Adam Beyer X Layton Giordani X Space92 X PleasureKraft - Colonia Ritual Space Date [Khatune Mashup]

They're only passing through, this place does not exist.

The Highway

Bandcamp

My new EP is out now!
https://pro.beatport.com/release/dark-rooms/1698574

Jay Lumen - Dark Rooms (Original Mix) Low Quality Preview

Pan-Pot - Funke

Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.

Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.

A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’. 

A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

Buy all

Wehbba - Third Wave - Drumcode - DC202

Get it here...

PREMIERE: Carl Cox, Reinier Zonneveld, Christopher Coe - This Is Our Time (Filth Mix)

Coming Soon on Terminal M my track "Golden"

Mark Reeve - Golden (Original Mix) Terminal M

BUY IT NOW: https://www.beatport.com/release/pleasurekraft-presents-binaries/2748658
Label heads Pleasurekraft first release since this summer's massive chart-topping "Space Date" remix is a thick double slice of Cosmic Techno.  First up the collaboration with Argentinian Kraftek regulars Beico & Mt93, "A6 454", a subtle reference for those up on their sci-fi cinema game, followed by a second a-side (were this any other release), this one with Spanish producers The YellowHeads. Heavy, brooding, melodic, and ethereal, this is textbook Cosmic Techno.

Pleasurekraft presents: Binaries EP

Binaries EP

BUY IT NOW

The YellowHeads, Pleasurekraft - Prison Planet

Download and Streams: https://fanlink.to/MGM063

Chemical Substance

Download & Streams

Belocca - Chemical Substance

Lilly Palmer - Listen To Me (Original Mix)

Reinier Zonneveld's upcoming tour dates: http://gigs.gigatools.com/user/Reinier

Bookings: WASSERMANN
Reinier Zonneveld's label: @filthonacid

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production. 
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm. 
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby. 
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno. 
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor. 
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration. 

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

PREMIERE: Carl Cox, Reinier Zonneveld, Christopher Coe - This Is Our Time (Filth Mix)

Reinier Zonneveld

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