Snow*Omen/Velvet Something Superdark collaboration based on Henry  Purcell,  Dido and Aeneas: When I am laid in Earth (Dido's Lament). Music: Snow Omen @snow_omen (recording of a live performance, voice Y.A., electric guitar VSS). Added noise, mixing and production: VSS. All sounds Snow*Omen & VSS. Image: VSS.

When I am laid, am laid in earth, May my wrongs create
No trouble, no trouble in thy breast;
Remember me, remember me, but ah! forget my fate.
Remember me, but ah! forget my fate.

Laid In Earth

These drone was recorded today Thursday 5th December 2024 in a 3 hours session. I recorded 3 instances of OB-X and 3 of OB-E software synths by Gforce (just bought them 5 days ago) @gforce-software
It starts with an OB-E bass, then one OB-X synth pad and gradually the rest of the synths start joingin the drone party to make things more dense and 
Gradually the first "tame" drone is left alone to resume this brief demo.
Hope you like the sound of these synths, but the other demos I'm working (rhythmic stuff, with the DMX I also bought) are much better to show the Oberheim potential.


@disquiet

For this  challenge:
https://llllllll.co/t/disquiet-junto-project-0675-arc-of-the-drone/

Oberheim Drone (disquiet0675)

More on the 675th weekly Disquiet Junto project, Arc of the Drone — The Assignment: Record a drone that goes from simple to complex to simple — at https://disquiet.com/0675/

Anna's Song(Tabu Remix Of Anna Von Hausswolff - Evocation)disquiet0675

In response to the disquiet junto assignment: Record a drone that goes from simple to complex to simple.

Loosly based on Saba Makam. Combination of Basille and Surge synths with clarinets and horns form BBC orchestra (Spitfire audio)

Saba (disquiet0675)

Track notes are here: https://llllllll.co/t/disquiet-junto-project-0675-arc-of-the-drone/69838/23

**Disquiet Junto Project 0675: Arc of the Drone**  
The Assignment: Record a drone that goes from simple to complex to simple.

Step 1: You may, yourself, be experienced recording drone music, or you may never have recorded any. You may not even be sure what drone music is, in which case read up a bit. Not matter your experience and familiarity, please give some thought as to what constitutes drone music.

Step 2: Now think about what makes a drone simple and what makes a drone complex.

Step 3: Now record a piece of drone music that begins simple, gets complex, and then gets simple again. And note: The simple drone at the end needn’t necessarily be the same sort of drone with which the piece opens.

Disquiet_Junto_0675] Short Dazzle

A slow drone with a hint of melody coming through, using only the Terra. I layered two versions of this in Logic, subjecting each of the tracks to different effects and panning - mainly reverb based effects and Arturia's Motion. There is a bit of noise in the mix. At first I struggled to isolate it but then grew to like how it added a bit of grit and also triggered interesting pops and sparkles in the Zoia patch I was using in the initial mix. So, I'm going to consider it an aesthetic choice for now.

disquiet0676

More on the 676th weekly Disquiet Junto project, Sub Melody — The Assignment: Bury a slow melody deep inside a drone — at https://disquiet.com/0676/

Drone From Burkon's Basement (disquiet0676)

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

Million Miles (disquiet0683)

Remembered

Outdoors

In The Corner Of Your Eye

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).