Tunak Tunak Tun

Taal - Ni Main Samajh Gayi (Deep Downtempo Rework)

Himesh_Reshammiya_songs_for_Emraan_Hashmi_All_Time_5_Hit_Songs__-_jukebox(128k).m4a

Viraaniya (Himesh Reshammiya)

Mahi Mahi Mahi Mainu Challa Kismat Ft. Priyanka Chopra, Bobby Deol

Choli Ke Peeche - Diljit Dosanjh x IP Singh (Mp3)

#CholiKePeeche #DiljitDosanjh #IPSingh #mp3 #indianpop

Lyrics:
Ku Ku Ku… 
Jogiya Ve Mainu Aitthon Door Lae Ja Tu 
Seene Vich Dil Kare Dum Gutkoon 
Mundraan Pua(Pavaa) Ke Naale Majjhiyaan Chara Ke 
Mundraan Pua Ke Naale Majjhiyaan Chara Ke 
Keeta Jeenaan Mushkil Tu Mera 

Choli Ke Peeche Kya Hai 
Chunari Ke Niche Kya Hai 

Dass Mainu Gall Kudiye Tu Kitthon Aayi Ajj 
Jo Bhi Hai Choli Ke Peeche Mujhape Tu De Kharach 
Dekhoon Chhup Chhup Ke Main Tujhey Bolun Sach Sach 
Machne Lagi Tu Baby Too Much Too Much! 
Dekhiyo Na Gir Jaaye Dil Hai Meri 
Judna Ni Phir Haaye Dil Hai Mera 
Dekhiyo Na Gir Jaaye 
Dil Hai Meri Judna Ni Phir Haaye 
Dil Hai Mera Ye Dil Tu De De Apne Yaar Ko, Pyaar Ko.. 

Ku Ku Ku .. 
Resham Ka Lehenga Mera 
Resham Ka Lehenga 
Lehenga Hai Mehenga Mera 
Lehenga Hai Mehenga 
Lehenga Utha Ke Chaloon 
Ghoonghat Gira Ke Chaloon 
Kya Kya Bachaa Ke Chaloon
Raam Ji… Raam Ji…
Oye Chori.

Choli Ke Peeche - Diljit Dosanjh x IP Singh (0fficial Mp3)

 

Song: Ishq Ki Gali
Movie: Milenge Milenge 
Singer(s): Jayesh Gandhi, Rahat Fateh Ali Khan
Music By: Himesh Reshammiya
Lyricist(s): Sameer

uploaded by #NoorGuLShafaq

Ishq Ki Gali

Ratan lambiyan e  baryan ne

Kab_Se_Usko_Dhoondta_Hoon_-_Billu_Barber_1080p.mp3

original by Ustad nusrat fateh ali khan sahab. 

Kive Mukhde To Nazara Hatawa .mp3

Soniye Dil Nhe Lagda - MusicPlux

Red Baraat is a pioneering band from Brooklyn, New York. Conceived by dhol player Sunny Jain, the group has drawn worldwide praise for its singular sound, a merging of hard driving North Indian bhangra with elements of hip-hop, jazz and raw punk energy. Created with no less a purposeful agenda than manifesting joy and unity in all people, Red Baraat’s spirit is worn brightly on its sweaty and hard-worked sleeve. 
“Their infectious rhythms roll over the audience like a hurricane and let the audience breathe only in a short ballad pause.”
— RHEIN MAIN PRESS (GERMANY)
Red Baraat’s June 2018 album release, “Sound The People”, hit the top 10 on the World Music Charts Europe and was heralded in the US as the anthem soundtrack for the South Asian diaspora by US hipster, indie-rock magazine.
“The album is full of moments that hit with the force of a spiritual awakening…The funk, ska-punk, and other American forms that make their way into the music are layered intricately within the same threadwork as the ragas on which these songs are pulled from. Each piece is a gesture of cultural harmony, rendering not only genre irrelevant, but the geographic placement of those sounds.”
— STEREOGUM
2018 also saw the band touring Kazakhstan, Abu Dabhi, US, Canada and Europe. They headlined the renowned WOMAD Festival in Cáceres, Spain in front of 10,000 people, performed the Vienna Konzerthaus (Philharmonie) in Austria and had the crowd jumping at Rudolstadt Festival in Germany. The release of Red Baraat’s 2nd album in 2013, Shruggy Ji, debuted at #1 on the Billboard World Music charts in USA and propelled the band on a world tour that has yet to stop. They’ve performed at Bonnaroo, Austin City Limits, WOMAD, globalFEST, Lincoln Center, New Orleans Jazz Fest, along with clubs, theatres, and arts centers. Along the way they sold out rooms as diverse as the Luxembourg Philharmonic and the New York City’s legendary rock club Bowery Ballroom, and performed at the request of The White House (Obama), TED and Olympic Games.  
“This year’s ‘discovery’ [WOMAD UK Festival], though, was Red Baraat, a cacophonous bhangra funk band from Brooklyn. Think Punjabi weddings, Delhi street brass bands, modern jazz and rock.”
— THE TELEGRAPH (UK)
But even as it’s clear that Red Baraat has built a startling history of performances in iconic settings, the band’s bread and butter remains the sweaty clubs, festivals, packed performing arts centers, and college auditoriums that keeps the band on the road all over the world the last several years. It’s here where Red Baraat does what it does best - communing with their audience in a joyful, near hedonistic celebration of music and dance, which tellingly, draws a crowd even more diverse than the players on stage. The universality of what Red Baraat does is undeniable. And this is no happy accident. It is the product of intention and design. Says Jain, “The band…our songs…are addressing the multiplicity of viewpoints,” says Jain. “There’s ‘Zindabad,’ which means ‘Long Live’ in Hindi. In that song, we’re saying that we celebrate life, we celebrate devotion — but we also celebrate agitation and revolution. If we can unite people of all backgrounds and ethnicities to partake in the exuberance of life through the universal language of music, then life is that much sweeter.”