Disquiet Junto Project 0609: Speed Limit Pt 1
The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it.

Step 1: You’re going to record a simple track at 60 BPM in 4/4 that will be reworked subsequently by other musicians, including potentially being combined with other tracks. Think about how you want to structure something with that intention.

Step 2: Record a 60 BPM track in 4/4 based on the thinking that resulted from Step 1.

Note: This is the first part of a two-part project. You don’t need to participate in both. In the Junto, all projects are intended to be doable as standalones. However, there often are sequences. The intended second project of this project, next week, will build on this one, so please consider making your track downloadable and available for reworking/remixing.

Track notes:
 
I started by creating some simple 60bpm arpeggiated sequences on a Microkorg and improvised over the top of this with synth, guitar and a vibraphone patch. To top it off and give the track something a bit asynchronous, I added an 1950s field recording of a Australian Blue Faced Honeyeater, which provides a playful - and oddly complimentary - counterpoint to the otherwise rigid arrangement. 

This recording has 32 bars of the 60bpm track with no fades.

[Disquiet_Junto_0609] Refactored Drift (60 bpm)

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).