techno singles

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E.R.M - Burning Point

Charlotte de Witte is back on Sleaze Records after her outstanding debut earlier this year! Her second effort for the label features 4 quality original tracks, each bringing a different vibe, showing the variation of her production talent. The title track 'Wisdom' is the biggest of the bunch, having a huge impact in the peak moments. 'I'll See You Tonight' is more dark & driving, with a stand out vocal cut. 'Sending Them' is a stripped down, loopy groover and 'Maelstrom' rounds off the EP nicely with a pounding beat, a crazy warped vocal and hard hitting percussive elements.

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Wisdom (Original Mix)

Midfield EP

Luigi Madonna, Roberto Capuano - Midfield

@carl-cox
@christopher_coe
@filthonacid

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PREMIERE: Carl Cox & Reinier Zonneveld & Chris Coe - Inferno (Original Mix) [Filth on Acid]

It doesn’t get much bigger than this: Adam Beyer links up with Green Velvet and Drumcode’s outstanding rising star Layton Giordani for a debut collaboration.

Some musical partnerships feel fated. Both fans of one another’s work, for years Adam Beyer and Green Velvet had discussed writing music together. In turn, Beyer’s protégé Layton Giordani had admired the Chicagoan’s work for as long as he could remember. When the 25-year-old found himself playing alongside the green mohawked legend at Belfast’s Shine, the spark and subsequent friendship was immediate. With the links now set in place, it was only a matter of time before the trio’s creative chemistry would manifest musically.

‘Space Date’ was conceived organically and birthed quickly. Propelled by Green Velvet’s trademark vocal hypnotism, the triumvirate combine to craft a pumping intergalactic slice of techno laced in melody that’s highlighted sets by Beyer at Awakenings, Ushuaia and also EDC Vegas when Green Velvet dropped it to a raucous response. The track is complimented by ‘Rome Future’, the product of a year-long series of productions between Beyer and Giordani. Deftly combining crisp drum work, catchy vocal effects and a powerful bassline melody that gives the track an almighty kick, it will be familiar to many who’ve followed their sets over recent months.

Adam Beyer, Layton Giordani & Green Velvet - Space Date - Drumcode - DC193

PREMIERE: Carl Cox, Reinier Zonneveld, Christopher Coe - This Is Our Time (Filth Mix)

Selected EP

Time

Charlotte de Witte - Time (Original Mix)

Kölsch makes his debut on Drumcode, as an Adam Beyer favourite gets his classy remix touch.

Drumcode set the standard with its first release of 2019, recruiting Amelie Lens to deliver an electrifying re-rub of Adam Beyer’s ‘Teach Me’, a fitting highlight to mark the label’s 200th release back in January. As we hit the business end of the year, another Beyer vintage gets the remix treatment as Kölsch adds to his outstanding discography with a maiden DC contribution.

First released back in 2015, ‘What You Need’ was the perfect marriage of deep groove-licked techno and slinky smooth synth lines. Retaining the exotic riff of the original, Kölsch builds tension and euphoria in equal doses as melancholic chords build up in intensity before dramatic string sequences enter the game. It’s the kind of end-of-night soundtrack that’ll make even the most hardened raver go a little misty eyed and a classic addition to the Drumcode catalogue.

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Adam Beyer — What You Need (Kölsch Remix) — Drumcode — DC214

ANNA drops a triple dose of heat to mark her first EP on Drumcode.

ANNA first debuted on Drumcode with the irresistible groover ‘Portable Paradise’, which highlighted last year’s A-Sides Vol.7 and set up a busy year playing DC events in 2019. There was the memorable morning set at Space during WMC, two fiery gigs at Drumcode Festival and typically strong performances at the DC takeover at Resistance in Ibiza and Sonar. Fresh from her gargantuan collaboration with Kittin ‘Forever Ravers’, she steps up for a maiden EP on Adam Beyer’s flagship label.

‘Galactic Highways’ is propelled by an arresting peak-time riff and bombastic drums and was a storming addition to Beyer’s set at Drumcode Halloween recently. ‘Dimensions’ is the powerful brain scrambler, as a blistering wall of acid rubs shoulders with undulating bass notes for a dramatic finish. ‘Phase Two’ is a stirring, pad-laden beauty, driven by lustrous melody lines that cascade over the Brazilian’s punchy percussion.

ANNA — Dimensions — Drumcode — DC215

ANNA — Phase Two — Drumcode — DC215

ANNA — Galactic Highways — Drumcode — DC215

Drumcode starts 2020 with a sterling EP from genre hero Thomas Schumacher, his first on the label after a long association with Adam Beyer.

No ifs or buts, if you’re a techno fan, Thomas Schumacher holds a place in your heart. His 1997 classic ‘When I Rock’ still gets rinsed, he has a vast body of stellar work on his influential former label Spielzeug Schallplatten, including a release from Adam Beyer, and he continues to deliver pin-sharp productions via his Electric Ballroom imprint, including a scorching remix of ‘The House of House’, the 1994 classic from Cherry Moon Trax. The rework was first played by Beyer at Time Warp and has been a 2019 highlight.

He first contributed to Drumcode in 2018 with ‘The Unseen’, a stirring contribution to ‘A-Sides Vol.7’, setting up a maiden EP with ‘Crimson’. Beginning with the brilliant ‘Feist’, it’s a no-nonsense brain melter, as 303 arpeggios bloom and recede, creating a thrilling rhythmic intensity throughout. The title track ‘Crimson’ is crafted around two minutes of tension-building synths, before a beat finally appears and a rasping deep bassline commands the dancefloor. ‘Anker’ brings the rave with eagle-eye focus, unleashing a wall of fierce acid to round out the pack.
“Adam and I have both been producing and playing techno since the early ‘90s. I have deep respect for him as a person and artist. It’s an honour to have the opportunity to collaborate in this way.” – Thomas Schumacher

Crimson

Thomas Schumacher — Feist — Drumcode — DC217

Reinier Zonneveld's upcoming tour dates: http://gigs.gigatools.com/user/Reinier

Bookings: WASSERMANN
Reinier Zonneveld's label: @filthonacid

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production. 
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm. 
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby. 
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno. 
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor. 
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration. 

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

PREMIERE: Carl Cox, Reinier Zonneveld, Christopher Coe - This Is Our Time (Filth Mix)

Reinier Zonneveld

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