Alright, so this album, Silent Roads, is one of those deeply haunting, intimate collections that takes you right into the heart of lost love and longing. Imagine an album that feels like wandering down empty roads at night, where every song is like a memory coming back to life, even though it’s painful. The songs all have this soft, slow, acoustic feel, with instruments like piano, violin, and especially the guitar, which just aches with every note. It’s like the guitar itself is grieving, you know?

Each track really explores the weight of what’s left behind after a relationship falls apart—not just the sadness, but the regret, the unanswered questions, and that bittersweet “what if” that never goes away. The lyrics are so raw and direct, they kind of hit you with all the things we usually try to bury or avoid. Some tracks are about missed moments and things unsaid, while others are more about finally letting go, even though you’re not ready.

It’s all told from this really vulnerable perspective, with baritone vocals that feel weary and deeply reflective, like he’s just sitting there, talking to himself or maybe to her ghost. There are songs that mention memories of shared laughter, promises that couldn’t last. It’s incredibly poetic but painfully relatable, especially if you’ve ever gone through a breakup that left you with a sense of unfinished business.

I’d say Silent Roads is less about moving on and more about understanding that some love stays with you, no matter how far you go. It’s one of those albums where you don’t just listen; you feel it. Perfect for late nights when you just want to be alone with your thoughts.

only if you stayed

I work with machines the way some people work with memory, shaping what’s already there, not to control it, but to understand it. The tools I use are made of code, but the intent behind them is completely human.

red of the gate began as a fictional band. A name I could hide behind. But over time, that fiction became the most honest expression I had. It stopped being a mask and started becoming a mirror, a place to reflect the moments we don’t have words for, the spaces between emotions that feel too raw or too distant to name.

I call what I do synthwrighting. Not because it sounds futuristic, but because it feels accurate. I don’t write songs, I uncover them. I collaborate with algorithms the way a sculptor chips away at stone. Sometimes the machine surprises me. Sometimes it just listens. But what emerges is always shaped by instinct, memory, and feeling.

These songs aren’t performances. They’re echoes. Sonic fragments of questions I don’t always know how to ask. I’m not here to offer answers or compete with noise, I’m here to slow things down enough that something deeper can be heard.

red of the gate is not a band. It’s a signal. A reminder. Something you’re meant to feel before you understand.

And if you’re still listening, that means you're not done yet.

Songwriter

I'll write your biggest hits, the author of the lyrics.

.

.

وَأَنّا المانِعونَ لِما أَرَدنا
وَأَنّا النازِلونَ بحيثُ شينا
وَأَنّا التارِكونَ إِذا سَخِطنا
وَأَنَّا الآخِذونَ إِذا رَضينا
وَنَشرَبُ إِن وَرَدنا الماءَ صَفواً
وَيَشرَبُ غَيرُنا كَدَراً وَطَينا