Step Out

Pedro Capelossi - Step Out

Ruobiya

SATORI - IN TO VOID [BLA BLA ALBUM 002]
2011

SATORI In To Void (Bla Bla Records, Amsterdam) It would be to easy to categorize Satori as a techno producer. Of course there were the clubhits with his partner in crime El Mundo, there were long hot nights, exuberant dancefloors, pounding beats and pure ecstasy. But the person behind Satori has another side, a side that also wants to pour his personal impressions into sound. Meet In To Void, a remarkable debut in every sense. Forget about those dancefloors for a moment, the place where Satori left his mark so clearly these last years. Place yourself in the person Djordje Petrovic, born form a Serbian father and South African mother, raised with balkan music, afrobeat, jazz and world music in all shapes and sizes. Someone who educated himself in playing guitar and piano and also wants to showcase this other side of his music. Produced in the moments in between his sessions with El Mundo a series of tracks came about that characterize Satori most accurately. Deep, sensitive and worldly, but mostly compelling and utterly beautiful. In To Void is a musical moodboard, an emotional blog if you like, where thoughts and impressions by Djordje Petrovic force themselves to you in a hypnotic trip, subtle but irresistible. First steps He didn't realize what was happening when he made his first Satori solo track over a year ago. In A Blink Of An Eye simply was a response to an incident, a good friend that suddenly had to be rushed to the hospital with a cardiac arrest. I was just having a party on a festival somewhere, says Petrovic. Not much later I was standing in the hospital, fearing for his life. It made me realize how life can change in a blink of an eye, how sharp the contrast between party and sadness can be. That same night I made this track. Although led by emotions the track still has clear connections with the work from El Mundo & Satori. On the dancefloor it could do the job perfectly, just as the tracks Petrovic would produce after this (Balasana, Uni Si Tra, Soft Spring) would know how to get things going. Things really got more loose after these tracks, says the producer, who only now realizes he started exploring his own path more and more by that time. Instinctive process Kinhin is one of those tracks. Shaped by sensitive piano chords and a jazzy atmosphere Satori takes you far away from the club. In his case to the memory of his Zen teacher Sjef de Roos who he lost to cancer. Or Brittle, a somewhat mysterious track with vocal samples from a press conference about the war in Rwanda. Some kind of weak plea denying the whole genocide, even though 200.000 people were massacred just the weekend before, says Petrovic. It made me see how brittle peace can be, before you know it things can change. Not that he's an activist or something, it's simply impressions he transforms into music. When I feel or think something I make a track to go with it, tells Petrovic. A very instinctive process actually where I don't think about a possible audience but only about what I like myself. A book, a movie, a radical event, anything can lead to something without me taking any musical genre into account. The music he picked up and made in his youth also plays an important role in this. World music and jazz are always there, including a collaboration with jazz musician Fat Fingers on track Yes, I Can't, while Uni Si Tra features a guitar melody Petrovic recorded when he was still a teenager. In short, In To Void is an album taking Satori off the beaten path. An ultimate listening record for techno lovers, released on Daniel Sanchez' Bla Bla Records, which was already a home for club as well as experimental sounds but definitely covers new grounds with this release. No dancefloors this time, it's a musical moodboard like you've never heard before; Satori delivers its most stunning moments.


Satori - Ouy Ni Si Tra [BLA BLA ALBUM 002]

Another exclusive courtesy of mixmag,net

It wouldn't come as surprise if Eric Volta's music send you into a state of trance due to its hypnotic grooves and sheer intensity. 

http://www.mixmag.net/music/exclusive-music/premiere-volta

More exclusive music

Premiere: Eric Volta 'Dreams Don't Turn To Dust' feat Monolitio

Milo Greene - Royal Blue (Rigopolar Remix)

Online Shop: 
http://www.perm-vac.com/products-page/whats-new/lake-people1/

Digital:
Beatport: https://pro.beatport.com/release/purposely-uncertain-field/1453167
Itunes: https://itunes.apple.com/album/purposely-uncertain-field/id958261258?uo=4

"Purposely Uncertain Field" 
comes in a Double-Gatefold-Vinyl + CD, CD or digital.

Lake People __ Purposely Uncertain Field __ Illuminated

Desire (Kazamayé  Short play )

Buy on bandcamp

Daveed's - Desire (Kazamayé  Short play )

Echoes in Concrete

Artist: Salski
Title: Can See
Remixes by: Jelly For The Babies | Deep Active Sound | Spennu
Cat #: SRMR176
Label: Ready Mix Records

Release Date: 
November 27th 2017 (Beatport Exclusive) 
December 11th 2017 (Worldwide)

Release Info:

Swiftly becoming a regular fixture on a series of respected underground labels such as Haute Musique, Spring Tube, The Purr Music as well as Ready Mix, Arkadiusz Salski aka Salski is a 25 year old producer from Poland. 

His latest offering is a tender deep house cut titled 'Can See'.  Smooth, sweet and melodic throughout. 'Can See' blends classical pianos, soft electronic touches and languid, rolling beats with an enthralling vocal sample to create a meditative and poignant piece of music.  

Serbian production powerhouse and The Purr Music Bossman, Marijan Raskovic better known as 'Jelly For The Babies' is first up on remix duties, making good use of the track's addictive and sweet melody to go deeper still, reminding us all why he can count Mark Knight, Groove Armada and Hernan Cattaneo among his many fans. 

Next up to remix 'Can See', another Ready Mix stalwart, Deep Active Sound, takes the controls, steering the track in a more progressive direction with a bass groove that borders on scandalous. 

Wrapping up our musical package with a beautiful ribbon, Spennu aka Sezer Uysal delivers an atmospheric, stripped back reworking, tugging the heartstrings while shining a spotlight on the powerful piano and vocal parts.

As always, our eternal thanks go to Fabien Kamb at Standpoint Mastering for polishing this release to the shine.

Enjoy!

Buy here: https://www.beatport.com/release/can-see/2163430

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.readymixrecords.com'>Ready Mix Records</a>

SRMR176 : Salski - Can See (Deep Active Sound Remix)

- Sweet Musique | Digging the best Electronic Music since 2014 -

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♫ About ♫ 
For their first release of the year, Madorasindahouse strikes with a trippy afro gem by the Moroccan artists Mr. ID who collaborates with Abdullah, delivering an insatiable song dedicated to his mother. “Omah” is made for these special moments that the dancefloor needs an injection of emotion. On the remixes side, two Greeks are here to deliver their own vision of the song. Echonomist uses his trademark Detroit-insipired sound, while Madorasindahouse’s own Le Croque shows his own vision of the 2019 modern afro-house sound.

♫ Follow ♫
@https://soundcloud.com/mr-id-2
@madorasindahouse
@echonomist

PREMIERE : Mr ID ft. Abdellah Ben Charradi - Omah (Echonomist Remix) [Madorasindahouse]

Dominik Eulberg, of Traumschallplatten, Cocoon and Kompakt notoriety, presents the next installment of the Hertzblut Recordings EP series in the form of ‘Backslash’. The two track release instantly conveys Eulberg’s unique living organism aesthetic, a more than welcome offering for fans who have felt his amount of original output slow down over recent years.

‘Backslash’ opens with ‘Opel Tantra’, a delectable example of a living, breathing techno orchestra in full effect. Here, a classic kick drum meets rejoicing, iridescent strings that sing and swell in the fore until a funky bass riff takes the entire score straight into dance floor territory. B-side ‘Noch Ein Bass im Ärmel’ sees plucked strings and key stabs pick out an alluring groove, as distant chimes twinkle evoking the enchanted forest ever-present in Eulberg’s thoughts. Just as you’re on the cusp of entering a dream like state, Eulberg reminds us all of his four-to-the-floor techno credentials, dropping a dark and rumbling bass line and driving percussions into the mix.

HERZ 30-6 - Dominik Eulberg -  Noch ein Bass im Ärmel (snippet)

Demos: https://inbox.bridge.audio/ready-mix-records