Dark ambient soundscapes for your pleasure, relax, chillout and enjoy.

DARK AMBIENT - ARCHAEAN CORRELATIONS

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An atmospheric ambient EP blending soft soundscapes and introspective textures. Perfect for listeners seeking calm, immersive, and meditative sonic experiences.

Listen on Spotify

Why Can't You Be Real? (Ultra slowed)

Submission for Disquiet Junto 0473. Added a kemane solo in Gm (? - I think) to vgmrmojo's drum track (https://soundcloud.com/vgmrmojo/disquiet0472-drums-drums-drums).

More on this 473rd weekly Disquiet Junto project — Placebo Effect (2 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

Drums+Kemane - disquiet0473

track used:new unit (disquiet0472)moduS ponY

Ascension Loop (disquiet0473)

Disquiet Junto Project 0473: Placebo Effect
The Assignment: Record the second third of a trio that others will complete.

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0472 3). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Keep this in mind. Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to the pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by 68 musicians in all to choose from, 62 as part of this playlist:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0472 4

Step 3: Record a short piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and leave room for an eventual third piece of music. When composing and recording your part, don’t alter the original piece of music at all, except to pan the original fully to the left if it hasn’t been panned left already. In your finished audio track, your new part should be panned fully to the right. To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track from Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it will be used by someone else in a subsequent Junto project.

Step 5: You can contribute more than one track this week. Usually Junto projects have a one-track-per-participant limit. You can do up to two total. For the second, it’s appreciated if you try to work with a solo that no one else has used yet ( look at the project’s post on Lines, linked to in these instructions, or to the project playlist, which will be posted here once tracks start coming in). The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. After a lot of detailed instruction, that is the spirit of this project.

Track notes: 

I selected a track at random and landed on Lake Forest Sound Machine's track consisting of splattering rhythms and coarse tones. I thought I might compliment it with a similarly choppy structured feel, albeit with harmonious blurs swooshing around. I used my usual modular set-up to accomplish this, with the new addition of the (frankly) astounding Make Noise Morphagene, which just arrived yesterday. It cost a small fortune and its purchase was an opulent early-40th-birthday-present-to-me, because blowing nearly a grand (AU) on a module needs some kind of exceptional justification.

[disquiet0473] Robo Dub & Dodgy Smudge

My submission for
Disquiet Junto Project 0473: Placebo Effect
The Assignment: Record the second third of a trio that others will complete.

Disquiet 473

Piano by Chris Ledwidge

Things Are Fluid (disquiet0473)

Collaboration with analoc, using the wonderful https://soundcloud.com/analoc/whatever-comes-disquiet0472

More on this 473rd weekly Disquiet Junto project — Placebo Effect (1 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

chop fabella

halF placebO [disquiet0473] with analoc

Disquiet Junto Project 0473: Placebo Effect
The Assignment: Record the second third of a trio that others will complete.

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0472). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Keep this in mind. Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to the pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by 68 musicians in all to choose from, 62 as part of this playlist:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0472
-----------------------------------------------------------------------------

I chose the track https://soundcloud.com/half-unusual/half-stereo-disquiet0472-85-bpm by halF unusuaL.

mostlY stereO feat. halF unusuaL (disquiet0473)

Disquiet Junto Project 0473: Placebo Effect. The Assignment: Record the second third of a trio that others will complete.

EDIT: TRIO-Version here: https://soundcloud.com/melondruie/unsafe-approach-disquiet-0474

When showering in the morning I mostly listen to Soma FM Deep Space One. Yesterday I heard something interesting and checked the playlist: some guy named Louigi Verona. I found his website and checked his "none-random number generator" https://louigiverona.com/nrng/ which is some kind of insider joke for coders: While other "random number" generators try to give you an unreliable random number (which mostly, maybe never is really random (not only depending on how our universe really works)), his nrng reliably outputs the same, non-random number, in my case: 37. I'm telling you this, because its not important and just a chain of random events which lead to this track.

Anyway: So I took track 37 from the list, "safe", an ambient improv of some kind, in Cmajor, made by https://soundcloud.com/rheinmusic. I wanted to add some sequencing patterns but nothing I made intentionally did work out for me. So I ended up with a sequence from the CA2600 from Cherry Audio (25$ at some Xmas sales, btw my recommendation, a must-have no-brainer (for 2600-non-purists)) and improvised on it. Cm may be a "safe" scale, but the sequence sometimes misses the mark, especially at the beginning … hence the name of the track.

Sorry for the long story. I did not seek perfection and think there is room for example for a drum improvisation with cymbals (or a classic theme thingy).

Panned version here: https://soundcloud.com/winterer/semi-safe-approach-disquiet0473-panned
 
More on this 473rd weekly Disquiet Junto project:
https://disquiet.com/0473/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

Semi-safe approach [disquiet0473] JamTime2 (Rhein->Krakenkraft->?)

A duet featuring Guitar from High Towers & Deep Wells and Bass from Torpid Scorpion; Space left on the couch for a third.

Em, 72bpm

Bass has mild compression and a tiny amount of saturation via Trash2. Guitar EQ to make room for the bass. 

Tools used:
- Ibanez Bass through Radial Powerstrip
- Ableton Live and EQ8
- Izotope Trash2

note: this track contains 0% brexit content. Give it a rest.

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/ 3

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Fog in the Channel; Continent Cut Off

Disquiet0473 Fog In The Chanel; Continent Cut Off (feat High Towers & Deep Wells)

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).