This episode celebrates monome's 10 year anniversary by exploring the work of Sean Hellfritsch (http://seanhellfritsch.com). Sean is an accomplished musician and filmmaker (http://encyclopediapictura.com), having recently released 'Some Sort of Wave Portal' on Leaving Records as Cool Maritime. He is as warm as the California sun.

Much of the featured music is from Sean's 2012 self-released 'Tea Time Travel'.

Lovingly crafted tapes of both works can be purchased here:
https://coolmaritime.bandcamp.com/album/tea-time-travel
https://leavingrecords.bandcamp.com/album/some-sort-of-wave-portal

Sean Hellfritsch (Cool Maritime): SOUND + PROCESS #2

Face [Glimpse] (with Oren Ambarchi & James Rushford)

Daniel Schmidt - "Abies Firma" LP & CD
www.recitalprogram.com/abies-firma/
www.recitalprogram.com/purchase/
includes CD with extra suite, and 20-page pamphlet.
Release date: Nov 15th, 2019

Purchase

R70 - Daniel Schmidt - "Rebab Delay" excerpt from Abies Firma LP

Live excerpt @Festival Baignade Interdite

Eric Andersen - "The Crying Space" 2xCD
www.recitalprogram.com/the-crying-space/

PRE-ORDER HERE:
www.recitalprogram.com/purchase/

Edition of 200
° Gatefold wallet with insert

Release date: Feb. 14th, 2020

R65 - Eric Andersen - "Le Chemin Des Larmes" excerpt from The Crying Space 2xCD

Yolabmi - Rebirth - (Senglar Birth Full Version)

Paszka's new album 'Gluon' out not via Noumenal Loom! 

Digital - https://noumenalloom.bandcamp.com/album/paszka-gluon

'Gluon' feels like metadata management (or mismanagement) transcribed into music. Maximal electronic music with a keen focus on sampling, spatialization and timbre. It's at home alongside artists like Foodman, Yellow Magic Orchestra and Oval - straddling the line between saccharine pop and the experimental. Szymon is based out of Poland and also records as 1/2 of the duo @mukamukamuka

All songs composed by Szymon Sapalski

Artwork by Neil Jackson (https://neil.graphics)

Cauliflower features vocals from Kacha Kowalczyk

<3 Noumenal Loom 2020 <3

paszka - Ugrząźć

Programa especial de @maxrosemin emitido el 06-11-20.

Con musica de @juan_azul @jotagege @m-0_0-m @micaelaamescua @elbisrever3 @dayanasudore @mmiimm00 @lemansofficial @amdemiguel @judith-j-2 @globalentertainmentultd @misaeculogordodj @cardevore @bors123 @ari_cardozo y más

Tracklist:
Juan Azul - Salud para todos
J.G.G. - UKDK
literally - cancion pa cuando llueve
'MESALINA - its like pra pra u know
GOLOKA - FREE ABEJA MAYA 01
Elbis Rever - TEN
dayana sudore - Vente Conmigo Carinio
MiM0 - decomp baby
Le Mans - Orlando
Deplorably Adorable - angel baby
Joseba Agirrezabalaga - Desierto
Alejandro M. de Miguel - Una Mañana
Inspector Ratchet - that
Chad Williams - Medicación
Misae Culo Gordo DJ - Misae Nohara culo precioso
cardevore - la nana de la decadencia barroqa
Hombrebii II - Mariposas
ari - timidez
Fettucini - VMSscrew

Pop Mix 2020 by Max Rosemin

release on 20 November 2020 : https://bit.ly/39esOQP
@made_vacuum

Introducing morosphinx, a squeaky trio from Brussels. Recorded in Vilvoorde, on the outskirts of the Belgian capital, this album probes impressions of relative distances within a sound space. morosphinx projects us into a musical context that is both strange and familiar, where sounds blend together and define their own landmarks.

morosphinx - B2

subscribe to spools to here the whole FILAMENTING ep  ><< https://ifizu.bandcamp.com/spools

sinew ii

Food, sex, glory to God; in which order? Do you first eat, and then pray to thank Them? Or perhaps coupling takes the top spot for you.

Each of these three fundamentals is about service. What is your way of serving others while you’re in this world? And will we keep doing it ever after? In heaven—if we’ll make it there—will W serve us their mass of resonating frequencies and clipping digital ornaments?

A new release by W is here to go alongside our feasts, orgies, and other acts of devotion. Yes, it’s suited for all kinds of services. You must try it on fried fish, living bodies, or celestial ones.

From right to left and back again from left to right; W spins the middle frequencies into a ritual that helps us to forget ourselves. For a while, heaven and earth exist on the horizon, instead of the vertical.

The sonic horizon reminds us of the beauty of the plain from which nothing arises to compete with God. What's more, the panning offers an exercise in humility: everything is around you, but you’re not the center.

The distorting of those sweet basslines tells you that what you’re hearing is growth and rot, crop and compost, both at the same instance. The distortion invites you to go medieval—think Ars moriendi, the art of dying. Learn from these sounds by reflecting on how they’re ready—but not willing—to leave this plane at any moment.

The sounds that make up Maanpinna follow neither a linear understanding of time, nor a hierarchical understanding of bodies, but an instantaneous one of both. You could call it quantum music, but then why would you do so when you can call it a service?

Of the three acts of services mentioned, sex and God demand the most trust. Can you trust these sounds? You could learn to do so by listening to them on repeat. No: forget the idea of being able to know music, forget beginnings and ends; try living with these sounds forever, always unearthing new aspects.

Commit to the sounds, because why else would they trust you? Touch the wobbly melodies and feel them touching you like nothing has ever done before.

Apart from the sea of sine waves, Maanpinna sometimes gives you bursts, pops, and washes of filtered white noise. They are gestures of good faith made by the music itself towards you. If you didn't trust the sounds before, perhaps now you will.

Those bursts are not pure noise, but cut down to a serving size by W. The modified noise tells you what the dead always tell the living: ‘What I am, you will become.’ The art, in life and audio, is in learning to lose. It’s a lesson that reverberates deep in the bare soundscape of Maanpinna.

It is music made from very few elements. And while reduction has always formed the basis for aural worship, on the hands of W, sounds are never reduced to the level of blasphemy: there's always the noise and the distortion.

- Kaino Wennerstrand

Produced by Eero Pulkkinen (@susiovet).
Mastering by Jaakko Viitalähde.
Artwork by Carmine Laurenza.
AFN005 - A Flooded Need, 2021.

Maanpinna

W - Un I

Music page for the record label Recital, run by Sean McCann. 