Marco Lucchi : piano, analog synthesizer, violin and treatments

21 marzo 2022

I could sleep for a thousand years [alt version]

Full Moon Night (V0) - Piano Works

Very excited to share with you "World Portal" part of "Adventure Themes" - a project, which release was announced several weeks ago. Four For Music Team was engaged with the entire process from the composition to the orchestration and the recording of the 60-piece orchestra and we hope that you enjoy the result!
Video: https://www.youtube.com/watch?v=UEllEZFk41s

World Portal

Inference

This is a cover of a cover, so to speak.  The original by The Marvelettes from 1961 was covered by The Beatles in 1963 on their second album, "With The Beatles", and it is The Beatles' version that I am covering here.  It's a repeated four-chord, doo wop progression from the Motown era. Although the lyrics revolve around snail mail  it's still a good, fun song and I like it.

Please Mr. Postman

"Please Mr. Postman"

August 21, 2022
Bainbridge Deep Sea Fishery and Prevarication Club
Recording as makebelieve 
Jared: lead guitar 
Coldheart: rhythm guitar and vocals 

A cover of a "Myth of the Fingerprints"  written by Paul Simon ...  last song on his album “Graceland".  One of my favorite albums .  Loved the melding of Paul and all those amazing artists .  I remember many hours listening, mesmerized by exotic rhythms and music seldom heard in my younger central Indiana days.

myth of the fingerprints

Dream Play

The time we are given in this life is the crosswalk of our crossing. This song is part of the Mediterrâneo sequence.

PASSADEIRA

Parei o carro, que a passadeira é para parar.
Principalmente quando é um velhinho a atravessar.
Tremem-lhe as pernas, na tentativa de acelerar o passo minúsculo.
E eu até duvido que ele vá chegar ao outro lado,
a qualquer rua, a qualquer lugar.
Falta-lhe o tempo num mundo feito para circular.
E ele sacode o corpo, na tentativa de me acenar,
a agradecer-me a paciência do meu esperar.
E fez-se tarde, e eu vou ter mesmo que acelerar nesta viagem,
rumo a um futuro crepuscular,
que cruza a estrada de um deus que espera sem me apitar,
porque a minha vida vida é a passadeira do meu passar.

E fez-se tarde no meu passar.
Tremem as pernas no meu passar.
Tropeça o passo no meu passar.
E Deus à espera... 
É a passadeira do meu passar.

CROSSWALK
I stopped the car, the crosswalk is there for me to stop.
Especially when it's a frail old man crossing.
His legs tremble, in an attempt to accelerate the tiny steps.
And I even doubt he'll make it to the other side,
to any street, to anywhere.
He's short of time in a world made to circulate.
And he shakes his body, trying to wave at me,
to thank me for the patience of my waiting.
And it's getting late, and I'm really going to have to speed up on this trip,
towards a twilight future,
that crosses the road of a god who waits without horning at me,
because my life is the crosswalk of my crossing.

And I'm getting late in my crossing,
my legs trembling as I cross,
my steps stumbling as I cross.
And God just waiting for me,
because it's the crosswalk of my crossing.

Passadeira

*** PLEASE SUPPORT MY MUSIC BY REPOSTING, THANK YOU ***

This is an very emotional and beautiful piece of Celtic wedding music. There is a distinct spiritual feel to the song and it is based upon traditional Irish folk melodies.

REMEMBER WHITE ON TWITTER:
twitter.com/rememberwhite

REMEMBER WHITE ON FACEBOOK:
www.facebook.com/rememberwhitemusic/

ARTIST: Remember White

LABEL: Pleiades Press

Wedding in Heaven (Pt. 2)

WEDDING IN HEAVEN (PT. 2) is a beautiful, uplifting church organ song for weddings

:::
my contribution
to
Naviar Records
Haiku Challenge 517

my interpretation of a
haiku
by
John Hinks
aka: FlownBlue

.
.
.

Early dawn’s pale light:
A gentle start to the day
Two seagulls gliding

ra(ge_ntle) ::: naviar haiku 517

Everyday

Remember White (born 03 April 1975) is an Irish musician and composer. His music is recognized by its careful use of a well tempered piano in relatively minimalist compositions, often with a touch of either European classical music or Irish folk music.

Using primarily the piano, his musical style is similar to Ludovico Einaudi and Joe Hisaishi, but his more traditional work is reminiscent of Erik Satie, Philip Glass and Michael Nyman.

CONTACT: samuelkennedy4444@gmail.com

"Still, I am conscious now that behind all this beauty, satisfying though it may be, there is some spirit hidden of which the painted forms and shapes are but modes of manifestation, and it is with this spirit that I desire to become in harmony." Oscar Wilde

WEDDING IN HEAVEN (PT. 2) is a beautiful, uplifting church organ song for weddings

REMEMBER WHITE - Classical Acoustic Ambient Folk

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