I always look forward to the beginning of the year when this project comes around.  This year I used this piece as a study for a much larger work - specifically using it as a way to experiment with a complex scripting language I have built on top of the RTcmix (www.rtcmix.org) scripting language, MinC.
My scripts allow me to create algorithmic musical patterns in a large number of dimensions:  volume, pitch, sample selection, tempo, placement in a simulated room-space etc.  Each dimension can be moved about in via an algorithmic plug-in, for example, random choice, sequential access, fixed value, etc.
The Psychedelic Ice Machine uses three sets of ice sound samples I have recorded over the years.  The score loops, creating an ever-changing set of patterns.  The relationship between these is sometimes clear and sometimes obscured.

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More on this 575th weekly Disquiet Junto project — On Ice (The Assignment: Record the sound of ice in a glass and make something with it) — at: https://disquiet.com/0575/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0575-on-ice/

The Psychedelic Ice Machine

The Psychedelic Ice Machine [disquiet0575]

Disquiet Junto Project 0575: On Ice
The Assignment: Record the sound of ice in a glass and make something with it.

Welcome to a new year of Disquiet Junto communal music projects. This week’s project is as follows. It’s the same project we’ve begun each year with since the very first Junto project, way back in January 2012. The project is, per tradition, just this one step:

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.

Track notes:

Happy new year all! 

For this year's ice challenge, I put about ten ice cubes in a large  wine glass and filled it with water. I placed an Aquarian hydrophone into it and routed it into my little modular skiff, using an ohcd LFO,  DLD(stereo delay) and Morphagene module.

Recently I'd been playing around with Karpus-Strong delay effects on the DLD, which is in essence 'resonance feedback', which is useful for generating plucked string sort of sounds from an incoming signal.

One of the things I like about experimenting with resonance feedback is how very transient and discrete sounds can become powerful (and unpredictable) impulses when used in conjunction with the effect.

With an ultra-short delay and high feedback threshold set on the stereo delay module, I rattled the ice in the glass and recorded the very end of the tail of the rattle to the Morphagene and used a couple of LFOs to control the CV of the sample's grain and morphology. 

Because the sample captures the tail-end of the rattle, there's only a little movement interspersed with very discrete crackles, squeaks and pops.  

For recording this track, the dry/wet of the Morphagene was set to 50/50 so that the ongoing 'quiet' action within the glass is heard in conjunction with the granulated sample. At a couple of points, this develops dramatically, with some incidental ice movement, followed by a large crack. The final part involved me turning the Morphagene mix to 100% wet and attempting to break the sample apart, so that only vague traces of the original sample recording can be heard.

[Disquiet_Junto_0575] Ice Murmur

Disquiet Junto Project 0575: On Ice
The Assignment: Record the sound of ice in a glass and make something with it.

I always wanted to do the ice project, but year for year I missed it because of … reasons. Last year I even build a diy hydrophone (see here https://www.instagram.com/p/CXoJtm5tR_w/ ) for this project (and missed it again). Now I tried to melt the ice with the frozen contact mic inside, and record it 'from inside'.

I made some videos: In the “red part” of the video I hoped to create (and record) a crack in the ice, in the “ice inside a glass” part you may even see the bubbles of noises you will hear in my track (not in the video, it's meta only): https://www.instagram.com/p/CnFbiOiNIV3/

The results were … unspectacular. By whatsoever reason the ice didn't click or make interesting noises and because I had to amplify the signal from the contact mic of the hydrophone, there was a lot of noise and hum in the Zoom H5 recording. 

I used a 1 minute sample from the recordings, reduced the noises and the hum and tried to isolate the sound of the slowly melting ice, which was a sound between cooking water, eating popcorn, burning wood. It didn't work well, because the noise frequencies were mostly on the same range. But you can hear them in the background noise floor, which I doubled time-displaced for having stereo. I added some Supermassive FX, because it worked.

I could have lived with that alone, but decided to add some bass. Fortunately there was the f…ing 50Hz AC humming in the recording, which I had filtered for the melting ice noise tracks – and which I amplified for the bass track. Maybe not the most interesting bass lick, but I liked it for its endurance. 

I used another, unfiltered version of the sample to add rhythmic elements with the help of Audiomoderns Stepfilter and Gatelab plugins, which are always nice for something like that, and here I used two instances with different speeds (1/4, 1/8T) for creating some unexpectedness.

I think I clearly failed recording "ice in a glass". Next try next new years eve … but I really like the resulting track, because all is made with a single noisy humming 1 minute recording sample. If someone wants to add some solo or remix it – be my guest ;-) 

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More on this 575th weekly Disquiet Junto project — On Ice (The Assignment: Record the sound of ice in a glass and make something with it) — at: https://disquiet.com/0575/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0575-on-ice/

Krakenkraft On Ice [disquiet0575]

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.

Background: Longtime participants in, and observers of, the Disquiet Junto series will recognize this single-sentence assignment — “Please record the sound of an ice cube rattling in a glass, and make something of it” — as the very first Disquiet Junto project, the same one that launched the series back on the first Thursday of January 2012. Revisiting it at the start of each January ever since has provided a fitting way to begin the new year. By now, it qualifies as a tradition. A weekly project series can come to overemphasize novelty, and it’s helpful to revisit old projects as much as it is to engage with new ones. Also, by its very nature, the Disquiet Junto suggests itself as a fast pace: a four-day production window, a regular if not weekly habit. It can be beneficial to step back and see things from a longer perspective.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0575” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0575” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co https://llllllll.co/t/disquiet-junto-project-0575-on-ice/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How long until the ice melts?

Deadline: Deadline: This project’s deadline is the end of the day Monday, January 9, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, January 5, 2022.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 575th weekly Disquiet Junto project – On Ice (The Assignment: Record the sound of ice in a glass and make something with it) – at: https://disquiet.com/0575/

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0575-on-ice/

Cold as Ice - disquiet0575

More on this 575th weekly Disquiet Junto project — On Ice (The Assignment: Record the sound of ice in a glass and make something with it) — at: https://disquiet.com/0575/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0575-on-ice/

Boiling Hot Ice (disquiet0575)

My contribution to Disquiet Junto Project 0575: On Ice.

A recording of an ice cube tipped between a glass and vase spliced and arranged in Ableton Live.

More on this 575th weekly Disquiet Junto project – On Ice (The Assignment: Record the sound of ice in a glass and make something with it) – at: https://disquiet.com/0575/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0575-on-ice/

disquiet0575 On Ice

Disquiet Junto Project 0594: Threemix The Assignment: Remix an asynchronously produced trio.

I didn’t have a lot of time the past two weeks, so while I started a couple of things, I didn’t finish anything.
Going through these half developed sketches, to see if anything might be a good starting idea for this week’s remix challenge, I was drawn in by a loop I made using @Melondruie and @Fake-Genius piece Quietude Disturbed from week 2 (https://soundcloud.com/melondruie/quietude-disturbed-disquiet0592).
I thought the piece had a bit of a Burial feel to it, so as a sound design challenge, I tried to make a Burial kind of beat to go with it, using sounds I made tapping and scraping an old Zither I bought second hand (and that I mostly tend to use as a place to put my headphones, apparently).

Going through the playlist for week 3, I noticed that pieces based on @encym ’s week 2 contribution Tête à tête (https://soundcloud.com/encym/tete-a-tete-disquiet0592 built on the week 1 piece of @andreas-kitzmann) fit harmonically with Quietude Disturbed. Also, these pieces, and especially @RabMusicLab’s La tête éblouissante (https://soundcloud.com/rabmusiclab/la-tete-eblouissante) fit rather well stylistically. So, I wondered if I could mash these pieces up together in some way. At first, I intended not to use the Burial-esque beat, because… well… because it’s such a blatant ripoff. But by that time, I’d been hearing the loop for a while, and the sound had nested in my head: other rhythmic ideas didn’t cut it. Neither did doing away with a rhythmic element altogether.

So, there you have it. 

More on this 594th weekly Disquiet Junto project, Threemix (The Assignment: Remix an asynchronously produced trio), at: https://disquiet.com/0594/
About the Disquiet Junto: https://disquiet.com/junto/

Quietude Disturbed (campos Remix - disquiet0594)

:::
my contribution
to
Naviar Records
Haiku Challenge 519

my interpretation of a
haiku
by
Sôen Nakagawa

.
.
.

morning service
offering its fragrance
a white lily

li(ly_rics) ::: naviar haiku 519

Reihe OP7 Next Level

#newmusicalert #28 #38 #48 #newmusicalert #44 #28 #48 #22 #77 #88#28 #newmusicalert #44 #28 #48 #22 #77 #88 #newmusicalert #44 #28 #48 #22 #77 #88

SON OF YEHUAH

ETHEREAL AMBIENT SOUNDSCAPES INSPIRED BY GAME OF THRONES AND THE  LORD OF THE RINGS AND MANY OTHERS. RELAX, ENJOY AND DRIFT AWAY.

DARK AMBIENT - AGELESS TERROR

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).