from Martina Bertoni's forthcoming album "Hypnagogia", out on 20th january 2023 as LP / tape / DL

MARTINA BERTONI - Inversion

Pleasurefields & Off Peek HOPIUM Split E​.​P

Pleasurefields & Off Peak Ft Melatron - Hopium

We continue on with the ever evolving sounds from our beloved family abroad with a new Vinyl Compilation.

Available now via our Online Store - strictly vinyl on this one!

300 copies

Kiki Kudo Feat. Haruka - Hzaruigara

New Strategies For Modern Crime Volume 2

Python Print

Cult US singer-songwriter and DIY artist Linda Smith shares an hour of records from the Baltimore FM airwaves in the mid-1960s. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/guests/episodes/linda-smith-23rd-april-2024

Linda Smith 230424

the being/the world (2024)
for Juliet Fraser and Ensemble Musikfabrik

extract recording: 
scene 10: the atmospheric agent, 
scene 11: aria (happiness) [from 4:28], 
and part of scene 12: ensemble (love) [from 10:00]

premiere recording extract from WDR, Köln on 3 March 2024

total piece duration: 1 hour

in loving memory of Amelia Cuni

commissioned by Ensemble Musikfabrik and Kunststiftung NRW
photograph: Janet Sinica

the being/the world (2024) scenes 10, 11, 12 (extract)

LUMER – Lying in wait //
REGULAR GIRL - breakthrough //
Théo CHARAF et Raoul VIGNAL (Nitebirds) – Moonlite //
Les SOUCOUPES VIOLENTES - J'irai pas //
The LEMON TWIGS - My golden years //
METZ - entwined_street_light_buzz //
MARBLED EYE – Read The Air //
LUMER – One hundred years of solitude //
LUMER – Notion of the dark //
ELYSIAN FIELDS - First last wishes //
Catherine GRAINDORGE - Orpheus' head //
Turner CODY – First One at the Drive In //
LUMER – Dead Conversation //

#850 - LUMER

Georgia Sea Island Singers led by Mississippi Fred McDowell - "Keep Your Lamp Trimmed and Burning"

Tune in tonight on Radio Flouka for an hour-long ode to South-African pianist, Abdullah Ibrahim. Also known as the brother with perfect timing, this episode is dedicated to a true master of keys, a musical legend and to Cape-Town.

Tracks: www.radioflouka.com/shows/for-abdullah-ibrahim-11-06-2024

STREAM RADIO FLOUKA

For Abdullah Ibrahim - Yassine Rachidi - 11/06/2024

Beyond the Door

When Do I Get to Sing "My Way"

Levitation Sessions

Sewer Fire (Live)

Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-”The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!

When Do I Get to Sing "My Way"

ReddKross