Lyrics:

Peaceful mind, calm waves
Content serenity
Seclusion suits me, no storm takes me by surprise

It’s just a small thrill when the lights go dim
But a presence lights the room
I’ll just bite my tongue, but I’ll get my fill
When a smile lights up the room (2x)

All trouble fades away when a brightness fills the room
My sorrow fades away when a light brightens the room
No grimness, spite or fear can take my lightness from the room
He smiles and teases, says: can’t take my lightness from the room (repeat ad nauseam)





Presence
Copyright 2024

Presence

9 Dash Line by The Jeremias Langsämmer Ensemble is a striking example of contemporary chamber music, blending piano, harp, cello, and strings to explore complex emotional and thematic landscapes. The ensemble utilizes intricate harmonies and dynamic contrasts, balancing tension and serenity throughout the composition. This piece highlights the modern approach to chamber music, where minimalist structures meet expressive, avant-garde techniques. The interplay between the instruments creates an immersive sonic journey, emphasizing texture, mood, and fluidity. 9 Dash Line is a bold, thought-provoking addition to the contemporary chamber music repertoire.

9 Dash Line by The Jeremias Langsämmer Ensemble [Contemporary Chamber Music]

"Relaxing Holidays" is a soothing instrumental track that evokes a sense of calm and tranquility, perfect for unwinding and escaping the stress of daily life. With gentle melodies and a serene atmosphere, the song creates a peaceful ambiance, reminiscent of lazy days spent by the beach or in a quiet retreat, offering the perfect backdrop for relaxation and reflection.

Relaxing Holidays

faithful gospel song. God will answer you on time 

THELORDWILLMEETYOUONTIME09155009373.mp3

"A Gentleman's Gambit" By Edge Of The Void

Oh in the evening
With the sunset low
Pistol by his side, no sense of fear

Became an outlaw
But a true gentleman
In a dance with the law, the gambit clear

Went by Butch Cassidy
Wasn’t ever out to kill
But with all that dynamite, he lit the sky

And with them stories
Traveling town to town
And they knew without a doubt, this bunch was wild

For every fallen man on this dusty trail
Who would be the better man?
Take only what you need but spare them souls
Then run away

In this tale of the west
Was a shadow in the dusk
He went out like the blazin sun

He’d  where his honor 
Like the boots on his feet
Gotta love this life out on the run

For every fallen man on this dusty trail
Who would be the better man?
Take  only what you need but spare them souls
Then run away

So let the wind blow at our backs
Let them horses run till the sky is black
And we’ll prowl in the dead of night …Alone

Let’s raise them guns up to the sky
We’re always up for another fight 
If we must, Till the morning light….  we go

On the horizon
Where the shadow’s cross
Rides a man with a steady hand and lust for gold

In the mountains of the land
Swimming under darker skies
He’d always played but never fold

For every fallen man on this dusty trail
Who would be the better man?
Take only what you need but spare them souls
Then run away




A Gentleman's Gambit

Guitars, Keys and Bass by Robert Grigg
Composed and mastered/mixed by Robert Grigg

Working The Edges

Indian Summer

I use sound as a way to express my healing process, accept reality, and find beauty in life's unpredictability. In its raw and unfiltered form, sound serves as a powerful medium for conveying the complex emotions I experience while navigating life's chaos and uncertainty. By embracing disharmony and unexpected shifts in my music, I am not only accepting reality as it is, but also transforming it into something meaningful and intimate for me. This creates a space where vulnerability and acceptance coexist, allowing me to find love and beauty in the imperfect and even the disturbing.

File moi ta boussole

A song about being emotional in an unemotional world.

The message I’m trying to convey with this song is that it can be difficult to be emotional without “ruining” others perception of you, that it’s not considered “normal”, or maybe you were taught not to express emotions because it’s too messy. You can’t be emotional in a “watercolor world” because the painting, the image, gets ruined. There’s an aspect about suppressing emotions to the point that there’s no choice but for everything to be ruined. Aka it’s not healthy to not express emotions. The “paint” itself could have been something you put on yourself, but more often than not, it was put on us by other people or “societal norms.”

Presence

Reminiscence (Laura)