Ten years ago, ‘We Are Your Friends’ reached our ears and pushed Justice to the front of the scene, a young French duo signed by Pedro Winter on the label he had just created: Ed Banger Records. The record that followed,✝, was an album of condensed jerky electro, of disco reminiscences and heavy metal energy, with unstoppable tunes like ‘D.A.N.C.E’, ‘Stress’ and ‘Phantom’, and its videos, allowed Justice to follow the 90’s French Touch and its filtered disco loop. 

Since the release of their debut album in 2007, Justice has been tirelessly touring the world by bus, road festival to festival and concerts all over throughout the planet. Since their first tour, the band developed a powerful stage design that they polished and magnified throughout the years and the gigs. The wall of vintage Marshall amps front of the stage, an imposing cross, impressive light shows, and the sound of Justice totally revisited for the live shows. 


Arnaud Roy is a harp player, composer and audio designer for video games, cinema and TV. His works are influenced both by electronic and post rock music from the 90's. His compositions melt vintage and modern synths, classical instruments, and concrete textures. After joining the G4F team, he worked on all the projects for developers Amplitude (Endless Space, Dungeon of the Endless, Endless Legend, Humankind, Endless Dungeon). He worked with American singer Lera Lynn and french guitarist Thomas Ottogalli on Endless Dungeon soundtrack.

if you've got questions about using stuff i've made, contact me on discord please: @wholepunch

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