or indirectly via sampling of his catalogue - DJ Spiller: “Groovejet-If This Ain’t Love”, Mariah Carey: “O.O.C.–Out Of Control” and the latest sample, Estelle Ft. Rick Ross: “Break My Heart”. Both the man and his music show no signs of slowing down. He returns once again with his latest projects complete with lush strings, distinct arrangements, cool vibes and all the added touches, quality, musicianship and originality expected of a “Montana Production”. 

Now That's The Philly Sound!!

<a href='https://theartistunion.com/tracks/075a34'>Download for free on The Artist Union</a>

Vincent Montana Jr. - It Looks Like Love (Rafae Cancian Re-Edit)

4 Love - Wall Of Fame V02 - The Juice Ep (Now on digital)

Heres an oldie but goodie from the Star Time vault!  Originally available only on vinyl now Re-Mixed, Re-Mastered and as Kon puts it "Re-Qued" for FREE DOWNLOAD!  ENJOY!

Everybody Dance(Caserta Remaster)

Here's a free download of my Lover's Holiday edit by Change. 

Re-post and share a comment. Happy Holidays!

DL Link: https://dl.dropboxusercontent.com/u/10784214/A%20Labor%20of%20Lover%27s%20Holiday%20dub.mp3

A Labor Of Lover's Holiday Dub (Free Download)

A New OBM Records Prod.

This gift by Mr. DISCO TECH EDITS aka Niklas Mellila from Sweden part of OBM DJs Family & Crew.

Recorded@DTE Studio in January '017.
Follow Mr. DTE : https://soundcloud.com/funky-tech
Follow Mr. DTE : https://soundcloud.com/disco-tech-edits

Original track selected by Mr. DTE & Art Cover by SSC.

N' Joy

I Got the Floor

I Got the Floor (Disco Tech Edits e/r) [ORE041]

Another oldie from our personal archive Kids, enjoy.

free dl

Dr Love (South Beach Recycle)

Juan Laya & Jorge Montiel has come up with this extended Re edit of "Feeling High", originally released on Los Charly's Orchestra EP: "The Groove & it's synonyms".

A proper dancefloor jazzy groover perfect to receive the sunny times...

Feeling High (Juan Laya & Jorge Montiel Re Edit)- Los Charly's Orchestra

Handle It (JKriv's Razor-N-Tape Dub)

AND002 – limited vinyl on A&R Edits

Released: Monday 27th May, 2013

Side AA: Music Up (Reworked by Derek Kaye)

Selected by GW

Derek Kaye married his schoolboy passions of music and electronics in 1973 when he constructed his first disco sound system, aged just 13. Prior to this, with DJ equipment something of a rarity in those days, he created a custom setup that bypassed the need for a mixer by rewiring his turntables in such a way that he could flip the sound from one deck to another, and installed a switch that would dip the music so a microphone from a portable cassette player could be used to announce the song on rotation. His work soon grew in sophistication and a new console was built, with his schoolmate, Greg Wilson, buying Derek’s old rig, thus beginning his own well-documented DJ career.

Over the past 40 years, Derek has continued to DJ in and around the North West, both in residencies and guest spots, and his passion for music and electronics are still just as strong. His enviable studio has gone through the transitions of working with notator (the forerunner to logic) on the studio essential Atari 1040 ste with a collection of keyboards and Akai samplers, to just about “working out of the box” as is the case with a lot of studios now.

Today, a lifetime of experience is being teased out of the connoisseur by lifelong friend and A&R curator Greg Wilson, beginning with the double header of 'Nobody' and 'Music Up': both reworks have caused dance floor rapture for Greg over recent months and, as festival season fast approaches, they are now being shared amongst the wider DJ community for the very first time (Derek and Greg have also recently joined forces to remix Bryan Ferry’s ‘Don’t Stop The Dance’).

'Music Up' is an overhaul of the 1979 Vanguard 12” by the Players Association, Kaye's version injecting further verve into the original with a new bassline, percussion, strings and arrangement. Personally requested by NYC stalwart Danny Krivit when Greg Wilson dropped it during his recent gig at The Date in London, 'Music Up' is a surefire festival favourite, for house and disco heads alike, that’s set to fly this summer.

Players Association - Turn The Music Up  -  Derek Kaye Rework

Mitiko - Its Over, Its Over

Cut in Brooklyn // Good for Dance!

Contact:
Tapey [a] Razor-N-Tape [dot] com

Demos: demos [at] Razor-N-Tape [dot] com