Disquiet Junto Project 0572: Rhythm Kit
The Assignment: Make a beat that someone else will add to.

Note: This project is the first of a two-parter. You don’t need to participate in both, and you can easily participate in the second one (next week) even if you don’t participate in the first one.

Instruction: Record a beat with the intension that someone other than yourself will add something to it at a later date. It’s preferable that you record something that lasts between one and three minutes, but it’s also fine to record something shorter with the intention that someone will loop it — or something longer, for that matter.

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Track notes:

I always like when one of the more beat-oriented prompts comes up because it gets me to think about rhythm tools, which I'm fairly inconsistent with. 

I thought I would would use my modular synth to generate the beat starting with a trio of samplers triggered by dividing and multiplying clock dividers. The resulting three samples are then routed through some signal manipulation: a wasp filter, stereo delay and Make Noise Morphagene. I also had some fun with a sample and hold which controls the pitch CV of one of the samples.

[Disquiet_Junto_0572] "Yr Squelchy Lyfe"

[disquiet0575] Thin

21wguitarr Feat Michele Isoni on dble bass
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More on this 592nd weekly Disquiet Junto project, Better Than One (The Assignment: Record the second third of an asynchronous trio), at: https://disquiet.com/0592/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0592-better-than-one/

disquietjunto

21wguitarr_disquiet0592

My contribution to Disquiet Junto Project 0600. The opportunity to participate in this is special to me as I participated on Project 0004 which also featured wonderful samples from Marcus Fischer. I created a piece that is still a personal favorite.

Approach and process - I was extremely time constrained with only a few hours to put something together. I built it around a heavily re-worked and effected version of the file '600_PSU_stairs-mfischer'. I used Bitwig Studio, a lot of automation, and a few time stretching tricks. 

I hope Marcus provides more raw material in the future. Thank you to Marc and Marcus for putting this together.

Reaching Out And Reaching Back - Disquiet0600

Sinny: samboga blocks, gong, ratchet, processing
Tetrisrocker: clock ticking sample
Abyeditsound: clock ticking sample
Inspectorj: cuckoo clock sample
13gkopeckak: bicycle bell sample

More on this 609th weekly Disquiet Junto project, Speed Limit Pt 1 (The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it), at: https://disquiet.com/0609/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

Clocking Out (disquiet0609)

Merises

Recharting

Sanctimony

Enmew

Poem

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).

[Disquiet_Junto_0572] "Yr Squelchy Lyfe"

Tristan Louth-Robins

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