just gorgeous & pretty true I guess only rare 2 found these dayzzz :p what a track! respecting congratz :)

Electro - Tracks

brume d'été

READ > https://inverted-audio.com/monolake-hongkong-field-records

First released in 1997 on Basic Channel's sub-label Chain Reaction, Robert Henke and Gerhard Behles debut collaborative album as @monolake is being released on vinyl for the first time, courtesy of @fieldrecords. To mark the occasion, we present the premiere of 'Index' - a propulsive dub techno chugger that extends over 10 minutes, this one dives deep into sub-aquatic wormhole territories and remains as fresh sounding as it did 26 years ago.

Hongkong

Monolake - Index [Field Records]

Preorder 'Maintain The Golden Ratio': https://Cybotron.lnk.to/MaintainTheGoldenRatio

Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of "Meta". 
 
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan Atkins and Rik Davis were able to re-engineer Cybotron  &ndash;  a combination of the words "Cyborg" and "Cyclotron" (an atomic particle accelerator) &ndash; to be used as a home studio performance music that would change the course of independently produced and distributed electronic music.
 
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron's future forward funkadelic sound "techno" in reference to Alvin Toffler's concept of unlikely "techno rebels" against technocracy. Techno is music that sounds like technology, and its purpose was to help society survive our collision with a universally felt "future shock" by inserting an audio virus into the cultural matrix. 
 
Techno's blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into new sound technologies and create new 'sonic' spatialities where listeners can transport themselves out of the physical world into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized mid-stride, dissolving physical and virtual reality into sonic fiction.
 
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500 formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno music is self-aware.
Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision out of sync with our current rave new world. 

Cybotron's return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan Atkins' initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12" &ndash; uploaded directly into the alleys of your mind.

-	The Rhythmanalyst

BANDCAMP

Cybotron - Maintain

ob ell X2

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds. 

Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.” 

R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system. 

Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis. 

The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering. 

He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception. 

The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch… 

— The Rhythmanalyst aka DeForrest Brown, Jr.

Cybotron - Parallel Shift

E.R.P. – Lament Subrosa

Plata O Plomo - Money or Bullets... a choice given by Pablo Escobar to all those that might interfere with his ambitions. The thought comes to mind though...if a dude is bad enough to give a man that choice? He'd better be in possession of plenty of both - Money + Bullets - So we present; Plata y Plomo, sonic weapons to help protect your travels along this crazy thing called life. Plenty of both my friends, plenty of both. All Songs Written, Produced + Mixed by Kev Dot Kruz

Plata y Plomo

Plata (Original Mix)

If You Wanna Be My Baby

Ostati

Sallow Myth

"Lament" by @rising-sun, featuring a remix of the title track by @svenweisemann, will be out on February 17 through @justanotherbeat_jab. More info: bit.ly/RisingSven

Lament

Info

Rising Sun - Lament (Sven's Bird's Lament Mix)

Frag006 - 05 Killahertz - Pack Of Milds

Featured on Perlon "Superlongevity 6" compilation.

The Stowaway - A Suspicious Passenger

Sven Weisemann has been immersed in the underground House and Techno scene for quite some time now having started DJing in 1997 during the rise of the scene on his home turf of Berlin and going on to release material via the likes of Amsterdam’s Delsin, Mojuba, Telrae and liebe.detail amongst many more. Here though we see Sven joining the roster of Echocord, a perfect fit for his more dubbed out compositions with artists like Fluxion, Rod Modell and STL on the roster. 
 ‘Lunation’ opens the release and sees Weisemann fuse emotive string melodies and cavernous vocal echoes with off-kilter rhythms and rounded sub hits before title-track ‘Bilateral Relations’ embraces a more direct four-four approach via sparse percussion and tumbling toms alongside choppy bass stabs and ever-unfolding, echoing dub chords. 
 Opening the flip is ‘Monistic’, an airy ethereal number employing billowing pads, bright synth chimes and a dropped tempo dubbed out feel to create something truly stunning and thought provoking before the ‘Decimation (Valvle tR9 Mix) closes things on a darker tip with looming stab swells, heavily swung drums and sporadic growling bass drones.

Bilateral Relations EP

LISTEN ON YOUTUBE

PREMIERE : Sven Weisemann - Monistic

It's been four years since Efdemin last released a full-length, but the Berlin techno mainstay is set to return on April 13 with Naïf, a hybrid album/mix CD. The record features 29 tracks of previously unreleased music from both Efdemin and a bevy of collaborators (e.g. Marco Shuttle, Gunnar Haslam, Steve Bicknell), and ahead of the LP's arrival we debuted the hypnotic melodies of "Love" on Red Bull Radio's First Floor, our weekly look at what's new in electronic music.

@efdemin
@curlerec
http://redbullradio.com/shows/first-floor-shawn-reynaldo
http://redbullmusicacademy.com

Naïf

Efdemin "Love" [First Floor Premiere]

Artist: Various Artists
Title: AEX009
Label: ÆX
Catalogue: AEX009
Format: 12" Vinyl
Genre: Electronic
Style: Techno
Release date: September 25, 2019

Tracklist:
A1:    D&s - The Invisible Workings
A2:    Kaap - Godspeed
A3:    Ben Buitendijk - Head In The Clouds
B1:    Tetelepta - Sassoon 011
B2:    Human Space Machine - Places

https://indigoaera.bandcamp.com/album/x009-2

AEX-009

Human Space Machine - Places [AEX]

when I think of Tbilisi

The Red Bull Music Academy is a world-travelling series of music workshops and festivals: a platform for those who make a difference in today's musical landscape. Here, you'll find exclusive downloads and streams from Academy participants, family, and friends.

Efdemin "Love" [First Floor Premiere]

Red Bull Music Academy

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