Rebūke returns for his third EP on Drumcode, reinforcing his status as one of the most innovative new artists in techno.

The Irishman’s previous offerings on the label ‘Rattle’ and ‘Obscurity’ have been standouts; interesting and innovative in equal measures, the artist’s grind to push himself sonically and offer up something fresh with each release profoundly evident. ‘Rattle’ was a commercial and critical success, included in DJ Mag’s tracks of 2019 round-up, while ‘Obscurity’, garnered acclaim from all corners of the industry and saw all three tracks hit the Beatport Techno Top 10 (Peak Time / Driving).

‘Wasp’ continues this inspiring vein of form. The lead track is a signature Rebūke’ the kind that of synapse-searing belter that promises to join the canon of his biggest tracks to date. ‘Clarity’ and ‘Redemption’ are shimmering slices of cinematic techno, drawing as much inspiration from film soundtracks, as they do from the rave, reinforcing the artist’s expansive creative approach. ‘Redemption’ will be familiar to many, having highlighted Rebūke’s acclaimed Essential Mix last summer. It continues on the same thematic tip, a stirring widescreen composition, powerful and emotive; it’s destined to be an end-of-night tear-jerker, once it’s safe for parties to return.

Wasp

Buy/Stream

Rebūke - Wasp - Drumcode - DC239

Bells of Notre Dame

Heard this one in a set from Rolvo Veritas

Mario Ochoa - Rush (Original Mix)

JET 2 HOLIDAY - Clout Edit (House Remix)

Charlotte de Witte is back on Sleaze Records after her outstanding debut earlier this year! Her second effort for the label features 4 quality original tracks, each bringing a different vibe, showing the variation of her production talent. The title track 'Wisdom' is the biggest of the bunch, having a huge impact in the peak moments. 'I'll See You Tonight' is more dark & driving, with a stand out vocal cut. 'Sending Them' is a stripped down, loopy groover and 'Maelstrom' rounds off the EP nicely with a pounding beat, a crazy warped vocal and hard hitting percussive elements.

BUY ON BEATPORT

Wisdom (Original Mix)

Making his debut on Drumcode in 2017 with his track ‘Fake’ featured on the A-Sides Vol 6 compilation, one of Brazil’s much loved exports Wehbba brings us his first full EP this February with ‘Eclipse’.

A no nonsense 4 track offering, and all thoroughly road tested by Adam, they have gained much support from longtime Drumcode fans. Eclipse, delivers a low end rumble along with a modulating synth line. Reigning high throughout the track, is the undeniably catchy and unique synth. Leaving this track one to be recognised on dancefloors all over the world.

‘Protocol’ doesn't turn down the pace, straight into a chugging hypnotic drive, this track leaks with attitude, along it’s eerie undertones.

Probably the most acid influenced track of the EP, ‘Glasswerk’ has a futuristic modular synth riff which thunders along a hypnotic bass line which flows nicely into ‘Framework’ to close out the EP. Its punchy and powerful kick sits alongside the cleverly crafted synth pattern, taking this track into a dark zone with a groovy element still resonant.

Wehbba - Protocol - Drumcode - DC185

Get it here...

PREMIERE: Carl Cox, Reinier Zonneveld, Christopher Coe - This Is Our Time (Filth Mix)

https://fanlink.to/Mover

Metodi Hristov, the Bulgarian mind-bending chef returns to Filth on Acid with a menu consisting of 3 filled techno plates that will tickle your senses until you're are licking the plate while fist-pumping on the dancefloor.

This is Filth on Acid NOW! Lick your plate!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Kopen op Beatport

Metodi Hristov - Mover

The Belgium sweethearts Joyhauser are back on Terminal M! Check out the new 4 track ep with their unique Joyhauser sound! (Monika Kruse)

beatport/spotify/vinyl

Joyhauser - Elements

ANNA - Dimensions

After being resurrected since the start of the year, Reinier Zonneveld continues his rebirth with a fresh new remix that finds him tackle the perfectly named Jones & Stephenson track 'The First Rebirth, which is a huge classic!! His "Resurrection" remix was released in January and hit the number 1 spot and this promises to follow too!

This is Filth on Acid NOW!

This release is a collaboration between Filth on Acid and legendary label Bonzai. This is the second collaboration of the two labels after having released the Bart Skils Remix of Universal Nation last September.

A huge track with real power in its slamming drums. The synths ripple up top as the groove rolls on and tripped out keys and chords then bring the colour. For all those who love hardcore techno with colour and rave energy to spare, then this is the one for you.

PREMIERE: Jones & Stephenson - The First Rebirth (Reinier Zonneveld Remix) [Filth on Acid]

Reinier Zonneveld's upcoming tour dates: http://gigs.gigatools.com/user/Reinier

Bookings: WASSERMANN
Reinier Zonneveld's label: @filthonacid

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production. 
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm. 
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby. 
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno. 
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor. 
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration. 

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...