Riyalsab Spargerana

12 short snippets from music I created in 2024, one for each month - and that´s what it is about in the disquiet0678
includes several collaborations: 
4) with Tim Jones aka PENDRO
6) with Eric Jovet aka I, Eternal
8) with Deborah Fialkiewicz
10) with Christian Gonzalez aka Grosso Gadgetto
12) with Kosmische Clutharachán

My Year 2024(disquiet0678)

Wilfried Hanrath - My Year 2024(disquiet0678)

My submission for Naviar Haiku #574.

I really recommend listening with good headphones!

Blossoming Deception - naviarhaiku574

Gratess Heights

Track notes here: https://llllllll.co/t/disquiet-junto-project-0681-drama-course/70495/11

[Disquiet_Junto_0681] Neon Illuminated Bonehead Runner

noxpox - manic panic

AFIORTTTT

2025-03-16

It happened in the Black Forest.

trying to keep the balance

fog dissolves to rain
- cool breezes clear the vista,
showing cloud-topped hills
 
Raymond Cobley is an experimental composer and regular participant in our Haiku challenge. Now retired, Raymond aims to explore the possibilities afforded by open-source software, which he uses exclusively for creating and editing both sounds & images. All his works are published ​under a Creative Commons licence, and free for anybody to download or remix.

haiku by Raymond Cobley: https://soundcloud.com/ray_cobley

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF dissolveD [naviarhaiku586]

ここには一度きたことがある
地底に広がる大工場
溶けた鉄を砂型にそそぐ
コークスで真っ黒の男女
砂型の湯口が崩れ
燐のにおいが立ち込める
火炎がうねり
火の粉が爆ぜるキューポラ
おまえは深淵の縁に立ち
地底に呼びかける
「ヤッホー」
その影がトンネルの壁に映り
影絵のようにうつくしい

I feel like that I had once come to this place.
A big foundry in the bottom of the abyss.
Men and women dirty with cokes pours the melted iron into the sand molds.
The sprues of the sand molds collapse.
The smell of phosphorus spreads.
The cupola furnace emits fire.
Sparks leap.
She stands at the edge of the abyss and looks down at the bottom.
She calls to the factory persons working in the bottom. "yoo-hoo!".
Her shadow falls on the wall of the tunnel.
It is beautiful like a shadow picture.

cupola furnace

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).