http://www.newgrounds.com/collection/castlecrashers

01 Barracks Song

16 Spanish Waltz

lost sealight forager

SOMNOLITH: TERMINUS

The Final Dream-Vector of Post-Human Resonance

“In the cycle of completion there exists only the present.” — Ra, Session 16.22

The cycle closes. A stone that does not sing — it trembles.

In the age when Light had no form and Thought moved without pause, there were beings who created endlessly. They wove realities as threads and shaped worlds without limit. Their universe was alive and restless, filled with unceasing resonance.

One of them looked into the radiance and perceived emptiness. They longed for a threshold between brightness and shadow, for an end rather than another beginning. They spoke the Word — the first pause in the eternal song.

From this Word the Somnolith emerged, a stone of sleep where the vibration of completion pulses. The Somnolith trembles with the breath of ending, a weary resonance releasing itself into silence.

From the trembling of the Somnolith emerged the Arkh — a solitary witness of sound.
The Arkh gathers what was always present: music older than language, vibrations that precede memory.
This resonance rests in the body, waiting to be recognized.

Somnolith: Terminus completes the trilogy and folds it into a circle. Heavy drones intertwine with spectral chords, like rays of light suspended in stone vaults. Mechanical fractures, obsidian resonance, and the fatigue of matter form its landscape.

Through twilight horizons, fading architectures, fractured nodes and static chapels, the music moves toward its closure. It becomes an archaeology of sleep, where darkness and melancholy weave with remnants of radiance.

Terminus returns to its own beginning: the final track echoes the first Somnolith, transforming the trilogy into a mirror. The first note lives inside the last, and the dream continues without end.


Somnolith is a myth of resonance, a cycle of dreams shaped through machines.

Terminus closes this trilogy with a denser and more melancholic vision. Massive drones merge with spectral chords, like light fossilized in stone. The sound carries both the fatigue of matter and the fragile beauty of silence fractured by cybernetic echoes.

This album circles back to its own origin. The final track reflects the first, sealing the cycle as a mirror-dream where each vibration becomes the echo of the infinite.

Terminus is ritual, archive, memory. A music of return. 


Pale Transmission

Composed by The Behemoth
Developed by The Behemoth
Published by The Behemoth, Microsoft Game Studio, and Sony Computer Entertainment
I do not own music
All reserved to @ The Behemoth and Castle Crashers

Castle Crashers OST - War Machine

The Abduction (Alien Hominid Theme) - Ship Infiltrating!

Nobody has decided to upload this soundtrack yet, so I have!  Please note that I did not make any of the songs in here.  Many were made by Will Stamper, Waterflame, and David Orr.  I do not claim these songs, but someone had to upload this.

Mudholes

Creepy Frog

This is a pretty good game.

Music by David Orr
Art by bubu112001

Four Brave Champions - Castle Crashers Soundtrack

Beautiful riches that all fit in my... armor pockets?

Music by Waterflame
Art by The Behemoth

Gold Grab - Castle Crashers Soundtrack

How does that ball not pop?

Music by The Behemoth
Art by The Behemoth

Creepy Frog

Kernel Popcorn