https://www.youtube.com/watch?v=V0CpkPH278g

I REMEMBER (AFTERLIFE MIX)

song from a cpl years back

asiootus.bandcamp.com/album/-

mastered by @usofusofusofusof <3

Dandelion

remix of a song from our band, 
https://cancerhouse.bandcamp.com/album/a-hiding-place

cancer house - a hiding place (leaf miner mix)

ϙue x Comechelet - Flora

Ben's fat belly remix, featuring Shy and Yves

https://theorytherapy.bandcamp.com/album/stay-longer

@usofusofusofusof
@benbondy
@specialguest-dj
@saintmozelle

usof - fat belly (Ben Bondy's version feat. Yves & Shy)

H.D. Reliquary is the first eponymous release from Ben Shirken [a.k.a. Ex Wiish], and finds him returning home to 29 Speedway. The songs sparked during sessions with close collaborators - across 11 pieces, artists such as Pavel Milyakov, MIZU, Dorothy Carlos, Kevin Eichenberger and Muein breathe personality into the record. H.D.R. coaxes beauty from a serrated, raw, yet subdued palette drawn from improvised recordings of trumpet, violin, upright bass, cello, Max/MSP and modular synthesis. 

The title references the hard drive as a sacred container for relics, contemplating how digitally archived fragments of one's existence can burn eternally after death. Archives, and in this case recordings, splinter and warp. Some distort what they contain. Some vanish, and others are eternally preserved, immune to deletion. Your information on these digital drives becomes archival shrapnel, the music that survives the remnants of collaboration. 

Quick to note the dangers of creating music with ecologically intensive, mass marketed, and unethically trained AI software, Shirken employed bespoke, resource-light machine listening techniques for some of the compositional process. Pieces of recordings were fed into a series of proprietary neural networks, generating MIDI information and audio that reacted to on-the-fly soloing, imaginary sessions between players and algorithms invented posthumously (in post). 

Shirken will release H.D. Reliquary alongside a sound installation on April 11. He has performed in spaces such as The New Museum, Pioneer Works, Public Records and Nowadays in New York City; Dripping Music And Arts Festival in New Jersey; La Station in Paris; and Cafe Oto in London. In recent years, he has also been a foundation of the elusive free jazz group Nu Jazz. Where his prior work was geared towards dissociation, H.D. Reliquary invites us to contemplate how our tools for understanding and containing the world fundamentally alter our relationship with it. 

Written, recorded, & mixed by Ben Shirken
Greg's Thesis mixed by Jason Park
Mastered by Stephan Mathieu @ Schwebung Mastering
Art & Design by Brian Mark
29 Speedway 2025
29S07

Ben Shirken - Image/Player

@yakayaka

bloom:forever is a tale of interwoven love stories, each bleeding in to each other, understanding each other, regenerating the loveless, infinite understanding. holding us in its core (ringing eternally) basking in the glow of us looking for it ⚘

⤷ 100% of proceeds for the first 3 months go to @3ezwa.de

https://charmlink.bandcamp.com/album/bloom-forever (its bandcamp friday)

yaka - miss that beach

Moa Pillar - Presence
1miasma - You’re not Alone
Vova Polunin - On a Coffee Break
Настасья Хрущева - Русские Прописи, Мантра Для Хора. 
Ivan Zoloto - Pleasure Preson
Deathdrive - Exploited Body 
Mario Diaz de Leon - Sanctuary
Quit Life - Reverie
Dj Bingo ☉ ‿ ⚆ - Oh My God... (if only he knew)
Alparr - Cuttingg
Kaiku Hailuoto  - Seasons Wind Elimination (abstract version 1)
Alice 4Ever - Hear It
Myen, Global - Dubstep was Dead and has Gone Through Reincarnation
Chickenmilk dot com - Made It Rain, Life Showr (2011)

FIXMIX02: Moa Pillar

A ritual invocation of the Dísir — the ancestral female protectors of the Norse bloodline.
Berserker drums, war-chants, and trance-frequencies merging into a sonic rite of strength, fury, and remembrance.


#berserkerfrequency #disir #norseancestors #worldmusic #ritualmusic #hempenology #ancestralmusic #vikingenergy

THE BERSERKER FREQUENCY DÍSIR EDITION

In Cairn, Düngfelder’s focus on atmosphere and perception meets Beaudoin’s concern with time and memory, creating a dialogue where each sound becomes a trace left for the other to follow. What remains is a series of sonic markers, small monuments to attention, letting listeners linger on in the fragile continuations of sound.

ϙue x Comechelet - Flora

re.core