Jamie combines art practice with field recordings and sound composition to enable non- anthropocentric readings of post-industrial sites. His experimental practice research methods include multi-sensory technological methods of observation, employing VHF, radio waves, Geiger counters, handmade synths and devices. Alongside using the latest software applications of granular synthesis and spatial audio Jamie creates immersive sound installations and extended electroacoustic/acousmatic compositions.
Jamie is a multi-award-winning artist researcher, has presented his work at International and National symposia and has exhibited and published widely including:

Jamie's work in sound has been broadcasted on Radio 3 Mixing it London (UK) and Resonance  FM  London (UK).Most recently Migration Sounds Oxford University UK,Sites and Memory Project and working with The Freshwater Sounds Archive in collaboration with Dr Jack Greenhalgh Canada Foundation for Innovation.

-Speaker at 6th International Conference of Photography & Theory (ICPT2022) Cyprus EXPANDED VISUALITIES: PHOTOGRAPHY AND EMERGING TECHNOLOGIES
-CAST Cornubian Arts & Science Trust Helston (UK). Test Space: Expositions of practice-led research Symposium.
-Feature on my field recordings on Resonance FM London UK
-Phytogenesis II Provocations of Plants, Philosophy and Photography. International Symposium University of Plymouth, North East Photography collective, Newcastle University. I delivered an academic paper on my practice through the lens of Deleuze.

I'm grifiin_shawn🤘 just here to give awareness about my vibes facility. love ❤ swimming 🏊‍♂️ 😍 

Jesús Lastra aka Voidborn Horde, is a Venezuelan ambient electronic music composer born in 1986. Since 2002, He starts this musical journey by exploring experimental sounds, influenced by ambient music and soundscapes that evoke vast and ethereal imaginary worlds. Under the alias Voidborn Horde, he has developed an unique style with electronic elements and ambient textures, finding a kind of "false enviroment sounds" to give the listener an immersive and dreamlike experience. His music is characterized by its ability to evoke neutral deep emotions and meditative states of patience, making him a reference in the ambient music scene.

@rawpinkbmp
@flat-stone
@zuheodosha
@jalastram
@kabomani
@solanmusic
@nobioyetmusic
@nobioyet
@0x4B

Software

- FL Studio
- Audacity
- Virtual Instruments
- Cubase LE AI Elements 6
- Adobe Photoshop CS2
- WaveEditor Record & Edit Audio (Sound-Base Audio, LLC)

Hardware

- Vieta Pro Way 4
- MSI GF63 Thin 11UC
- Interface Scarlett 2i2
- Condenser Microphone(CM25)
- Audio-Technica ATH-M50X
- Arturia MiniLab - USB/MIDI Controller
- Nikon D3200
- M-Audio Axiom 61
- M-Audio Oxygen 61
- M-Audio Hammer 88
- M-Audio BX5 D3 (Studio Monitors)
- JVC HA-RX330-E Headphone
- AKG Headphone
- SONY SRS-D25
- Samsung S10 Edge
- Xiaomi Redmi 9C
- Xiaomi Redmi 14C

https://freesound.org/people/jalastram/

www.twitter.com/weareoutskirts

NONE of these songs are mixed or mastered at the moment

I am Elias Epp, musician and software engineer from Ulm (Germany). Seramind is my music project.

Curator of the Audioscenarion and Testexperiment podcasts.

Most of my stuff is ambient, techno or dub related music.

Swedish sound collector, photographer and hiker.

With a totally unique sound that mixes the appeal of rock with the woodiness of Irish and Celtic music, Fire On McGinnis can only be described as a “head-banging, bagpipe playing live celebration.” The band evolved into the Celtic rock scene armed with the solid influence of bands like The Dropkick Murphys, Flogging Molly and The Pogues. For their debut album, Fire on McGinnis takes songs steeped in Irish tradition such as “Bedlam Boys,” “Foggy Dew," and “Nancy Whiskey” and plays them with the intensity of a riotous rock song. Using the same eclectic approach, their original songs conjure up images of men toiling on the docks, waves crashing on a rocky solemn shore or the grizzled face of a disenchanted king in hiding. While the band likes to keeps things hot with smoking fiddle and bagpipe jigs; their true goal is to get the audience fired up. In fact, they say Fire on McGinnis live is slightly larger than life – like an Irish pub with a hot stove in the corner!

Followers of James Hoehl