Recording from Club Cosmos at Freedom Mills Leeds

TASCAM DR-40

Slacky @ Club Cosmos, Leeds 12/11/23

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Ty : Through The Trees ft. Jim Irie - 18.08.24

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.

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The Sound of Collective Action - Radio Buena Vida - 02 Oct 2024

Rory Bowens heads The Slip one Monday a month, squeezing an hour of hazy dub off-shoots, pupil-dilating shoegaze and uncanny dream music.
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/theslip/episodes/theslip-7th-october-2024

The Slip 071024

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Support us by becoming a member on Patreon for just 3€ a month: www.patreon.com/refugeworldwide

Deep Pop - Alias Error - 10 Oct 2024

Slow Ted - Still (feat. Swedish Red Elephant). Out now on Sekora.

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Still

Still (Extended Mix) [feat. Swedish Red Elephant]

Free Download

Justin Timberlake - Like I Love you (MIAMO XOXO Edit)

Rhythm Taking Hold

@kamekameha

A note from the artist:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
This is Treezy B's African Art of Acid (Triple A baybee) Mixx, an homage to the art form that is known as acid house. As we all know House was birthed from Chicago, coming from the same gestation of 80s post disco black music that gave us Techno & Hip Hop. This period of musical innovation, propelled primarily by black youth, was yet another part in the long history of African-Americans dictating popular culture. Acid house was another rhythmic mistake, like the original blue note; an innovative use of technology beyond it's original intent by putting sum stank on it. 

It was black people who used a discarded bass machine to produce futuristic & psychedelic sounds that would influence the world yet again. Yet acid house, like most forms of popular music, did not do for the black community what it's done for others. Acid muzik has been lazily copied and mass produced, with little of the soul intact. There was no Second Summer of Love in Amerikkka, no Ibiza for Negroes to spend their holiday, no beginnings of a multi-million dollar industry that could change the lives of Lady Liberty's bastard children. The Summer of 1988 for those of African blood was another year of ravaging due to Reaganomics, Thatcherism, crack cocaine, gang violence, and institutional racism on a global scale.

Still melanin keeps on providing because funk is it's own reward. And if it ain't funky then what the funk are you doin?

All songs are acid music produced by people of African Diasporac descent. All vinyl records on 1 Technics SL-1200M3D, 1 Technics SL-1200MK5 & an Ecler NUO 2.0 mixer.
Overdubs of black people ripped from youtube and mixed on Ableton Live 10 Suite Free 30 day trial. 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Honey Soundsystem Potcast

HNYPOT 330: Turtle Bugg's African Art of Acid (Triple A Baybee) Mixx

@justbeige

Introduce yourself? Hometown? Where do you currently reside? 1 fun fact about yourself

I’m originally from the SF Bay Area, CA (Silicon Valley--the worst part) but have been mostly nomadic since I was about 15. I’ve lived in New England, Texas and Australia but Detroit has been home for almost four years, and this is where I’m putting down roots. My fun fact is that I dropped out of high school/never got my diploma but finessed a college degree anyway. 

Favorite collective/scene at the moment?

GFX in Pittsburgh recently brought me out to play one of their events at Hot Mass and I had the absolute best time. For such a small city PGH has a super-thriving scene and heaps of homegrown Midwest talent--Davis Galvin, Tabasheer, Sis Girl, to name a few. Detroit recently lost Ali Berger to PGH, and I’m pretty sure the entire In Training crew just moved there too from Cleveland so it’s definitely a place to watch! Close second goes to Philadelphia and their radio-based warehouse rave scene: shoutout Chris B, WKDU and Terry Radio. 

Favorite mix series?

I’m biased because they commissioned the first mix I ever put out, but I think Daisychain has been doing incredible work elevating the profile of literally dozens (it’s weekly!!) of women/femme, and non-binary/non-conforming DJs since they launched not too long ago. It’s also a great resource to debunk the usual excuses promoters give for not booking gender-diverse lineups, when they supposedly “can’t find” anyone but cis dudes with talent, taste, and technical chops. 

Favorite late night snack? 

Flaming Hot Cheetos (even though it gives me heartburn) 

Advice to beginning dj’s?

Make sure you are really clear on *why* you want to play music for other people and what about it feels good or necessary to you about it regardless of external validation. If your motivations revolve at all around an arbitrary number of bookings or standard of success, you’re gonna have a bad time. Checking your own ego will help you retain your beginner’s joy, curiosity, and drive to improve while avoiding burnout. 

Secret weapon track? 

I don’t know if I would call it a secret but this track has never not killed: https://www.youtube.com/watch?v=k30MSgY1brg

Where do you see your rave self in 30 years from now?  

I’ll probably be dead in a climate disaster but if not I’d like to be an Old Head showing the youngins how it’s done and cultivating joyful intergenerational spaces. I have lots of great role models for that in Detroit. 

What would you like to see in the future for the dance community?

I would really like to see more people (artists and dancers) understand the political *potential* of rave as well as its political past. Communal experiences of celebration aren’t frivolous, they’re actually a necessary part of any struggle to make the world better. Fighting for change without making room for fun is unsustainably exhausting, and pure hedonistic indulgence without a sense of purpose is super alienating. Understanding rave culture as a form of “pleasure activism” helps to bridge that gap. That’s why it’s so important to make sure that party spaces (in and outside of the DJ booth) are accessible to the most marginalized, who might need that relief to make it through the next day. On that note, when I say that dance music is “healing” I don’t mean it in an abstract way--I’ve had some of my most lasting, personally transformative epiphanies on the dance floor, and now as a DJ, playing music for other people is an important way for me to keep social anxiety and depression at bay. I want that for more people. With that said I also think we could all stand to take ourselves and the “techno game” a little less seriously in some ways!! This is supposed to be about having fun and connecting through music, not fighting to the death over clout!

Beige - 108˚

Live recorded the 20th of May 2013 from NTS radio in London with Brian Not Brian (Uk's Going Good) & DJ Sotofett (Norway's Sex Tags Mania). This is a better recording than the official NTS one. Solid-True-Dimensional. Always Original!

Brian Not Brian & DJ Sotofett - Live at NTS London 20.05.2013 (2-4pm)

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