More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

Bassline Collab (disquiet0636)

This track is an asynchronous collaboration with @torstengoerke in the Disquiet Junto Project (details see below): Torsten Goerke published the wonderful guitar track https://soundcloud.com/torstengoerke/jolanaparticleverb-disquiet0636, and now I improvised on the Hohner Organetta to his beautiful chords.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Printemps Fleuri [with Torsten Goerke] (Disquiet0637)

I used Tristan Louth-Robins  (@red_robin) guitar track as a basis for this. 

https://soundcloud.com/red_robin/disquiet_junto_0636-epochs-left-1-of-3-72-bpm

I added electric bass, playing a quite standard bass line and some harmonics.

This still sounds like a "basic track", hope somebody has an idea to complete this next week.
This collaboration between two austral guys is called Australopithecus.

I did alter the original to suit my taste, I added an intro (copy paste form the original's first bars) 'cause Tristan's track started a bit abruptly. And then added the coda using an Ecophlex tape delay simulation. My best contribution to the track  if you ask me.
So , yeah, I didn't follow rule number 3 "When composing and recording your part, don’t alter the original piece of music at all" so shoot me!
The pitch here:
https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/

Australopithecus - disquiet0637 with tristan louth robins

sound art for disquiet0637

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

idiophones (disquiet0637) w/ xhg

For the second third of what will become a trio, I improvised over the neat track: https://soundcloud.com/encym/neat_disorder_disquiet0636?si=b9ddc52764ed4a2aa016f867b517e4fc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing by @encym

The right side was made with a meaty and glassy combo instrument using Pigments and Falcon. 
Following the approach of the original track on the left, I made a sparse arrangement, with plenty of air and spectrum for future collaborators.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

encym & undermulden - Picks & String 2 of 3 (disquiet0637)

So many choices and such great pieces! My finally decided on alanblip's "leftydrone" which I thought would go well with a conversation that I recorded from a shortwave radio. I removed the static and duplicated a few key phrases, but otherwise left it as is, aside from a bit of reverb and a few contributions from Meng Qi's beguiling Wing Pinger.

Disquiet0637

Disquiet Junto Project 0637: Right (2 of 3)
The Assignment: Record the second third of an eventual trio.

https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/66483

Includes this track from @Raincat: https://soundcloud.com/raincat-306596410/marsh-bones-disquiet0636

Track notes here:

[Disquiet_Junto_0637] Marsh Bone Epochs (feat. Raincat) (Right 2 of 3)

Part 2 of this project, first take(wasn't expecting that), ARP2600 patch from Arturia V. Tempo = 80BPM

Disquiet0637 Uno With Wild Card Part 2 Right

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Disquiet0637 - LR - Wasabicube - SamPlair

This is built on

@lazenbeeindustries - rightward
https://soundcloud.com/lazenbeeindustries/rightward-feat-john-wright-disquiet0637

which in turn is built on

@thgirwnhoj - Just Percussion
https://soundcloud.com/thgirwnhoj/disquiet0636-just-percussion

My addition is a pair of bass parts. It was a challenge to make the bass parts stand distinct without being able to shape the other two parts... but I did my best.

I also added a kick. It seemed needed to drive the percussion once there were so many other parts going on. I shamelessly admit that I got the idea from reading @DeDe's write up of their own treatment of the same pair of tracks.  (Didn't listen yet to keep myself ignorant by what is surely a fantastic bass track!)

I resisted the temptation to muck with the two original parts, but I did use the original full-stereo version of Just Percussion, and then I panned it and rightward somewhat left and right, not hard. You should still be able to keep the parts distinct as you listen. As always - if anyone wants stems, or a hard L-C-R mix, just ask.

——
More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

——
Image Credit: Tim Sullivan
https://stocksnap.io/photo/yellow-lines-OJYARI0WOY

Down The Center - disquiet0638

Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

---

Track notes: "Lucky Link Village" from Creatures_Once/@miraclemiles (via @SinnySounds) jumped out at me straight away and got me thinking about a guitar accompaniment along the lines of Ry Cooder, Haruomi Hosono and Makoto Kubota. I recorded a simple fingerpicked acoustic guitar pattern which found its way around G tonic of the tuned percussion. I then added some slide guitar around this and affected both guitars with some phasing and flanging to give it a dreamy feeling. Then a field recording of the ocean lapping at the shore seemed entirely fitting.

[Disquiet_Junto_0638] Lucky Link Village Connect (feat. Sinny Sounds & August_Miles) (Centre 3 of 3)

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).

[Disquiet_Junto_0637] Marsh Bone Epochs (feat. Raincat) (Right 2 of 3)

Tristan Louth-Robins

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