subcast is born, an incantation of adventurous sonic alchemy behind radiant subs. The inimitable Razrbark kicks things off. Strap in for a chemistry-altering ride.
@razrbark's interview below--->

ℚ: ℍ𝕠𝕨 𝕨𝕠𝕦𝕝𝕕 𝕪𝕠𝕦 𝕕𝕖𝕤𝕔𝕣𝕚𝕓𝕖 ℝ𝕒𝕫𝕣𝕓𝕒𝕣𝕜 𝕚𝕟 𝕒 𝕗𝕖𝕨 𝕨𝕠𝕣𝕕𝕤?

A: Live edge, live wire

Q: Describe the story behind Razrbark's Specific Heat.

A: Specific Heat measures how resistant (or not) substances are to temperature changes, specifically how much energy is needed to raise the temperature of something by one degree. This concept from chemistry has always stuck with me and is something I thought of after listening to the finished product of this mix/let's be real I just think it sounds cool.

When I first started prepping for this mix, I went in a very different direction and had a rough draft, but it felt tedious, trying to force ideas and tracks in a way that required a lot of energy with little output. Sometimes, things pour out of you and sometimes, they don't. 

One day, a very exciting booking came through (spoiler alert: it was Honcho @ Hot Mass). With the adrenaline rush of the booking, I immediately started mixing tracks from the extremes of my USB, and everything flowed really easily. I decided to hit record, and it came together in a way that felt much more organic. I also unearthed many tracks I had forgotten about that were collecting cobwebs on my stick but that I always loved.

Anyway, all this to say, just like in chemistry, sometimes you need the right conditions for a reaction to truly take off~~~

Q: What is your ideal dancefloor (fictional or real).

The Bronze.

Q: When is the last track that made subs glow for you?

A: Two specific tracks come to mind:
https://snappedankles.bandcamp.com/track/come-play-the-trees-crooked-ankles-2
To me this is the perfect track. I played it at Hot Mass in Pittsburgh sometime after 6am a bit slower than this. I love how it has so much raw power behind it. Big chug NRG. I've always loved this song from the same band. It has a very Iggy Pop/Plastic Bertrand sensibility to it, but I've never been able to play it on a dance floor, so I was happy when I found this edit that is a bit more dance floor friendly and still has the rock/dance vibe that I feel is a hallmark of my sound.

Another track:
I just played this song towards the end of my set at Afterlife in Seattle this weekend. The bass was so intense my drink literally bounced across a table and fell to the floor. I'd say the subs were glowing hard.
https://normalpleasure.bandcamp.com/track/heart-palpitations-on-the-m1

Q: What track/artist was a musical game-changer for you?

A: Föllakzoid. It's psych rock, it's techno, it's everything. Each time I've seen them play, it's world-building and expansive. 

Q: If this mix was a book or a movie what would it be? 

A: It would be in Walk Hard Part 2, when Dewey goes through his drum and bass era.

subcast #1 ✹ Razrbark's Specific Heat

Broken club, dubbed out sounds, experimental electronics and atonal drifts: Gio’s monthly broadcasts are high contrast assemblages that move at a slow pace. 



                             
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/skyapnea/episodes/skyapnea-7th-july-2025

SKYAPNEA w/ INDEX:Records 070725

Live recording at the Future Intel headquarters in The Hague. Streaming live every Thursday and Friday on YouTube and futureintelradio.com. For more info, visit our website.

Marijn S ╚═ Future Intel ═╗ 28 08 2025

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: https://www.gofundme.com/f/help-refuge-worldwide-community-radio

idle rays - dérive - 05 Sep 2025

D-grade sees off Saturday and the Robotic Sounds takeover with a headsy mix of illbient, downtempo dub-tek and general washy leftfieldism. It's a slow-paced but well evolved and  entrancing pool of naturalist sonics and spacey atmospheres. Features bits from Mistareez, Sciama, and Klofink to name a few. 

ROBOTIC SOUNDS w/ d-grade @ Radio Panini (13.09.2025)

pi/live: Radart (Live) @ Büro Siebzig, Globus 08-14-2025

Picture Credits (potw2547a, ESA/Hubble & NASA, R. Indebetouw) - esahubble.org/images/potw2547a/

Burn

Experimental soundscapes from within the margins. 

https://www.instagram.com/gillielove



Gillielove @ The Lot Radio 10-22-2025

Next in our mix/archive series is Mike Midnight taken from our label night at Tresor/Globus late August 2025 for Globus Būro Siebzig: Paper-Cuts featuring Radart (Live) & deep creep. Bleep, bloop, blop..!  (https://soundcloud.com/mikemidnight) <3

Welcome to our mix/archive series, our home for live sets from label events, guest shows and radio broadcasts soundcloud.com/papercutslimited/sets/mix-archive

www.papercutslimited.com

mix/archive: Mike Midnight @ Globus Büro Siebzig, Globus

READ > https://inverted-audio.com/premiere-jonnnah-consume-me

French producer Pierre Paumier returns as @jonnnah with his new LP What They Left on Second End Records, a wintry blend of dub techno, bass, ambient, and slowed breakbeat textures. Among its standout moments, “Consume Me” drifts from a foggy dub techno haze into an understated downtempo groove, carrying a subtle trip-hop mood that feels both welcoming and quietly mysterious. It plays like an interlude in an open-ended game world - more about wandering through its soft, uncharted spaces than reaching any particular destination.

Jonnnah - Consume Me [Second End Records]

upsammy - In A Wrong-Sized Shirt

~ Refuge Worldwide is a community radio station based in Berlin, working in solidarity with grassroots and non-profit organisations.
~ Visit us at Niemetzstr. 1, 12055 Neukölln
~ refugeworldwide.com