“Being down-to earth” the art of success.
 Benjamin D. aka Crotekk clearly shows this in different ways daily. Up-most is his love of music and his drive to keep the world’s best ‘techno scene ‘of music alive.
The goals he set for himself, he has already exceeded. He is the guy everyone recognises and loves not only because of his sound but also for his balanced demeanour.
 Crotekk first visits to the Techno parties were back in 2008, at the age of 15. He realised early on that commercial ‘Mainstream-House’ did not excite him. “The first club I frequently went to was the ‘Glashaus Centre’ in Worbis. The only reason for that was the ‘Bunkerfloor’ ”, where his idol An-Dreh played Hardtechno. Crotekk credits his idol for his own love and passion for fast, hard and brute forced Techno. It took Crotekk 2 years to progress his music before he finally scored a gig at the ‘Exit Club’ in Heiligenstadt where he was to introduce his sound for the first time. 
The crowd was thrilled and Crotekk went onwards and upwards from there on in. His popularity grew without a limit in sight. Agents and Clubs from everywhere started to fall over each other to get him to perform at their venues.
Wanja from Tekk Freakz recognised Crotekk’s talent signed him. From here on in Crotekk was a celebrated name in the East of Germany.
In 2013 Crotekk met the Acid Wars Crew from Nordrhein-Westfalen. The crew loved his music and made his dream come true. A Festival Gig at Ruhr in Love and Nature One.
Overnight Crotekk became the household name for ‘Hardtechno’. His fan base kept groing and at the end of 2015 the dream of a solo release was finally coming true.
Spring 2016 this was made available online and his high anticipated remix album is expected to be released in Summer 2016.
 Crotekk- more than just noise!!"

--- We like FILTH and we do it on ACID NOW ---

Label run by Reinier Zonneveld. 
@reinier-zonneveld

co-founder of Diffraction

Booking/Contact: tino@diffraction.email

Instagram: tinojtroester

There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

Afterlife / Siamese / Upperground / Simulate / Ellum 
Worldwide booking: citizenkain.booking@gmail.com

French DJ/producer/label boss Citizen Kain is the DJ’s DJ – his powerful tracks at the heart of sets by many a top name (Tale Of Us, Maceo Plex, Artbat, Solomun, Mind Against, Adriatique…). He releases on Afterlife, Ellum, Upperground, Siamese, Atlant, plays at global events such as Fusion Festival (DE), Marvelous Island (FR), Ying Yang Festival (Great Wall of China), Les Plages Electroniques, Sunburn Festival (India), Spilt Milk (South Africa), Les Nuits Sonores, Piknic Électronik… while supporting luminaries such as Artbat, Laurent Garnier, Adriatique, Adam Beyer, Maceo Plex, Solomun, Mind Against… 

 Add to that his impressive following on DSPs and honourable history (including jail!) as part of the French illegal rave scene and it’s high time he was more of a headliner in every sense of the word. So, he’s emerging from his ‘eminence gris’ status into the limelight, in time to make his new label’s name UNSEEN (launched Aug 2022 with ‘Kiss Me Again’) well and truly ironic as well as releasing his own new work, remixes and other artists. 2023 sees his track‘Ghosts & Shadows’ drop on Artbat’s label Upperground, after his ‘Ricochet’ dropped March 2023 on Adriatique's Siamese imprint – more big releases TBC amidst a hectic tour schedule.  

SOUND, STORY & EARLY INFLUENCES: Kain describes his sought-after and very strong individual sound as ‘Melodic Techno, always melodic, but with an edge and very groovy rhythmics. I mix genres of Techno, Hardcore, DnB and House from each period of my music development, defining a very fat, high energy sound.’ Other influences from 80s New Wave (Depeche Mode, Kraftwerk…), Punk, and his earliest youth playing guitar in a Metal band also enrich the mix. 

Kain’s childhood passion for making music began at age 10, an electric guitar from his parents leading to forming Metal bands with friends and gigging from age 15. He got the House/Techno bug soon after, and from 2002, he gave up a car factory job for full-time DJ/producing after a small legacy allowed him 2 years free to learn his craft, the one silver lining to the tragedy of losing his mother at age 20. From then on, he earned his living in music. A period of mainly Techno Hardcore/DnB eventually evolved into his current passion, Melodic Techno. 2006 saw his first vinyl release, and from 2007 he released vinyl on high stature labels and began serious touring. From gigs in local bars and clubs, to organising small illegal rave parties and then much bigger illegal events (which landed him briefly in jail!), he has lived his love of music on stage and never stopped. 

Early influences began with Metal, Hardcore and Punk (Biohazard, Sick Of It All, Madball, Agnostic Front, Fugazi, Discharge) while playing in bands, then when DJing it was Electro/New Wave like Depeche Mode, Kraftwerk, Joy Division, The Cure that got him into Dance Music, seeing him through his Techno epiphany. 

RECENT RELEASES: As well as his 2023 July single ‘Ghosts & Shadows’ from a 4track VA EP on Artbat’s label Upperground, and lots more in the works, there was also ‘Ricochet’ March 2023 on Siamese while 2022 gave us ‘DRAG’, and ‘Pancho Villa’ (both on Tale Of Us' Afterlife), his label launch track ‘Kiss Me Again’ on UNSEEN, plus releases on BOg’s Atlant and a second track on Afterlife’s VA compilation, as well as a track ‘Supercycle’ with David Guetta’s alter ego Jack Back. He made his Ellum debut with ‘Charly Charly’ in 2021. His tracks are eagerly snapped up by DJs such as Tale Of Us, Maceo Plex, Artbat, Solomun, Mind Against, Adriatique, David Guetta, Laurent Garnier, Carl Cox, Dubfire, Richie Hawtin, Joris Voorn, Joseph Capriati…

PERFORMANCES: Citizen Kain has shared a stage with all the major artists since 2000, most recently Artbat, Maceo Plex, Solomun, Mind Against, David Guetta, Adam Beyer, Laurent Garnier, previously Richie Hawtin, Sven Vath, Ricardo Villalobos, Carl Cox, Dubfire, Luciano, and earlier, Underground Resistance artists like Mad Mike, Jeff Mills, James Pennington. He has a packed touring schedule for 2023. 

GIGS INCLUDE: Fusion Festival (Germany), Piknic Électronik Montreal, Ying Yang Festival (Great Wall of China), Les Plages Electroniques, Sunburn Festival (India), Spilt Milk (South Africa), Dream Festival (Mexico), I Love Techno (Europe), Sea You Festival (Germany), Marvelous Festival (France), Family Piknik Festival (France), Klubbers Day Festival (Spain), Big Bang Festival (France), Les Déferlantes Festival (France), Burning Beach Festival (Germany), Icarus Festival (Germany), Panoramas Festival (France), Eclipse Festival (Canada), Les Nuits Sonores (France).

Now Citizen Kain has stepped fully out of the shadows, with such a list of achievements and accolades, the sky’s the limit.

''Imagination'' is out now! 🙏🏻
fk.fanlink.to/imagination

There is no doubt, artists generate – especially in our scene - hypes occur again and again. Be it a good track or an unforgettable DJ-Set. However, these come and go as quickly as they have emerged. And there is also something happening in this scene, which is quite apparent: It happens relatively fast. In Germany, the motherland of the electronic music, an artist has seldom managed to infringe at the same time upon such widely spread generations and masses. It is not by coincidence, that ideas like „German Techno Master“ (DJ Mag) or countless first grade placings originate in the process of the scene votings. Meanwhile one can also hardly keep up counting his fanclubs, who welcome him with frenetic exultation spreading across the entire republic and far beyond.

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Booking Worldwide
ask@bcbfamily.com

Dreckiger Dan is following