Neglect is an artist based in Tucson, Arizona. It's hard to pin him down, as at times he makes sounds that are deep and dubby, as JMV, at others he makes reflective ambient as Neglect. For Bandcloud he's offered an hour of drifting wonder. 

The mix opens with 'I Only Have Eyes For You' by The Flamingos, sampled by Fugees for their track 'Zealots' in 1996, and brilliantly covered by Laryssa Kim in 2019 (as featured in Bandcloud 278). It moves through other Bandcloud favourites including Jake Muir, wzrdryAV and Roméo Poirier. While he could not have known it, I used the House in the Woods track he features in a mix back in 2014.  All in all it's safe to say it's right up my street and I hope it's up yours too.

https://soundcloud.com/neglectsound
https://neglectsound.bandcamp.com/

The Flamingos - I Only Have Eyes For You (End, 1959)
Jake Muir - Peacocks Tail (Sferic, 2018)
wzrdryAV - Librarian (Line, 2022)
Halftribe - Points In Time (Shimmering Moods, 2022)
Elin Piel - Omsorg  (self release, 2020)
JMV - Online Flex (Best Available Technology unreleased version)(Proxima Rec., 2022)
Imaginary Softwoods - Telefer  (self release, 2020)
Romeo Poirier - Palmaire  (Sferic, 2020)
Strie/Scanner - Odin, Ready  (A Strangely Isolated Place, 2022)
rookas - Snake Island (Northern Electronics, 2022)
The House In The Woods - Severton Pathway (self release, 2016)
Abul Mogard - Along The River (self release, 2022)
Giuseppe Falivene - Echoes, Diffusions III  (Shimmering Moods, 2020)
Raum - Restoration (Yellow Electric, 2022)
Neglect - CHROMA (Proxima rec., 2022)

Bandcloud Mix March 2022 - Neglect

violin, cello, vibraphone, piano, electronic sounds
music we'd like to hear festival, London, 2016
commissioned by music we'd like to hear and RVW Trust

the way to go out (2016)

prox|m|ty |s dream|ng

High-quality downloads and CD of the studio recording is available at
https://dalniente.bandcamp.com/album/object-animal

SWAN (2016-17)

a - Korridor/Karaoke Mahshar - 00’00’’-19’42’’

b - Rod Modell - 19’43’’-28’49’’

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Recording of the premiere performance at the Constellation Chicago, 02/19/2017.

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Murat Çolak - Score & Electronics

Ensemble Dal Niente - Amplified Instruments:
Michael Lewanski - Conductor
Emma Hospelhorn - Flute, cymbals
Anna Velzo - Oboe
Katie Schoepflin - Clarinets
Gregory Beyer - Percussion
Mabel Kwan - Piano, bass synthesizer, percussion
Tara Lynn Ramsey - Violin
Chris Wild - Cello

Dan Tramte - Video (Excerpts: www.youtube.com/watch?v=eO5EQIlIf24 - www.youtube.com/watch?v=qG70iw4TSFU )
Nolan Chin - Live Sound
David Zuchowski - Recording

Live recording mixed & mastered by Murat Çolak

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Video of the premiere performance: https://www.youtube.com/watch?v=RwNBIJ2KKLE&feature=share

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Interview with Emma Hospelhorn: http://www.dalniente.com/news/2017/3/26/interview-murat-olaks-swan

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Thanks: Ben Melsky, Grace Heatherington Tilka, Constellation Chicago, Frequency Series.

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SWAN is commissioned by NewMusicUSA

SWAN

This is Episode I of my four-part-residency on NTS Radio in june 2017, now available to download for a limited time - Enjoy!

Tracklisting:

Iasos - The Winds Of Olympus (Numero Group)
Alejandro Jodorovsky - Alchemical Room (ABKCO Music/Real Gone Music)
Isotope 217° - Prince Namor (Thrill Jockey)
Zawinul - Arrival In New York (Atlantic)
David Lynch & Alan R. Splet - In Heaven (Lady In The Radiator Song) (Alternative Tentacles)
Robert Curgenven  - Only The Dogs And The Fires On The Horizon (Recorded Fields Edition)
Nurse With Wound - Soliloquy For Lilith Side G (Dirter Promotions)
Einstürzende Neubauten  - Fiat Lux/Maifestspiele (Rough Trade)
Thomas Brinkamnn - Bleiweiss (Edition Mego)
Arovane & Hior Chronik - After Tomorrow (A Strangely Isolated Place)
Harold Budd & Brian Eno - A Stream With Bright Fish  Edition EG
Alva Noto - Xerrox Isola (raster-noton)
Pearson Sound - Eels (Pearson Sound)
PTU - Intact Alef (трип)
Pearson Sound - Eels (Pearson Sound)
Laurie Spiegel - Clockworks (Unseen Worlds)
Dropshadow Disease - Ping Pong (True Type) (Rather Interesting)
Oval - Pauer (Form & Function)
Yair Elazar Glotman - Agnosia (Subtext Recordings)
Earth - Like Gold And Faceted (Sub Poip)
Sunn O))) - Alice (Southern Lord)
Bohren & Der Club Of Gore - Schwarze Biene (Black Maja) (PIAS Recordings)
Brian Eno - Hannah (Generative Music)
Sam Prekop - Ghost (Thrill Jockey)
Mogwai - Mogwai Fear Satan (Surgeon Remix) (Jetset Records)

Mixes

NTS Radio Residency Episode I

Dtekk at Tauron Nowa Muzyka Festival 2017

SusanSontagIsTheNewDonnaSummer

The recording stage for this sound atlas began in Alice Springs in Australia's Northern Territory following an invitation for Curgenven and Howden to realise a project for a series of events running 3-18 May, 2007, "Shifting Ground/Art Land Culture",  an arts incubator in the desert town designed to produce engagement with the arid landscapes of Central Australia. Alice Springs has a population of 28,000 and is a remote yet urban town flanked by mountain ranges, situated 1500kilometres from the nearest coast. The sound atlas was realised through the collection of field recordings and associated data over an 8 day period covering 22 locations in Alice Springs and the surrounding MacDonnell Ranges. Curgenven & Howden’s project sought to survey the range of geographic, social and acoustic environments in a place characterised by an unusual mix of adajcent and encroaching urban and desert areas.

Through the creative partnership of sound artist (Robert Curgenven) and statistician/ecologist (Chris Howden), additional data collected with the recordings was used to form a relational field/matrix in an effort to draw out latent connections between places/environments and their second order manifestations.

Variables include: landform, dominant sound of the site (nominal); sound density of the recording, openness of the site with respect to infrastructure and landform (ordinal) These were combined with weighted variables: GPS (latitude, longitude and elevation); time of day of recording. Relations were determined between the sites/recordings for a layered sequence in a four channel performance or installation. The CD, RF001, is five tracks in an adaptation of this installation/performance. The recordings are unprocessed and taken directly from DAT. This application of a statistical analysis with the field recordings seeks primarily to explore non-linear relations within land and space as well as ontological and sociological issues arising from these. These issues are of particular interest when juxtaposed with ancient indigenous epistemologies concerning the land and the recently developing urban environment in this arid rangeland. Of secondary interest is the impact on the acoustic ecology of the region.

Grassland (extract)

4 decks + 2 mixers + 1 crazy party = very hazy memories of mayhem

This is a live recording from Swarm at the Jets in 2002 - Sydney techno and the free party spirit were alive and kicking back then. It was a "versus" party so each set was 2 DJs on 4 decks with a mixer each and it got crazy!

After all these years, out of the archives a live recording has been dug up that captures the early 2000s vibe of Emass vs Methodix perfectly. It's insane. A constant build of layer after layer, slab after slab. No fucks given, just chuck it in there and crank it! 🔥🔥🔥

Emass vs Methodix - recorded live on 4 decks and 2 mixers from Swarm at the Jets

ostatni utwór Tomka / the last piece by Tomek - 25.01.2021

Homesick Domestic Noise Terror 2021

Robert Curgenven's work emphasizes physicality, our embodied response to sound & its relation to location, air, weather & architecture; He has produced works for National Gallery of Australia, Palazzo Grassi Venice, Sydney Festival, Maerzmusik & Transmediale Berlin. The Wire (UK) surmises “behind the music lurk such [disparate] presences as Alvin Lucier, King Tubby, Murray Schafer and Eliane Radigue.”

Grassland (extract)

Recorded_Fields

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