super super exciting, and huge sounds my friends

Such a nhonour, my brother in sound and poetry!

This is astounding what you've done with the poem, I'm really blown away, great work!!

Those female backing vocals really add a wonderful touch

these latino vibes are so bold and powerful, what a nice canvas

This suite of pieces is all due to the inspiration of https://soundcloud.com/sonic-textures. Aka "Jo Richter" is combination of the sensitivity of Rainer Maria Rilke, the eye for juxtaposition of Hannah Hoch , the aesthetic eclectic genius of Rainer Werner Fassbinder, the austere imagery of Wim Wenders and the sense of human theatric of Bertolt Brecht. The man's work is something you should experience. 
Get it Dig it! You won't forget it!

Thank you Jo for allowing me to wiggle a little and maybe a lot and maybe even a lot more on some tracks.!

So Ladies and Gentlemen these are Jo's original words and poem:

Stepping out of the opening
at the foot of the spire, facing
the gaping, gasping plaza, the sun
behind him blotted out by the lean,
white purveyor of contemplation, he
shuddered the way one trembles
after narrowly escaping the lure
of prolonged exultation.

Up there, he knows, his muse
still combs and grooms the knotted
wisdom of her braids, humming
a tune of beauty. Up there, he
knows, rests his legacy in verse, scrolls
upon scrolls of scribbled glyphs,
each one a masterpiece of his
heightened sensory exaltation.

This is no path that could have been
avoided, she crooned into the waxen
ear of his remaining memory, as art
has always longed to be subjected
and enslaved, to suffer the necessity
of being forged on vulgar vices. Oh
for the kiln that never foregoes fire, he
would have wailed in common fury.

Is there a place where one who has
abandoned home can rest his head,
he asked. This world is made of places,
a passer-by replied. How can he who has
rescinded wells still quench his thirst, he
asked. All life is born from water, a passer-by
remarked. Who in the world are you, he
quizzed a passer-by, who would not answer.

And all the homes he saw were made
of brick and mortar, colour and concrete.
And all the forests he walked were brimming
with the secret of the spooky action at a
distance. He dared not raise his eyes too far.
He did, although, not hesitate to tame
his fears, revulsions, lusts, ambitions.
Yet all he touched turned into song sublime.
All words copyright © Jo Richter 2023

All words and music copyright © Jo Richter and Re-Evolution Cafe' Orchestra 2023
All music recorded and mixed @ Broken Glass Ranch, Colorado.

Photo Credit: Re-Evolution Cafe' Orchestra © 2023

Cantos 1, 2 and 3 @ sonic structures and silent stretches w/ Re-Evolution Cafe' Orchestra

This suite of pieces - https://soundcloud.com/re-evolution_cafe/sets/joe-cantos-1-and-2?si=d75a079edbde4afdbae6ae0037afe152&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing 
is all due to the inspiration of https://soundcloud.com/sonic-textures. Aka "Jo Richter" is combination of the sensitivity of Rainer Maria Rilke, the eye for juxtaposition of Hannah Hoch , the aesthetic eclectic genius of Rainer Werner Fassbinder, the austere imagery of Wim Wenders and the sense of human theatric of Bertolt Brecht. The man's work is something you should experience. 
Get it Dig it! You won't forget it!

Thank you Jo for allowing me to wiggle a little and maybe a lot and maybe a lot on some tracks.!

So Ladies and Gentlemen these are Jo's original words and poem:

Stepping out of the opening
at the foot of the spire, facing
the gaping, gasping plaza, the sun
behind him blotted out by the lean,
white purveyor of contemplation, he
shuddered the way one trembles
after narrowly escaping the lure
of prolonged exultation.

Up there, he knows, his muse
still combs and grooms the knotted
wisdom of her braids, humming
a tune of beauty. Up there, he
knows, rests his legacy in verse, scrolls
upon scrolls of scribbled glyphs,
each one a masterpiece of his
heightened sensory exaltation.

This is no path that could have been
avoided, she crooned into the waxen
ear of his remaining memory, as art
has always longed to be subjected
and enslaved, to suffer the necessity
of being forged on vulgar vices. Oh
for the kiln that never foregoes fire, he
would have wailed in common fury.

Is there a place where one who has
abandoned home can rest his head,
he asked. This world is made of places,
a passer-by replied. How can he who has
rescinded wells still quench his thirst, he
asked. All life is born from water, a passer-by
remarked. Who in the world are you, he
quizzed a passer-by, who would not answer.

And all the homes he saw were made
of brick and mortar, colour and concrete.
And all the forests he walked were brimming
with the secret of the spooky action at a
distance. He dared not raise his eyes too far.
He did, although, not hesitate to tame
his fears, revulsions, lusts, ambitions.
Yet all he touched turned into song sublime.
All words copyright © Jo Richter 2023

All words and music copyright © Jo Richter and Re-Evolution Cafe' Orchestra 2023
All music recorded and mixed @ Broken Glass Ranch, Colorado.

Photo Credit: Re-Evolution Cafe' Orchestra © 2023

Canto 2

Canto 1

Canto 3

a small snippet of a live performance by the Intonarumori Trio at the opening of When The Fog Clears as part of The Ten Days On The Island Festival. This was the exhibition where i got to exhibit Caligo Paean, so a big evening for me......more about the trio here

Formed in 2018, The Intonarumori Trio is Danielle Kirby, Mat Ward and Dylan Banks. All three are Hobart based artists whose individual professional practices all span 20 plus years. They have diverse artistic backgrounds that include painting, instrument and theatre design, installation, classical music, noise- art, graphic design and academic research. They have all exhibited, published and performed extensively across Australia as well as undertaken international art-based residencies.  

The trio explore the more occult-centric aspects of Russolo’s practice, approaching performances as a ritualistic space to play with the idea of connection and communication beyond the human realm. 

Russolo believed, and pursued the idea that noise could be used as a bridge to spiritual understanding. He sought to congure and transform energy through the Intonarumori’s ability to ‘spiritualise’ noise. 

Performances by the Trio are pure improvisation, allowing the space and the air to guide the players.

Intonarumori Trio LIVE @ Ten Days On The Island Festival

Cast of Characters:
Single Use & Recycled -- @user-995867230 -- Bill — acousitc rhythm and lead guitar and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums and percussion
J.J. Terrell– @j-j-terrell – synth strings
TexMex Shaman– @texmex-shaman –Stephen — acoustic rhythm guitar, production, mix, and mastering
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song started as an idea Bill came up with on his acoustic guitar. Having found each other on the Cloud and enjoying each other's music, Josh and Bill decided to do a collab. Bill is a real deal guitarist, who's as prolific as he is skilled. Of course, Josh invited Eclectic Collective to the party, too.
  Shortly after doing so, he laid down a bass part to Bill's skeleton withi his four string fretless bass. Ken followed suit, and after a back and forth, completed the rhythms secion. JJ dug in next, adding the thrilling strings that highlight the high points of the melody. 
  There wasn't a whole lot of room for everyone on this, though, as Bill had the guitar parts nailed down tight. However, after sitting on the shelf for about half a year, Carl came along and added the missing piece with his raucuos vocals. Stephen also fattened up the sound a bit with his acoustic rhythm guitar.  
  Once it was in the can, we asked Stephen to work his production, mix, and mastering magic on it, too, which he came through with, as always.
  This brilliant song almost didn't see the light of day. It sat for what felt like forever, until we decided to revive it. This will not be the last collab we do with Bill, though, who was generous in not only sharing his music with us, but allowing us to do whatever we wanted with it, too. We hope you enjoy listening to this as much as we enjoyed creating it.  

Original lyrics by The Beautiful Dark:

Shifty shire
Ah, redistrict rot
Dividing a country for power by plot
Gerry's meandering
Not thinking of sane
What colourful friends can stop red rain?

With freedom waning
Conversation is paused
A few rich men failing
With solidarity cause
Shift the shire!
At minority we've baulked
That mind inconvenient
New red lines are chalked

State turf wars are on
Ah, redistrict rot
Dividing a country for power by plot
For the rights of the white man
We missing those slaves
So legislate oppression
That skin 'aint red way

Shire-Single Use & Recycled/Eclectic Collective

‘plaudite, cives!’
Breaking News.
2025 two layers of live performance.

Chaotic social engineering franchise.

First layer tools :
Pam’s, Varigate.
- Basimilus.
- Mother-32 > DSP (stereo delay).
- Morphagene (voice sample) > Zagrzeb (hp out) > Desmodus Versio.
- Drum2 (space snare) > FX Aid (#24 reverb plate classic).
- Plaits (analog high-hat model).
- DFAM > Data Bender > Monsoon (oliverb mode).
Ochd, Tetrapad, Sinc Defero, Mutes.
StMix, Black stereo mixer, Listen IO.

Second layer tools :
Marbles.
- E352 > Beads.
Batumi, Ochd, Sinc Defero, Tetrapad.
Quad Vca, A-138s, StMix, Black stereo mixer, Listen IO.

Recorded, mixed and mastered with Logic Pro.

Associated image : Petrus Major.

Rule by Fear [breaking news]

Hubble Time opens with the distant hum of space — a dark and organic atmosphere that slowly pulls you in.
The track unfolds through fluid progressions and subtle transitions, building towards a hypnotic climax.
Its groove, reminiscent of Laurent Garnier’s deep techno pulse, carries a timeless energy — repetitive yet alive, mechanical yet emotional.
The main synth acts as a gravitational hook, shaping the entire universe around it.
Minimal FX, clean textures, and a clear mix give the piece its spatial depth and clarity within the Timelaps album.
When it ends, the emotion lingers — like an echo lost somewhere between time and infinity

Timelaps I

Support

Hubble Time

Is there a heaven? (Rehearsal)

Synchronic Anxiety

Heal the torn

STILLE VERMUTUNG

Unapplied

heaven above

Re-Evolution Cafe' Orchestra is an multimedia, sound and art project, featuring sonic canvasses and videos for your perusing: "eclectic musings" and "musical disambiguation", sometimes with lyrical commentary, sometimes not even a mere word. Near an unassailable flow, memory re-asserts its musicality.

Life forms commanded by code and intuition.
All code can be hacked!
Re-invent your paradigms.
Hack into your code.
Re-define who you are.
This is a yoga, 
this is you... 
Re-Evolution Cafe' Orchestra.
Always open to collaborations:

Canto 1

Re-Evolution Cafe Orchestra

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