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Jason Cluff - Here For Music [Autekone]

2025-09-22 ertert

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Amelie Lens - In Silence - Drumcode - DC178

Noir Music 113

Beatport

Embody

Martin Stoilkov - Headrush

Move Your Body To The Beat EP

Get it here...

Reinier Zonneveld, Miro - Shining (Reinier Zonneveld's Filth on Acid Remix) [Filth on Acid]

Back Into Consciousness EP

Spektre - Back Into Consciousness (Original Mix)

Syndication 35

Martin Stoilkov - Bend Over (Original Mix)_POBLA MSTRD

Rave Dan Rave Rave
Techno Dan Techno Techno

To celebrate Reinier's 11th DAN black belt in raving after a full week of EATING CONCRETE he opens a creative bottle from his birth year 1991, while politely nodding to the classic T99 - Anasthasia.

Rave Dan

PREMIERE: Reinier Zonneveld - Eating Concrete (Original Mix) [FILTH ON ACID]

Pressure EP

Meridians

Charlotte de Witte - Meridians (Vocal Mix)

Drumcode starts 2020 with a sterling EP from genre hero Thomas Schumacher, his first on the label after a long association with Adam Beyer.

No ifs or buts, if you’re a techno fan, Thomas Schumacher holds a place in your heart. His 1997 classic ‘When I Rock’ still gets rinsed, he has a vast body of stellar work on his influential former label Spielzeug Schallplatten, including a release from Adam Beyer, and he continues to deliver pin-sharp productions via his Electric Ballroom imprint, including a scorching remix of ‘The House of House’, the 1994 classic from Cherry Moon Trax. The rework was first played by Beyer at Time Warp and has been a 2019 highlight.

He first contributed to Drumcode in 2018 with ‘The Unseen’, a stirring contribution to ‘A-Sides Vol.7’, setting up a maiden EP with ‘Crimson’. Beginning with the brilliant ‘Feist’, it’s a no-nonsense brain melter, as 303 arpeggios bloom and recede, creating a thrilling rhythmic intensity throughout. The title track ‘Crimson’ is crafted around two minutes of tension-building synths, before a beat finally appears and a rasping deep bassline commands the dancefloor. ‘Anker’ brings the rave with eagle-eye focus, unleashing a wall of fierce acid to round out the pack.
“Adam and I have both been producing and playing techno since the early ‘90s. I have deep respect for him as a person and artist. It’s an honour to have the opportunity to collaborate in this way.” – Thomas Schumacher

Crimson

Buy all

Thomas Schumacher — Feist — Drumcode — DC217

Pre-order: https://www.beatport.com/release/against-a-dark-background/2823698

Against a Dark Background – the full-length studio album from long-standing British techno duo, Spektre – will be released in early 2020 on Pleasurekraft’s esteemed Kraftek imprint.

Following their critically-acclaimed debut album Casting Shadows Without Light in 2010 and their sophomore outing Cyclic Operations in 2013, Against a Dark Background will be the third studio long-player from partners Paul Maddox and Rich Wakley, who have been producing together under the Spektre moniker since 2006.

Currently in the top five-selling techno artists worldwide and with over 500,000 streams per month on Spotify, Spektre have taken the electronic music world by storm over the past few years, with their forward-thinking productions and high-intensity live performances resonating with legions of loyal techno fans across all corners of the globe.

Now key ambassadors for British dance music on a global level, Spektre’s chart-topping productions have received high praise from the likes of Adam Beyer, Carl Cox, Pleasurekraft and Alan Fitzpatrick and the duo are often hailed as one of the most exciting acts to emerge onto the UK techno scene over the past decade.

Talking about the forthcoming album, Spektre commented:

It had been over 5 years since the release of 'Cyclic Operations' when we first started work on the new album in earnest, so we wanted it to be a representation of how our music has evolved in that intervening period. The writing process itself was a lot more reductive than the previous two albums. We holed ourselves up for a few months and hammered out loads and loads of ideas, then filtered and refined the pool through playing them out and getting feedback from a few trusted pairs of ears, until "Against a Dark Background" began to crystallise into its final form.

Premiere: Spektre - What Once Was Lost

Return to Nowhere EP

Sgadi Li Mi

Charlotte de Witte - Sgadi Li Mi (Original Mix)

Tim Tama is back with his beautiful music, this is the time for him to join the ARTSCORE side of the label. Tim presents himself with his unmatchable touch and attention to details this time with a hip-hop twist that establishes a maturity in his sound but never letting the fun go out from his hands.

This is " Something True" the A1 of his new record called 'Wave Of Nostalgia'.

Bandcamp → https://artsrecordings.bandcamp.com/album/wave-of-nostalgia-ep
Artwork: Emmanuel

░ | A1. Tim Tama - Something True

One of Drumcode’s most indispensable talents, Tiger Stripes blesses us with another classy two-tracker.

In the last 11 years Mikael Nordgren aka Tiger Stripes has appeared on Adam Beyer’s Drumcode and Truesoul labels a total of eight times. The Swede has a masterful command of his machines and is an inspired sound designer, imbuing his productions with bags of creativity and cross-genre futurism. His last outing on DC ‘Into Isolation’ was a colourful five-piece of super-charged techno, reinforcing the breadth and strength of his studio work. Nine months on, we have another offering to add to the canon.

‘Jack The Garage’ is a fast and furious leader, mixing up jacking dancefloor functionalism with raw and distorted sounds inspired by garage rock bands such as The 13 Floor Elevators and The Stooges. ‘Back in Black’ draws influence from unlikely sources, Nordgren mining latent inspiration from the smooth synthesized sounds of Travis Scott after his daughter introduced him to the hip-hop maestro. The resulting cut is a slick slice of electro-fuelled techno, with as many sides as a rubik cube, as bass stabs, muffled vocal effects and distorted guitar stabs keep things interesting throughout.

Tiger Stripes — Back In Black — Drumcode — DC228

After being resurrected since the start of the year, Reinier Zonneveld continues his rebirth with a fresh new remix that finds him tackle the perfectly named Jones & Stephenson track 'The First Rebirth, which is a huge classic!! His "Resurrection" remix was released in January and hit the number 1 spot and this promises to follow too!

This is Filth on Acid NOW!

This release is a collaboration between Filth on Acid and legendary label Bonzai. This is the second collaboration of the two labels after having released the Bart Skils Remix of Universal Nation last September.

A huge track with real power in its slamming drums. The synths ripple up top as the groove rolls on and tripped out keys and chords then bring the colour. For all those who love hardcore techno with colour and rave energy to spare, then this is the one for you.

PREMIERE: Jones & Stephenson - The First Rebirth (Reinier Zonneveld Remix) [Filth on Acid]

Reinier Zonneveld's upcoming tour dates: http://gigs.gigatools.com/user/Reinier

Bookings: WASSERMANN
Reinier Zonneveld's label: @filthonacid

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production. 
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm. 
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby. 
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno. 
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor. 
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration. 

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

Hello everybody🤓👋🤪👩🏿‍🚀🕺🎧
I just love music 
It is magic
I fell in love with it forever🙏 
Music is an infinity🤘

PREMIERE: Jones & Stephenson - The First Rebirth (Reinier Zonneveld Remix) [Filth on Acid]

Reinier Zonneveld

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