“My Melodies”

Cyan

April '22
... name of a street nearby (were the picture was taken, at a hill beyond in Summer 2010)

Hasenquelle

a track by Marco Lucchi reworked by Mean Flow

luglio 2022

Mean Flow & Marco Lucchi - minimalismo in modo ionio (studio preparatorio)

https://kalaminerecords.com/merle-bardenoir/

Glamourie - Behind The Veil Of Cloud

BBlls

Recording from 2020 Melankolina sessions.

SEULASET

Wormit Acid (live recording)

Hypnos for bass flute or tenor recorder and tape 
Written in 2018 and revised in 2020
Recording from the premiere of version for bass flute: 28.01.2023, Grusomhetens Teater, Oslo, Norway.
Alessandra Rombolá – bass flute, Martyna Kosecka - electronics, Michal Sykora – mix

Hypnos is a dream; Hypnos is a passage through the mosaic of memories and flashes of the closed eye state. It disputes the concepts of time flow, sleepiness, and variable points of focus. The piece is written in the Dastgāh-e Māhur Persian scale and explores certain harmonic states and motivic groups that are the characteristic components of a dream, my Persian dream.

Hypnos(2018, rev. 2020) for bass flute and tape

Concerto for Violin Solo and Orchestra

Recording performed by ORF Wien Modern, Carolin Widmann and Sylvain Camberling

First performed at Darmstadt Summer Course 14. August 2016, Radial System Berlin and Weimar Festspiel by Carolin Widmann, Sylvain Cambreling, Junge Deutsche Philharmonie and dancers from Sasha Waltz and Guests. 
Choreography by Antonio Rúz.

https://issuu.com/editionpeters/docs/ep_12015r__rebecca_saunders__still_

Still (2011)

Concerto for Violoncello, Strings and Percussion.
First performed and recorded 17 November 2012 at St Pauls Hall at Huddersfield Contemporary Music Festival, by Jean Guihen Queyras (vc), Ensemble Resonanz, conducted by Peter Rundel

View score - 
https://issuu.com/editionpeters/docs/ep_12734r__rebecca_saunders__ire__c

Ire (2012)

Berliner Philarmonie

Ensemble Modern Orchestra
Leitung : Pierre Boulez

Edition Peters Frankfurt/M.
https://www.edition-peters.de/cms/deutsch/general/komponist.html?composer_id=3425

...auf... 2 für Orchester

München, Herkules Saal
Musica Viva Festival 2007

Bayerisches Rundfunkorchester, BR
Leitung : Matthias Pinscher

Edition Peters Frankfurt/M.
https://www.edition-peters.de/cms/deutsch/general/komponist.html?composer_id=3425

...auf...1 für Orchester

Alte Oper Frankfurt 2009

Ensemble Modern
Siemens artprogramm
SWR Experimentalstudio
Klangregie Joachim Haas
Leitung : Franck Ollu

Edition Peters Frankfurt/M:
https://www.edition-peters.de/cms/deutsch/general/komponist.html?composer_id=3425

üg  für Ensemble und Elektronik

BhUtadhAtrI in Sanskrit language means “sleep, earth and supporter of being”.

This composition uses two different systems: the first is based on a dense textile weave that determines a strict, logical structure, moving from the highest note to the lowest of the trumpet; the second is based on the harmonics and overtones of the changing chords produced by the first system. The harmony is based on perfect intervals – perfect fourth, fifth, octaves – that are de-tuned by overlapping microtones, resembling the drones of Indian music. The two systems are woven together into a monolithic soundscape that develops from quiet to loud, overlapping different patterns as the music grows from a few notes into an enormous chord.

The work is commissioned by the contemporary music festival “Gaida” and Lithuanian Composer’s Union.

The world premiere was performed on 19 October in 2018 by the Lithuanian Ensemble Network, conducted by Vykintas Baltakas. Trumpets: Laurynas Lapė, Aurimas Jankevicius, Andrius Stankevicius, Linas Rupšplaukis, and Vilius Surdokas.

BhUtadhatrI

the Sea They Think They Hear
for soprano, flute, harp, piano, violin, viola and violoncello | 2021

Written for and performed by the Wet Ink Ensemble and Gelsey Bell
Recorded at Scholes Street Studio
Mix and Mastering by Murat Çolak

Text

The ocean, deep blue-green.
What we learn in the middle of the night is that the world makes us flinch. (Michel Serres, The Five Senses: Philosophy of Mingled Bodies)
Sounds an ocean, drinks it in.

Then everything became worse for the wear, damaged, used and used-up and ultimately destroyed.
More and more I made up for what was lost, I slowly improved myself, and I considered myself healed. (Ingeborg Bachmann, Malina)

I found myself trapped in a nightmare, standing alone at the sea. Everyday becoming more and more.
White and yellow and gray and horizonless. (Tove Jansson, The Summer Book)

the Sea They Think They Hear (2021)

Berlin-based British composer
www.rebeccasaunders.net

Ire (2012)

Rebecca Saunders

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