Alex Monster ( a.k.a. Atom&Eev, RefluX, Sara Aleksander)
(LITTLE HELPERS, GET PHYSICAL, KRAD, MINIM.ALL, FREQUENZA RECORDS, SUBSTUDIO RECORDS, KAATO, FOURTH KIND RECORDS, K:LENDER RECORDINGS, FEMALE:PRESSURE, TRAFFICA, ARTEFEKZ MUZIK) 



https://zoywinterstein.bandcamp.com/follow_me
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- 1995 – 2001 studying music (classical piano with diploma) at the academy of music in Nürnberg
- a many-sided musical background beginning with the intensive occupation with the history of Jazz 1984-89, Free Jazz and Free Music (1996 playing together with Peter Brötzmann), 
a classical piano education, autodidactic learning of various saxophones and bass clarinet, avant-garde music (diploma work on the aleatoric compositions of John Cage and Karlheinz Stockhausen), 
music from Asia and Africa, writing of songs based on New Wave, Art Rock and other styles
- since 1990 founding of various ensembles based on free improvisation, conception and performance of multi media art-performances in collaboration with fine artists
- 1991-92 writing of onomatopoeia for radio broadcasts
- since 1992 production of a broad range of electronic and electro-acoustic music with a mostly experimental approach, first beginning with multitrack tape recordings including voices, guitars, synthesizers and many other instruments, then developing the technical environment in his Pedant Bunker Studio for producing more electronic computer music in different genres like rhythmically driven and pattern oriented music and experimental music with influences of Jazz and the use of Musique concrète elements 
- since 1998 production of techno tracks and DJing 
- 2000/02 music-collages for sound installations
- 2004-2006 founding and participation in the Kontrastmittel events in Nürnberg
- 2005/06 the album 19 MINIATURES OF A NATURAL LIFE is an example of the growing interest in the relationship between the sounds of nature and urban environment and the synthetically generated sounds, the combination and modification of these sounds to create polymorphic and atmospheric music as a kind of essence in the musical form 
- since 2006 music for film and theater 
- since 2007 graphic work and video art 
- since 2008 field- and noise-recordings 
- since 2009 radio plays for radio broadcasts 

performing musician  (live electronic, piano, saxophones…) 
and multimedia artist

www.dasharush.org
www.fullpanda.com
bookings: daniela@triangleagency.com
www.traingleagency.com

Melodic Techno | Techno | Tech Trance | Trance | Psychedelic Trance
Step into the sound. Let the echo begin.

Worldwide booking: clara@acheron-booking.com

www.orphx.com
www.orphx.bandcamp.com
www.facebook.com/orphx
www.residentadvisor.net/dj/orphx
www.last.fm/music/Orphx

One of the most highly respected acts in both techno and industrial circles, Orphx (Rich Oddie and Christina Sealey) have been refining their signature fusion of hypnotic rhythms and experimental noise for many years. They began in the early 90s with a raw sound inspired by old school industrial but soon began incorporating elements of dub, techno and electro into their work. Orphx built up an international following as one of the pioneering acts within the European "rhythmic noise" scene. More recently their work has come to the attention of techno fans through a series of acclaimed releases on the Sonic Groove label, collaborative work with the likes of Ancient Methods and Justin Broadrick, and remixes for many artists including Front Line Assembly, Oscar Mulero, Perc, and Conrad Schnitzler.

Oddie and Sealey have performed around the world at celebrated venues like Berghain and Tresor, and festivals such as Berlin Atonal, Movement, Mutek, and Unsound. They are renowned for their improvised performances, combining software with modular synthesizers and other hardware. Building on a sprawling back catalogue that stretches across industrial, ambient, and techno, their recent output has demonstrated that Orphx are both pioneers and innovators in the fusion of rhythm and noise.

Taipei based record label, podcast and event company.

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