Disquiet Junto Project 0678: Commonplace Playlist
The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.

As has become the tradition at the end of each calendar year, this week’s Junto project is a sound journal: a selective audio history of your past 12 months.

Step 1: You will select a different audio element to represent each of the past 12 months of 2024 — or you might opt for even more elements, choosing a segment for each week, or each day, for example. These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should be of your own making, your own devising, and not drawn from third-party sources.

Step 2: You will then select one segment from each of these (most likely) dozen audio elements. If you’re doing a dozen items, one for each month, then five-second segments are recommended, for a total of one minute. Ultimately, though, the length of the segments and of the overall finished track are up to you.

Step 3: Then you will stitch these segments together, equally weighted, in chronological order to form one single track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

Step 4: In the notes field accompanying the track, identify each of the audio segments.

Deadline: Monday, December 30, 2024, 11:59pm (that is: just before midnight) wherever you are.

Details: disquiet.com/0678

Disquiet Junto Project 0678: Commonplace Playlist

0:00 Janvier: dictaphone handpan
0:16 Février: synt D05
0:32 Mars: otis 210424
0:48 Avril: tape 0006
1:04 Mai: tape 0012
1:20 Juin: tape 0033
1:36 Juillet: 07 operator backup 11 
1:52 Août: zadar sea organ 26 août 17h40
2:08 Septembre: dt A10 sofia (C10)
2:24 Octobre: 10 operator backup 11
2:40 Novembre: electro-mechanical ventilation (VMC)
2:56 Décembre: dt Norda

More on the 678th weekly Disquiet Junto project, Commonplace Playlist — The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments — at https://disquiet.com/0678/

2024 sound journal disquiet0678

Check out the accompanying visuals at https://youtu.be/UA7ynWm0t74

Here are the links to full videos for each 10 second snippet, January to December 2024:

December 2024: https://youtu.be/f8gy5dZQX3M
November 2024: https://youtu.be/2AUEC9qD69U
October 2024: https://youtu.be/riLSFwyHed4
September 2024: https://youtu.be/72mXDi5sUeU
August 2024: https://youtu.be/Sp4ZHHzsAGc
July 2024: https://youtu.be/GWVLIyx5kMM
June 2024: https://youtu.be/asYHnyxSXZc
May 2024: https://youtu.be/YcUq1eRvUDA
April 2024: https://youtu.be/2WlUiN3crBQ
March 2024: https://youtu.be/2yy4OxpBybE
February 2024: https://youtu.be/8-DOBssq2So
January 2024: https://youtu.be/2SJWl-c4LOQ

More on the 678th weekly Disquiet Junto project, Commonplace Playlist — The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments — at https://disquiet.com/0678/

Year's end,
all corners
of this floating world, swept.

The final poem of the year is by the greatest haiku master of all.

Haiku by Matsuo Bashō (translated by Lucien Stryk and Takashi Ikemoto): https://www.poetryfoundation.org/poets/basho

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

visuals (YouTube)

halF annuaL [disquiet0678] [naviarhaiku573]

More on the 678th weekly Disquiet Junto project, Commonplace Playlist — The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments — at https://disquiet.com/0678/

Disquiet Junto | Commonplace Playlist - disquiet0678

More on the 678th weekly Disquiet Junto project, Commonplace Playlist — The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments — at https://disquiet.com/0678/

My review consists of 12 parts, one for each month:
01 Track from Jamuary, named split in two halves 
02 Field recording from the local carnival.
03 Track Karbid / Schpokau, inspired by a documentary about a factory in the GDR.
04 Disquiet 0643
05 Field recording from a mountain village.
06 Disquiet 0651
07 Field recording form another mountain village.
08 Disquiet 0658
09 Disquiet 0661
10 Field recording from the seaside.
11 Track Something Slow For November
12 Disquiet 0677

Disquiet0678 - Rückblick

5 seconds from each month in 2024. mostly taken from unedited tascam recordings; april and june are field recordings, all others are mostly jams with my smaller eurorack palette case

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More on the 678th weekly Disquiet Junto project, Commonplace Playlist — The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments — at https://disquiet.com/0678/

disquiet0678 - 2024 (60sec)

**Disquiet Junto Project 0678: Commonplace Playlist**  
The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.

As has become the tradition at the end of each calendar year, this week’s Junto project is a sound journal: a selective audio history of your past 12 months.

Lines link: 

My notes: https://llllllll.co/t/disquiet-junto-project-0678-commonplace-playlist/70171/19

Much like the previous year's assignment, the excerpts here are drawn from a variety of sources: phone recordings, hand-held recorders, specialised rigs, phone videos, an AudioMoth and a couple of Junto assignments.

A lot happened this year. From a creative standpoint it was one of the most creatively active periods I can remember, covering virtually every artistic outlet I wrap my practice around.

- 1. January - pipe knocking, work office building, Urrbrae.
- 2. February - drying seaweed at low tide, Little Gorge (Fleurieu Peninsula)
- 3. March - Lawrence English rings bell at Adelaide Festival of The Arts opening event, North Terrace, Adelaide. (audio extracted from phone video)
- 4. April - my installation work, Self Noise in-situ recording. *Neoterica* group exhibition, Adelaide Railway Station concourse.
- 5. May - guitar sketch, home.
- 6. June - mid-morning tide, Rapid Bay (Fleurieu Peninsula)
- 7. July - Junto 0655 excerpt.
- 8. August - Caffe on Bungala, Normanville (Fleurieu Peninsula)
- 9. September - Sulphur crested cockatoos on the way home from work, Urrbrae. (audio extracted from phone video)
- 10. October - Fleurieu Folk Festival ambience, Willunga. This is the end of a recording where a work colleague sees me and asks if I'm recording the surrounding ambience, which of course I am.
- 11. November - Junto 0670 excerpt.
- 12. December - AudioMoth recording of ultrasonic vocalisation from grey-headed flying fox passing over home in Parkside at 9:02pm, 20th December. Audio excerpt transposed down 36 semitones.

[Disquiet_Junto_0678] 2024 in summary

More on the 691st weekly Disquiet Junto project, Un-Ravel — The Assignment: Make a recording of a string quartet fall apart — at https://disquiet.com/0691/

Un-Ravel

Disquiet Junto| Un-Ravel - disquiet0691

I selected the 4th movement of the quartet, chopped it up and remixed it to a stereo track. Then, by means of many adjustments and various effects, I converted it to a modern atonal/microtonal composition.

More on the 691st weekly Disquiet Junto project, Un-Ravel — The Assignment: Make a recording of a string quartet fall apart — at https://disquiet.com/0691/

Ravel Revamped (disquiet0691)

Ravel from the 1920s, timestretched in ableton, then converted to midi and combined, fx etc

More on the 691st weekly Disquiet Junto project, Un-Ravel — The Assignment: Make a recording of a string quartet fall apart — at https://disquiet.com/0691/

un-ravel +3 mix [disquiet0691]

Following this week's Disquiet Junto project this track was created using a historic recording of the Ravel string quartet from 1928.
This is the sound of a dream, dissolved beyond recognition, but still present as the conscious cause of this unconscious music.

The audio was transformed using spectral synthesizers and effect chains to create this dreamlike rendition. No other sounds or instruments were employed.

More on the 691st weekly Disquiet Junto project, Un-Ravel — The Assignment: Make a recording of a string quartet fall apart — at https://disquiet.com/0691/

rêver  (Disquiet0691)

Edited, mixed & mastered on 28 Mar 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA. 

This piece uses a 1928 recording by the Capet String Quartet of Ravel’s string quartet (Col. D 15057-60).

The original source is the Internet Archive: 

https://archive.org/details/3-capet-sq-col-d-15057-60-ravel-1928-mov-3/

Photography - Jim Lemanowicz, 24 Apr 2009, Massapequa & NYC, NY, USA

©2025 Jim Lemanowicz

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This original version of “Chowder Spray” was submitted as part of Disquiet Junto Project 0691: Un-Ravel. The Assignment: Make a recording of a string quartet fall apart.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 691st weekly Disquiet Junto project, Un-Ravel — The 
Assignment: Make a recording of a string quartet fall apart — at https://disquiet.com/0691/

Chowder Spray (disquiet0691)

“Unraveling a revealing Ravel” takes the final twelve seconds of Ravel’s Capet string quartet in F Major (1903) as the material to apply the idea proposed in Disquiet Junto 0691: “it should make the Ravel sound like it is falling apart — that is, like it is unraveling, or un-Ravel-ing”. 
The tripartite microstructure of those final measures has been mapped into the three sections of the track: the first one starts with the clean original audio and quickly derives into a vivacious sequence of micro-editions, gating and spectral smearing; the second section transitions from energico to adagio until the chords seem to be suspended for a while, just to be submitted to different kinds of decimation, downsampling, aliasing, vacuum tube distortion, vinylic noisification, and bitcrushing; the piece closes with an exagerated ritardando, and wild filtering and cutting of excerpts that maybe expose some microfeatures of the final chord before leaving it totally unravelled. 
More on the 691st weekly Disquiet Junto project, Un-Ravel — The Assignment: Make a recording of a string quartet fall apart — at https://disquiet.com/0691/

This piece uses a 1928 recording by the Capet String Quartet of Ravel’s string quartet (Col. D 15057-60).
The original audio source can be found here:
https://archive.org/details/3-capet-sq-col-d-15057-60-ravel-1928-mov-3/

Unraveling a revealing Ravel [disquiet0691]

I was a bit lazy with this one and also pressed for time. I basically ran the original file through a number of granular plug ins, fading and mixing them against each other and towards the end rendering the mix into an ambient wash. Hints of Ravel remain, moving in and out, here and there....

disquiet0691

Disquiet Junto Project 0691: Un-Ravel
The Assignment: Make a recording of a string quartet fall apart.

Step 1: Download the first movement of the Ravel string quartet at this URL: https://bit.ly/un-ravel

The original source is the Internet Archive: https://archive.org/details/3-capet-sq-col-d-15057-60-ravel-1928-mov-3/

Step 2: Listen to the track closely.

Step 3: Create a new piece of music by employing the provided recording as source material. The goal for your piece is that it should make the Ravel sound like it is falling apart — that is, like it is unraveling, or un-Ravel-ing.

More on the 691st weekly Disquiet Junto project, Un-Ravel — The Assignment: Make a recording of a string quartet fall apart — at https://disquiet.com/0691/

unravelling [disquiet0691]

Un-Ravel [disquiet0691]

the end result is not so much a string quartet falling apart as it is a resonator-granular garble, but that's how it is sometimes

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More on the 691st weekly Disquiet Junto project, Un-Ravel — The Assignment: Make a recording of a string quartet fall apart — at https://disquiet.com/0691/



disquiet0691 - gravel

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

[Disquiet_Junto_0678] 2024 in summary

Tristan Louth-Robins

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