#06 realismo mágico

Birds have been known to tap on residential windows. It’s not to get your attention: Many migratory birds looking to put down roots for the warmer months get territorial. When they see themselves reflected in a window, they can mistake it for a rival bird and begin pecking. Some homeowners put up anti-reflective material to prevent birds from pestering themselves.

Who Says Birds Don't Do Things Just For Fun?

Where we are going

4 - Dez - 2015

1986 INTERNATIONAL ORCHESTRA SAFARI SOUND, Homa Imenizidia ("Fever has Overtaken Me")

GREGORY CHARLES ROYAL - Take A Ride To Heaven (HJ45001)

Fanni Zahar - flute, shekere
Szabolcs Bognar - Rhodes
David Szarvas - percussion
Andras Koroknay - bass
Tamas Czirjak - drums

Recorded with an iphone in February, 2018, Budapest
Released on Fada Records Generation 2 compilation

Àbáse - Orbit Sirius

Taken from th album 'Ecstatic Computation' releasedas LP and Download

Ecstatic Computation

Caterina Barbieri 'Fantas' (EMEGO 259)

http://www.recitalprogram.com/matthew/
Limited LP Edition of 250pc
includes signed insert by Sullivan
Direct orders also get Microfibre cloth with "Matthew" insignia
OUT ON APRIL 19th

Purchase

R57 - Matthew Sullivan - Matthew LP excerpt

Recorded from the record for sale. This was pressed privately by a spiritual sect / gang in China 1986. About a 100 copies and god knows where they ended. It's a bizarre one of a kind record with a monster ambient / balearic bliss of a tune that runs for almost 6 minutes. It also sports a slow boogie instrumental and some weirder cosmic tunes. Don't sleep, you won't see this anymore.

"高妮妮, 程进" By 七色火 on 中国唱片 Cina, 1986 - VG(+)  👋

A2 - Ronald Langestraat - Space train (3:54)

Aphex Twin - Brooklyn, NY 2019 Sample

Taken from:
Not Glass - Forma /  Ήθος LP & download [Ecstatic Recordings, 10/05/2019]

• Immersive, theatrical collab by Not Waving and Jay Glass Dubs, aka Not Glass
• Inspired by quotes by classical ancient Greek/Latin poet-philosophers Ovid & Heraclitus 
• Mystic kosmiche ambient meets inverted dub and tribal rhythms
• Mastered at vinyl cut at D&M, Berlin 

Not Glass is the wonderfully lofty, classically-rooted debut collaboration between Alessio Natalizia (Not Waving) and his longtime correspondent Dimitris Papadatos (Jay Glass Dubs), paying tribute to Latin and Greek authors Ovid and Heraclitus in a suite of dramatic electronics and cryptic rhythms comparable to a theatrical soundtrack.

Knowingly, ironically pretentious, yet serious with it, ‘Forma’ is the result of years of daily Facebook chats between the London and Athens-based artists where they cemented the album’s concept around key quotes by the legendary poet/philosophers, who hail from their respective homelands of Italy and Greece. The results are in effect a spellbinding attempt to transmute those notions within the collaborative, contemporary framework of their music, using patented palettes of hardware, vocals, and FX to render and reflect core classical mythological and philosophical ideas about drama, love, metaphysics, cosmology and the “unity of opposites”.

On this timeless plane, Natalizia and Papadatos both step outside of themselves to find “what opposes unites”, spaciously consolidating their typical, yet contrasting, rhythm-driven approaches in a reverberant, often beat less sphere of exploration. Removed from their usual handrails, the artists operate at their most open-ended and subtly suggestive, amorphously shapeshifting from gloaming shadowplays of synth and keys to investigate arcane percussive impulses and iridescent ambient whorls.

The result is a perfect, finely shaded marriage of their mutually esoteric, outsider Southern European energies, which intuitively acknowledges and inhabits the paradoxes of their respective styles. The illusively static yet mercurial ebb and flow of the atmospheric intro ‘Fallite fallentes’ sets the scene, where ‘Dum loquor, hora fugit’ invokes a viscous but brittle tangle of wide bass and pointillist rhythms beside a stately cello vignette ‘Ludicrum_χορικόν’ that recalls aspects of Scott Walker’s mystic charm ’Soused’. The rapid arps and slow moving, glassy pads of ‘Pauper ubique iacet’ conjure a sublime tension that becomes diffused into the cavernous, hollow dub dread of ‘Ut ameris, amabilis esto’, possessed with its throaty, processed vocal, and the lonely strings and plasmic electronics of ‘Forma bonum fragile est’ connotes a psychedelic coming-to-terms with their artistic/philosophic duality.

Not Glass - Fallite fallentes / Ἔφη ὡς ἦθος ἀνθρώπῳ δαίμων [ELP042]

The story behind AF023 is pretty simple: the infamous Brainwaltzera has put me on the track of this guy from Brighton, whose stuff i felt fascinated with. Several months in the making and the result is —Ubal EP, Mause’s debut. Ball’s on your roof now! I wouldn’t miss it if i were you. Pervert.
—
+++ OUT MIDDLE JUNE +++
PREORDER TURQOISE 12" VINYL + DIGITAL: https://bit.ly/2wn2e3f
—
AF023
MAUSE
— UBAL EP 
—
A1 THARKSITHE FM 03:54 
A2 25-8-18 03:34 
A3 — UBAL CODA [k] 03:38 
B1 FX22 06:19 
B2 DAFFOFILLIC —UBALIST [tangled] 05:34 
—
©+Ⓟ Analogical Force 2019. All rights reserved. 
Written and produced by Mause somewhere in Brighton ⁄ UK.                 . 
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón.
Artwork by The Partisan, Madrid. 
Distributed by Clone, Rotterdam. 
www.clone.nl
www.analogicalforce.com

Buy Now

[AF023] MAUSE '—UBAL EP' [2019]

Music page for the record label Recital, run by Sean McCann. 