Inward

🎼#6-Untitled Roots

From the upcoming album "Principe Del Norte" out February 19th on Smalltown Supersound!

Pre -order here:
http://smalltownsupersound.thisisrobot.com/musikk/principe_del_norte_pre_or/

Prins Thomas - B

Taken from 'Lines + Colours' EP by Moiré, out March 25, 2016.

Follow Moiré: https://soundcloud.com/moirelines

Order vinyl + digital at The Ghostly Store: www.theghostlystore.com/products/lines-colours-ep

Moiré - Mirrors

BEATRICE DILLON - Drum programming, electronics, synthesizer, bass guitar, field recordings

RUPERT CLERVAUX - Vibraphone, drums, percussion, field recordings, additional drum programming


A Different River Once - Beatrice Dillon & Rupert Clervaux

The B2 to the Recast EP featuring Mike Ink, DJ Guy, & Terrestre aka Murcof released 11/09/2017 on Future Primitive.

A second release for London's Future Primitive Records brings to the fore a new hand-picked selection of hard to find - if not overlooked - tracks from Wolfgang Voigt, DJ Guy and Fernando Corona, aka Murcof. All of the music to feature on this four-track Recast EP was previously subject to tape or CD only release.

Lifted from his only album as Love Inc., Wolfgang Voigt's "Income" sits primo as the A1, holding firm 22 years after its original release. Predating Voigt's work as GAS, its caustic chords, shimmering melodies and chilled 85BPM vibe render it a production borne from the classic dub techno blueprint of the early-to-mid '90s. An early take on "slo-mo" techno.

The cassette tapes of DJ Guy have again been raided, with Future Primitive joining a select cast of followers to rejuvenate the Welshman's productions with an edit that appeared on his tape for Crisis Urbana.

Both B-side tracks "Botas De Oro" and "Secondary Inspection Theme" come from Murcof's one-time Terrestre alias, a project from the early-2000s which fuses textural, slow-motion and minimal house sensibilities with Mexican Banda and NorteNo music - aka Nortec, a micro-sub-genre to come out of Tijuana. Loose percussion, swung drums and winding rhythms are made all the more esoteric through the subversively climactic nature of Terrestre's music.
12" due mid-September 2017.

Terrestre aka Murcof - Secondary Inspection Theme (FPR002)

TOMAGA "Memory In Vivo Exposure" (12"/DL).
HITD 037
Release date: 8th December 2017

All tracks composed, perfomed & recorded by TOMAGA
Mastering by Mike Grinser @ D&M, Berlin
Original cover photograph by David Child

Label, orders: www.handsinthedarkrecords.com

TOMAGA - Memory In Vivo Exposure (Parts 1 & 2)

Physical: geographic-north.com/cassette/coyotes/
Digital: geographicnorth.bandcamp.com/album/coyotes
Catalog #: GN49
Cassette, limited to 100

Félicia Atkinson is a composer, sculptor, painter, poet, and publisher from Rennes, France. Atkinson has led a fruitfully fantastic run of eerily blissful, serenely euphoric sounds. Whether under her own name or via her defunct recording pseudonym Je Suis Le Petit Chevalier, Atkinson has released work on Umor Rex, Digitalis Limited, Aguirre, and Shelter Press, an imprint co-run with Bartolomé Sanson.

‘Coyotes’ is an EP inspired by Atkinson’s last voyage to New Mexico in February 2017, when she visited and took in the geographic landscapes from Taos to Ghost Ranch. The same vistas also inspired much of Agnes Martin’s and Georgia O’Keefe’s painting, as well as Jerome Rothenberg’s poetry and translation’s works.

Atkinson describes a ‘Coyotes’ as a “Carnet de Voyage,” a tape you could directly play in your car while traveling somewhere, a kind of imaginary map to a sentimental journey. A spontaneous gesture, close to the notion of gift or offering. Or, simply, a postcard to a friend.” But it’s also a praise to the conservation of national and state parks and its human and non-human souls, menaced as we know now by drilling and violent economic speculations.

Here, coyotes act as a kind of metaphor of ambiguity and doubt, a state of mind that Atkinson find interesting to transcribe musically; the ambiguity furthered by Atkinson as a literal “foreigner” in New Mexico. She conveys a sense of visiting these native sacred lands and wondering what you are doing there.

Musically, ‘Coyotes’ is composed of two long tracks, “Abiqiu” and “Lighter Than Aluminium.” Each track features an effervescent froth of piano, midi sounds evokes marimbas, Fender Rhodes, bells, sub-basses, and spoken word poetry written by the musician to display a melancholic landscape made of transparent but deep layers of pale colors and blurry lines.

Félicia Atkinson - "Lighter Than Aluminium"

Katharina Ernst - X 01 [V_011]

Moon Wheel — རྡོ་རྗེ་རྣལ་འབྱོར་མ་

Belief Defect is the duo of two techno DJs and producers: Moe Espinosa – one of the co-founders of L.A.-based techno label Droid – and Luis Flores, originally from Guadalajara, Mexico and currently living in Berlin. The two met at a festival in Mexico and realized a mutual desire to explore the industrial, punk and drone corners of techno, inspired by the likes of Alessandro Cortini, Andy Stott and Fuck Buttons. Last year Belief Defect released their debut album Decadent and Depraved on the Raster label, and on February 8 they’ll be back with the Remixed 01 EP featuring reworks of album tracks by Cortini, Kangding Ray, Surachai and this one, an elegant take on the track “Deliverance” by Telefon Tel Aviv.
Today Peak Time premiered "Deliverance" (Telefon Tel Aviv Dub)

Tune in to Peak Time on RedBullRadio.com every Monday to Friday, 12 to 3 PM EST: www.redbullradio.com/shows/peak-time

Remixed 01

Belief Defect "Deliverance"(Telefon Tel Aviv Dub)[PEAK TIME PREMIERE}

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