All In a Day

Sebando aka Sebastian, is a 34 year old DJ and home producer from Glastonbury, England. He has been influenced from a variety of different genres such as drum and bass, house, garage, hip hop, trap, synthwave and more.

If you can’t make it good, at least make it interesting. 
Formally studied piano, trombone & fumble around with Anasazi flute and recorder.
DAW history: Opcode MIDI sequencer, Cubasis, then Opcode Studio Vision Pro w/ Digidesign DAE sound engine, then Pro Tools v. 4.0.1, now Presonus Studio One v. 6
Sound Sources: Farfisa organ, Serge modular, Moog Taurus II, Sequential Prophet 2000, Yamaha TX81Z, Oberheim M1000, Roland JV880, Anasazi cedar flute, Native Instruments S88, Roland SH-32

Dude from the hills. Thankyou for taking the time to listen and supporting my works, it is very much appreciated.

My new EP, 'random sidequest restarted' is now out under Woodland Tape Exchange. Check it out via the links below :-) if you'd like a free code for the Bandcamp release then just give us a shout
Still CRSY, just fancied a name change 😁

The Botanisant project is inherently visual. Every track here notates a graph or video to which each instrument maps. Unlike contemporary audiovisuals, in which 30% of the image may be represented musically, or vice versa, these songs approach 100%, or “fully literal,” representations of their visual origin. 

Track titles are generally 10% literal, often combinations of words or sentences that represent one or two significant aspects of the audio. Every picture is worth a thousand words, I must choose a few. 

My research aims to eventually project every song to this kind of video, which requires arranging sonic elements in geometries and animations that are not yet canon to the broader music video form. 

Eventually, viewers will be able to remove the audio, and from the graphs intuitively hear the song. Conversely listening to only the audio will create the image in the viewer’s mind. This requires developing an audiovisual language that “ties” music to visual art, with a lashing at every node, across the entirety of both domains. 

Feedback on the music helps, but more crucial to my research are your visual impressions. From skit plots to color palettes, understanding listeners’ synesthetic impressions will help make my models more universally intuitive. 

You are free to use this music in the creation of your own audiovisuals, and if you have any favorite music videos, I hope you’ll share those links with me, preferably with a rough literacy percentage attached.

Guitar | Songs | Electronic | Field recording

On my way down the endless rabbit hole into sonic wonderland...

New album out at Bandcamp
https://laar.bandcamp.com/album/movere-ii

More music available for Download at Bandcamp
https://laar.bandcamp.com/album/sherbet-interlude
https://laar.bandcamp.com/album/ontologie
https://laar.bandcamp.com/album/kernproblem
https://laar.bandcamp.com/album/actio-iniuriam
https://laar.bandcamp.com/album/pax
https://laar.bandcamp.com/album/medusalum
https://laar.bandcamp.com/album/movere
https://laar.bandcamp.com/album/glimmering-downbeat

All In a Day

RDT