Innocent Drawer (Original Mix) snippet

UNIQUE GROOVES!
Off the cuff madness!
(Joe Thomas)

assimilated by Techno ⬡⬡⬡⬡


It was warm. That was the first sensation, a warmth that pulsed through the body like blood, a steady and unrelenting current. The rhythm wasn’t confined to sound; it was tactile, pressing against the skin like sunlight on a summer afternoon. It vibrated in the soles of their feet, in the hollow of their chest, in the fragile bones of their skull. 

To exist in the rhythm was to be enveloped. There was no separation between self and sound, between body and motion. The bassline thrummed through every muscle, every tendon, guiding the body like a gentle hand. There was no strain, no hesitation—only effortless movement, as though the rhythm had always been there, waiting to be uncovered.

The air was thick with it. Each breath tasted of heat and energy, charged with a tension that never broke. It was intoxicating, like the first sip of wine or the rush of adrenaline after a sprint. The rhythm filled the lungs as much as the ears, its pulse expanding and contracting with each inhalation.

Even the mind was not spared. Thoughts didn’t just quiet—they dissolved, melting into the beat like snow under the sun. There was no room for regret here, no space for fear or uncertainty. The rhythm claimed it all, sweeping away the burdens of memory and anticipation.

The absence of thought wasn’t frightening; it was liberating.

Without the clutter of the past or the weight of the future, existence became beautifully simple. The body moved when it was meant to move. The breath rose and fell in perfect sync. The world reduced itself to the endless now, an eternal present in which nothing could go wrong because nothing needed to be decided.

The rhythm cared for them.

It wasn’t a cruel master, nor a merciful one—it simply was. It demanded nothing except surrender, and in return, it gave everything. To live within the rhythm was to be weightless, to be free of choice, free of doubt, free of self. It was a salvation as soft and enveloping as a dream.

And yet, there was texture in the experience. The rhythm wasn’t smooth; it was layered. The bass was heavy, grounding them, while the higher tones danced above like sparks in the dark. The sound wasn’t static—it shifted, evolved, building and breaking in waves that carried the collective along.

Their skin tingled with each shift, as though the rhythm spoke directly to their nerves. Each beat sent a ripple through their muscles, an electric surge that left them trembling with pleasure. Their heartbeats synced to the tempo, their blood rushing in perfect time.

And the others—oh, the others.

They didn’t see them as individuals anymore. The faces around them blurred, indistinct and unimportant. What mattered was the unity, the way every body moved together as one seamless organism. There was a comfort in this togetherness, a deep and primal reassurance that they would never be alone, never be apart.

They were the rhythm, and the rhythm was them.

To an outsider, the scene might have looked chaotic—sweating bodies writhing in time to an invisible force. But to those inside, it was the opposite of chaos. It was order. It was meaning. It was existence stripped of everything unnecessary, reduced to its purest, most blissful form.

There were no questions here, no doubts, no distractions. Just the warmth, the vibration, the endless flow of sound.

And in that flow, there was peace. ⬡⬡⬡


Hungarian Techno Dj and Producer since 1998.
...In 1998 he got the first possibility to stay behind the turntables. By this he became more motivated, and he tried to visit every event where he could play for the people. He took part to organize a lot of event. The most of time he played on vinyl, which was very important for him
...Yes, that's when the whole story began.
Own labels: Resorted Recordings and Resorted Unlimited

Wir sind Hase & Re:e und die Kommune 22 – ein kreativer, etwas verrückter Verein, der sich dem Feiern mit Herz, Bass und Verstand verschrieben hat.
Was uns ausmacht? DIY-Mentalität, ein offenes Mindset und die Liebe zur Musik. Wir bauen unsere PA-Anlagen selbst, Upcyceln Material, organisieren unvergessliche Raves, mixen nicht nur Platten sondern auch Drinks und schaffen kollektive Erlebnisse an besonderen Orten – mit tollen Menschen, für tolle Menschen.

Re:e – der Architekt der Bässe – baut unsere PA-Anlagen mit Präzision und Leidenschaft. Was er baut, ist mehr als Technik – es ist ein Versprechen: Wenn’s wummst, war’s Re:e.
Hase ist der Meister der kollektiven Eskalation – charismatisch, wild und immer ein paar BPM zu schnell. Wenn er auftaucht, wissen alle: Er ist kein DJ - er ist ein Zustand!
GoaLexus, unser Gandalf der Solaranlagen, zähmt Akkus und entfesselt Laser wie ein Zauberer des Lichts.
Lubbe ist unser Hardtechno-Heizer, der Reverse Bass wie ein Vorschlaghammer serviert. Wenn er spielt, gibt’s keine halben Sachen – nur volle Energie, fliegende T-Shirts und Blicke, die sagen: "Was war DAS denn gerade?"
Und die Kommune 22? Sie mixt, zapft und schenkt aus – von der Bar direkt ins Herz.

Unsere Musik: Techno, Hardgroove, Hardtechno, Goa, Trance – roh, treibend, ehrlich.
Unsere Orte: Wälder, Hallen, Brücken, Niemandsländer – überall da, wo Freiheit noch klingt.
Unsere Energie: selbstgemacht, nachhaltig, kollektiv.

Join the Bau – feel the Rehsonanz.

Con 17 años pinchó mi primer vinilo...en los locales de un barrio de Donosti...ahorrando un poquito por aquí, otro por haya...empiezo a Adquirir discos...dos años más tarde herede 2 platos akiyama de correas...no había manera de cuadrar dos temas..pero mi cabezonería y unos technics 1200 del local vecino...consiguió mi primer bolo de prueba...en un local del alto de gaintzurisketa,"La Seta". Pasando la prueba con nota alta...estuve un año y algo haciendo hafters...sábados y domingos...lo ganado lo invertido en vinilos, haciéndome con casi 1000 discos.

A los 26 añitos fui padre, dejando la música electrónica un poquito de lado...

12 años más tarde, empecé a comprar technics...destartalados y me dediqué a ponerlos bien y bonitos...llegando a customizar 11 unidades..quedándome yo con 2...y a la vez me hice con mi primera controladora...pioneer...de dos canales.
luego adquirí otra akiyama sincron.
hoy en día tengo la ddj pioneer rzx..con dos techics 1210 2mk rojos...y ahí voy  dándolo todo en mi santuario del sonido.


Innocent Drawer (Original Mix) snippet

Realsortis