韃靼海峡（Tatar Strait）

てふてふが一匹韃靼海峡を渡って行った

安西冬衛（1898-1965）　「春」

A butterfly crossed the Tartary Strait.

Fuyue Anzai (1898-1965)  “Spring”

韃靼海峡（Tatar Strait）

lightly beaten

Edited, mixed & mastered on 03 Apr 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA. 

Synths, samples, piano, effects. 

This piece uses a few bits of samples from Craig Smith’s Vintage Fire pack, which was taken from nitrate optical recordings from the 1930s & 40s. 

(https://freesound.org/people/craigsmith/packs/27308/)

Photography - Jim Lemanowicz, 07 Aug 2016, Massapequa, NY, USA

©2025 Jim Lemanowicz

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This original version of “First National” was submitted as part of Disquiet Junto Project 0692: Combust a Move. The Assignment: Make music using fire for the rhythm track.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 692nd weekly Disquiet Junto project, Combust a Move — The Assignment: Make music using fire for the rhythm track — at https://disquiet.com/0692/

#disquietjunto #disquiet0692 #piano #memorymoog #soundart #electronicmusic #sounddesign #ableton #combust #fire

First National Dander (disquiet0692)

My track notes regarding the creation of this track can be found here: https://llllllll.co/t/disquiet-junto-project-0692-combust-a-move/71387/7

**Disquiet Junto Project 0692: Combust a Move**  
The Assignment: Make music using fire for the rhythm track.

There is just one step for this project: Record a piece of music in which the sound of fire — match, burner, cigarette, etc. — provides the primary source for the rhythmic track.

[Disquiet Junto 0692] Wentworth Callback

only sound source is a recording from my firepace, from a disquiet junto prompt.

i had a fireplace recording from recent months. for this one, some few minutes of fireplace crackle is the only sound source, as in the fire few seconds. sampled and sliced, then some heavy and not-so-heavy manipulation. i tried to let the spirit of the recording come through enough here and there.

fireplace [disquiet0692]

Disquiet Junto Project 0692: Combust a Move
The Assignment: Make music using fire for the rhythm track.

While tidying up unfinished tracks I stumbled upon a somehow phasered pad that I liked very much and for which I have long forgotten what I once did it for and how. I did not want to delete it, but I was not able to do something with it either. The unruly sound simply rejected all my attempts to add something. But as much as I liked for itself (even in its original lenght of around 20 minutes) I wanted to do more with it. Then I was tidying up my mails and found the disquiet junto prompt. I downloaded a fireplace and added it to the pad - and I liked it. There was some optimizing, like the fireplace goes thru a gater (adding a slightly straight rhythm) and there is a decrackle plugin set to "output crackle only" (to reduce the noise without loosing the high frequencies), and there is a smoking person in the room.

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Fireplace CC0 by 16FThumaF
https://freesound.org/people/16FThumaF/sounds/499032/
Thank you!

Smoking female CC0 by Roses1401
https://freesound.org/people/Roses1401/sounds/442639/
Thank you!

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Track image by Dall-E

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More on the 692nd weekly Disquiet Junto project, Combust a Move — The Assignment: Make music using fire for the rhythm track — at https://disquiet.com/0692/

Discussions
https://llllllll.co/t/disquiet-junto-project-0692-combust-a-move/71387

Full Free Album

free floating firespace [disquiet0692]

[disquiet0692] flick

infinite mercy

NonEmotional

Dreamer

reclaim

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).