Moonlit night
I return and begin to write
a long letter

haiku by Ozaki Hōsai https://en.wikipedia.org/wiki/Ozaki_H%C5%8Dsai

picture by Nuno Alberto https://unsplash.com/@nunoalberto

For more information visit http://www.naviarrecords.com/about/naviar-haiku

twelfth rain

halF writteN [naviarhaiku447] - ASMR

Radios. transistors, primitive people, rock'n'roll, intrusions, transitional points, noise of the environment.....
Anthropology and sociology of the contemporary musician in the 60s and 70s.
Unaware actors and protagonists of the last moments of the 20th century avant-garde. 
Before the collapse and the genetic mutation of the listener and the user of the daily / contemporary culture.

INTRUSIONS [disquiet0552]

Falling leaves
deep in the forest
I see a buddha

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.

Deep in the forest I see (naviarhaiku453)

Disquiet Junto Project 0564: Octave Lept
The Assignment: Work an octave leap — or more than one — into a piece of music.
More on this 564th weekly Disquiet Junto project – Octave Lept (The Assignment: Work an octave leap — or more than one — into a piece of music) – at: https://disquiet.com/0564/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0564-octave-lept/

Octavio Paz - disquiet0564

from the mist
a boat for cutting reeds in the morning
has begun to emerge

haiku by Mizuhara Shūōshi 
haikutopics.blogspot.com/2006/05/mizu…-no-ame.html

Music : Nukumori Eugene / Nx  https://a-tale-of.bandcamp.com/
IG: www.instagram.com/jinsei_books

morning mist - 朝霧 [naviarhaiku464]

Disquiet Junto Project 0572: Rhythm Kit
The Assignment: Make a beat that someone else will add to.

Note: This project is the first of a two-parter. You don’t need to participate in both, and you can easily participate in the second one (next week) even if you don’t participate in the first one.

Instruction: Record a beat with the intension that someone other than yourself will add something to it at a later date. It’s preferable that you record something that lasts between one and three minutes, but it’s also fine to record something shorter with the intention that someone will loop it — or something longer, for that matter.

More on this 572nd weekly Disquiet Junto project – Rhythm Kit (The Assignment: Make a beat that someone else will add to) – at: https://disquiet.com/0572/ 1

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Rock the bells - disquiet0572

It's not advisable to let your teeth get dirty.

All sounds generated with VCV Rack. The main theme is a percussive voice and chaotic FM sounds clocked by the same steady pulse. Additional sounds were made using a different chaotic patch. 

Disquiet Junto Project 0572: Rhythm Kit
The Assignment: Make a beat that someone else will add to.

Note: This project is the first of a two-parter. You don’t need to participate in both, and you can easily participate in the second one (next week) even if you don’t participate in the first one.

Instruction: Record a beat with the intension that someone other than yourself will add something to it at a later date. It’s preferable that you record something that lasts between one and three minutes, but it’s also fine to record something shorter with the intention that someone will loop it — or something longer, for that matter.

Also: Be sure to make your track downloadable.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0572-rhythm-kit/

Photo by Library of Congress on Unsplash.

—

This track is released under CC BY 4.0. Please give appropriate credit if you use it.

disquiet0572 Keep Your Teeth Clean

Disquiet Junto Project 0573: Float Mode
The Assignment: Add material atop a pre-existing beat to form a complete track.

Note: This week’s project is the second part of a two-parter, following up last week’s, but you don’t need to have participated last week in order to do this one.

Step 1: You will be adding musical elements atop beats created last week by other members of the Disquiet Junto. Select a beat. There are beats from 30 or so musicians in the SoundCloud playlist:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0572 5

=====================================================
Track notes:

Last week, Daniel Diaz's lovely jazz-oriented track stuck for me as something I'd like to rework.

https://soundcloud.com/daniel-diaz/2022wcgroove-disquiet0572

Without a really clear idea of where I wanted to take the track, I started by adding some sombre synth sounds over the top of Daniel's rhythm track and listening back to where things were going. I then listened to the harmonic aspects of the chord progression and reached out for my Telecaster, coaxing a kind of Bill Frissel meets Brokeback (via Tortoise) vibe...I think. Lastly, I added a little phasing to the rhythm track during the guitar solo and outro.

[Disquiet_Junto_0573] "Uncertain Road" (w/ Danial Diaz)

Ordinary day

Utilizes  “Yr Squelchy Lyfe” by @red_robin (Tristan Louth-Robins) and “The Euclidian Rhythmicon” by @xiiixxi. Additional contributions by Sinnysounds (delay, filters, SpaceCraft app)

More on this 573rd weekly Disquiet Junto project — Float Mode (The Assignment: Add material atop a pre-existing beat to form a complete track) — at: https://disquiet.com/0573/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0573-float-mode/

Xiixxi Xenochrony Squelch (disquiet0573)

Created on iPad with AUM and several AUv3 synths and effects:
SoundScaper, Hilda, Euclidean, FLUSS, Wires, otherdesertcities, RoughRider, BLEASS Granulizer, Eos 2
 
Mastered with Cubase 12 and Ozone 10.

Photo by zenbytes (2014, Vosges Mountains, France)

Inspired by Naviar Haiku 487:
https://www.naviarrecords.com/2023/05/03/naviarhaiku487-sound-of-mountain/

Poem/sample by PlatypusVA:
https://freesound.org/people/PlatypusVA/sounds/440579/

rain - Naviarhaiku 487

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).