Music: “Rainbow Tangle” for piano and electronics
Composer: Tom Flaherty
Artist: Nadia Shpachenko, piano
Album: Quotations & Homages
Label: FRESH! From Reference Recordings (FR-726)
https://referencerecordings.com/recording/quotations-homages/

Nadia Shpachenko’s latest Reference Recordings release Quotations & Homages features World Premiere recordings of works for solo piano, for piano and electronics, for speaking pianist, for piano with extended techniques, and collaborative works for 6 pianists (performed with Ray­-Kallay Duo, HOCKET and Genevieve Feiwen Lee) inspired by a variety of earlier composers and works. These fascinating new pieces come from eight notable modern composers: Tom Flaherty, Missy Mazzoli, Vera Ivanova, James Matheson, Nick Norton, Adam Borecki, Daniel Felsenfeld and Peter Yates.

Pianist Nadia Shpachenko-­Gottesman has performed extensively in solo recitals and with orchestras in major venues across North America, Europe and Asia. Described by critics as a “truly inspiring and brilliant pianist…spellbinding in sensitivity and mastery of technique,” Nadia enjoys bringing into the world things that are out of the box—powerful pieces that often possess unusual sonic qualities or instrumentation. Nadia’s concert highlights include solo recitals at Carnegie Hall, Concertgebouw, Disney Hall and Bargemusic, as well as numerous appearances as a soloist with orchestras in Europe and the Americas. An enthusiastic promoter of contemporary music, she has been chosen to give world and national premieres of more than 60 piano, string piano and toy piano works. Her previous album on Reference Recordings, Woman at the New Piano (FR-­711, 2014), was nominated for GRAMMY® Awards in three categories: Best Classical Compendium; Best Chamber Music/Small Ensemble Performance, and as part of the body of work in the Producer of the Year, Classical nomination for Marina A. Ledin and Victor Ledin.

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Tom Flaherty: Rainbow Tangle For Piano And Electronics

We at RR believe that how a recording sounds is as important as the music itself. "Prof." Keith O. Johnson, our chief engineer and Technical Director, is a true audio legend, having designed and patented many innovative products in the professional and consumer fields. The RR Sound comes from his singular methods and equipment, hand-built or extensively modified by him. Microphone techniques range from single-point Blumlein to spaced omnis to complex studio mixes, depending on the musical forces and the performing space involved. Our goal is to recreate the sound of real musicians making music in real space.

Contact: juanboca90@gmail.com
Venezuelan composer graduated from the Master in Latin American Musicology of the Central University of Venezuela and the Conservatory of Lyon. He has studied composition with Christophe Maudot, Stéphane Borrel, Alfredo Del Monaco, Diana Arismendi, Adina Izarra, Gerardo Gerulewics, among others. He has participated in master classes and lectures by William Bolcom, Richard Dubugnon, Robert Normandeau, José Manuel López López, Jean-Marc Duchenne. He has also received various awards and honorary mentions in national competitions of composition and musicology and his music has been selected in several international festivals such as the ICMC 2021 (Chile), VI Festival de Música Electroacústica(Chile), Festival Espace du son 2020 (Belgium), MUSLAB 2020 (Mexico), II Festival Expresiones Contemporáneas 2020 (Mexico), I Festival Atemporanea 2019 (Argentina), at the JNME 2019 as part of the XL MANCA festival (France), the Latin American Music Festival 2016 (Venezuela), among others. His acousmatic work "Desde adentro" was a finalist at the Concours Métamorphoses 2020.

GRAMMY® Award-winning Ukrainian-American pianist Nadia Shpachenko enjoys bringing into the world things that are outside the box – powerful pieces that often possess unusual sonic qualities or instrumentation. Described as a “gifted and versatile pianist” (San Francisco Chronicle), “one of today’s foremost promoters of contemporary music” (Textura Magazine), and “a great friend and champion of new music” (Fanfare Magazine), Nadia performed recitals at Concertgebouw, Carnegie Hall, Disney Hall, on the Piano Spheres and Los Angeles Philharmonic’s Green Umbrella and Chamber Music Series, and with numerous orchestras in Europe and the Americas. She premiered more than 100 works by Armando Bayolo, Elliott Carter, Christopher Cerrone, Paul Chihara, George Crumb, Ian Dicke, Daniel Felsenfeld, Tom Flaherty, Annie Gosfield, Yuri Ishchenko, Vera Ivanova, Dana Kaufman, Leon Kirchner, Amy Beth Kirsten, Hannah Lash, James Matheson, Missy Mazzoli, Harold Meltzer, David Sanford, Isaac Schankler, Alexander Shchetynsky, Adam Schoenberg, Lewis Spratlan, Evan Ware, Gernot Wolfgang, Iannis Xenakis, Peter Yates, Pamela Z, Jack Van Zandt, and many others.

Nadia’s debut Reference Recordings CD Woman at the New Piano: American Music of 2013 was nominated for 58th GRAMMY Awards® in 3 categories: Best Classical Compendium, Best Chamber Music/Small Ensemble Performance, and Producer of the Year, Classical. “Sure to remain a mainstay of the contemporary discography for posterity” (New Classic LA), Nadia’s 2018 Reference Recordings CD Quotations and Homages features premieres of solo and collaborative works for 6 pianists (performed with Ray-Kallay Duo, HOCKET and Genevieve Feiwen Lee) inspired by a variety of earlier composers and pieces. Described as “superb… evocative… pure magic” (I Care If You Listen), Nadia’s 2019 Reference Recordings album The Poetry of Places features premieres of solo and collaborative works (performed with LA Phil pianist Joanne Pearce Martin and LAPQ percussionists Nick Terry and Cory Hills) inspired by diverse buildings. It won the 62nd Best Classical Compendium GRAMMY® Award. She is also featured on Isaac Schankler’s 2019 Aerocade Music album Because Patterns, Gernot Wolfgang’s 2019 Albany Records album Vienna And The West, José Serebrier’s 2021 Reference Recordings album Last Tango Before Sunrise, and Wouter Kellerman’s 2021 South African Music Award winning album We’ve Known All Times. Nadia’s recording projects are supported by grants from The Aaron Copland Fund for Music, The Alice M. Ditson Fund at Columbia University, and New Music USA, among others.

As a distinguished chamber musician, Nadia frequently collaborates with prominent artists, most recently including Boris Allakhverdyan, Sarah Cahill, Martin Chalifour, Jin-Shan Dai, Kevin Fitz-Gerald, Vijay Gupta, Dahae Kim, Jerome Lowenthal, Kathleen Supové, Ben Ullery, and the Lyris and Argus Quartets. Her recent collaborative performances were featured on Los Angeles Philharmonic’s Chamber Music Series and the Hear Now Music Festival.

Nadia Shpachenko is Professor of Music at Cal Poly Pomona University, where she leads the Piano Performance program and was awarded the 2017 Provost’s Award for Excellence in Scholarly and Creative Activities. She is also on the faculty of Claremont Graduate University, where she teaches Doctoral piano students. Born in Kharkiv, Ukraine, Nadia completed her DMA and MM degrees at the University of Southern California, where she was awarded the title of Outstanding Graduate. Her principal teachers included John Perry, Victor Rosenbaum, and Victor Derevianko. Nadia Shpachenko is a Steinway Artist and a Schoenhut Toy Piano Artist.