Nerve Net

What Actually Happened?

From the upcoming album 'instrument' out 21 July 2014 on City Slang
Preorder the album via iTunes: glnk.it/2io
on Amazon: glnk.it/2ir
or direct from the label: glnk.it/2iq


Instrument

Preorder 'instrument'

to rococo rot - Many descriptions (featuring Arto Lindsay)

"Listen, here..." for Dublab DE - The  May there Be May Episode

Talk

Great music is often about chance meetings and impromptu creative sessions and so it is that Hell Yeah proudly serves up Sensory Blending, a new collaborative album from Italian collective Aura Safari and Finnish musician Jimi Tenor. The nine-track record arrives on 26th April 2024 and is a lush and luxurious fusion of jazz-funk styles.

This glorious record came about after Tenor was playing a Hell Yeah party at Tangram in Perugia. Aura Safari were local and, in some free time the day before the gig, everyone jumped in the studio together. They had never met before but soon found plenty of free-flowing common ground and the result of that one-off session is now served up on this vibrant new album that brims with musicality, indelible melodies and subtly uplifting vibrations.

Tenor has toured the world and previously collaborated with the likes of Japanese master Calm. He is a psychedelic space-jazz-funk king, skilled musician, composer and producer who, since the mid-nineties, has released more than 25 albums and 45 EPs. Aura Safari is made up of bass, synth, guitar and keys players Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo, and they are label regulars who served up their sublime Island Dreams album here last year.

Says Jimi, who enjoyed his time in Perugia and adds that "the studio session was 100% efficient. I showed up and we started to play. Almost all that was made was material that we could use for the album. I love to work fast. Quick brushstrokes. Finish! I was amazed at how intuitively the Aura Safari guys could come up with new parts for songs. I mentioned some feeling or approach and they seemed to find it just like that.”

'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.  

Sensory Blending is a seamless fusion of collaborative minds from Aura Safari and Jimi Tenor and it could well be performed live at some special select shows later in the year.

Shop

Aura Safari & Jimi Tenor - It's Too Easy To Love You

Confirm Yourself

Dark Side of Paradise

Sexplotation From Outer Space

'Paint a Room' by Chris Cohen (Release Date: July 12, 2024)
Listen Now: https://hardlyart.xyz/chriscohen_paintaroom

Chris Cohen: 
Bandcamp: https://chriscohen.bandcamp.com
Instagram: https://www.instagram.com/chrifcohen
Facebook: https://www.facebook.com/chriscohenmusic
Spotify: https://open.spotify.com/artist/2OYDcH3MLWeNjj7gQVUbEF
On Tour: http://www.hardlyart.com/tours/chris_cohen

Hardly Art: https://www.hardlyart.com
MiniMart: https://www.hardlyart.com/shop
Bandcamp: https://hardlyart.bandcamp.com/artists
Twitter: https://twitter.com/hardlyart
Facebook: https://www.facebook.com/hardlyart
Instagram: https://www.instagram.com/hardlyart
YouTube: https://www.youtube.com/user/hardlyartrecords
SoundCloud: https://soundcloud.com/hardlyartrecords

Paint a Room

Damage

Chris Cohen - Damage

SEAT003 PRE-ORDER -https://seatedrecords.bandcamp.com/album/22-beaches-dust-recordings-1980-1984


Seated Records return with more 1980s Scottish Post-Punk / New Wave material. In this 8-track mini compilation, “Dust: recordings 1980-1984” , the label introduces the work of Stirling band 22 Beaches, following the band's journey and the changes in their sound over the years. The compilation moves from the raw, punk energy of early DIY recordings through to the A Certain Ratio style Balearica of their later pieces. 

Limited 12" Vinyl & Digital

Released 27/05/24

22 Beaches - Dust: Recordings 1980-1984 (Clips)

Beyond the Door

When Do I Get to Sing "My Way"

Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-”The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!

When Do I Get to Sing "My Way"

ReddKross