FavTracks 08/2021

Uploading & compiling the harder to find tracks by the legendary band Redd Kross. After 42 years of releasing music, the band has left quite a few "orphans" (as i like to call them) in their long career.  Hopefully, we can get most of them here in one place.  

If you are a fan of the band and like what you hear here, consider checking out their store at https://reddkross.com/store-2/ and supporting them directly by purchasing one of their albums or merch items they have for sale there.

(If anyone from the band sees anything uploaded here & does NOT want it publicly posted, shoot me a message here and let me know & I will be happy to pull it down.)

:-)

Redd Kross - B-sides, Non-LP Tracks & Other Rarities

AGAPO SOUNDS - 4

Régime des Fleurs

Notes and Chords Mean Nothing to Me

Notes and Chords Mean Nothing to Me (Almost Live from Joyful Noise)

High in the Rain

Written by Nanci Griffith. May she rest in peace.

Owen Ashworth: vocals, sampler,  Oscartron, drum machine
Nicholas Krgovich: backing vocals
Xandy Chelmis: pedal steel

Recorded & mixed by Owen Ashworth at Advance Basement, Oak Park, IL except for Nick & Xandy's parts, which they recorded at home in Vancouver, BC & Asheville, NC respectively.

Cover art by Margaret Hitch

Love At The Five & Dime (Nanci Griffith cover)

Third song of my new EP 'It remains too far away for us to reach'. I hope you'll enjoy it!
Spotify: open.spotify.com/artist/3zZFuygq2bubBNoZkpArom
Apple music: music.apple.com/us/artist/a-cerul…-state/1151552298
Bandcamp: ambientmusicalgenre.bandcamp.com/
Facebook: www.facebook.com/aCeruleanState

Homesick lullaby

Born Innocent

Cease to Exist

La Vida Mata

Septiembre

Marines A Pleno Sol

El imperio contraataca

La puerta verde

Paletas y… bolingas

Botas y tirantes

Caldo De Pollo Y Los Primeros Singles

Oi! oi! oi!

Hot Issue

Puss ’n’ Boots

Red Cross

Rich Brat (Demo)

Fun with Connie (Live)

Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-”The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!

Notes and Chords Mean Nothing to Me (Almost Live from Joyful Noise)

ReddKross