this is effing cool!! not instruments/sounds that I would imagine together (ok, yes the harp & banjo), but I love hearing the mix of ghostly atmospheric tones with the folky stuff. that image conjurs up the imagination too. so so interesting.

i love the spirit on this . amazing work Rem !!

Your Mix 5

Nightfall

"One of the most famous associations of the Deadly Nightshade is its connection to mythology, folklore and witchcraft. In antiquity, the plant was associated with the cult of Dionysus, the Greek god of wine and ecstasy, and it was allegedly mixed for a drink that could induce a trance in worshippers. On a more sinister note, it also features in the myth of Odysseus, whose men were - legend has it - poisoned with nightshade and then turned into pigs by the witch Circe.

In times of the Roman Empire, Deadly Nightshade was rumoured to be Livia’s ‘weapon of choice’ to poison her husband, the Emperor Augustus. Allegedly, the Roman troops also coated arrow-heads with a paste made from the plant to poison their enemies.

Deadly Nightshade featured heavily in so-called witches’ ingredients and was closely associated with the Devil. For example, parents on occasion told their children that if they ate the plant’s berries they would meet the Devil in person - this was a tale told to help them avoid the berries. It was also apparently one of the ingredients that allowed witches’ to fly, something they experienced in hallucinations caused by a combination of plants."

Ceirios y Gŵr Drwg ("Belladonna")

An angelic piece with a boys choir carrying us through the melody.

Where The Waters Run Deep

Recording sessions from 02/03/2023 - 02/04/2023.
8 tracks (mono) MOOG Modular (vst Arturia),
presets, mixing, processing and editing: Pier WILL.

When messing with the DNA of a virus, there is always a risk that it could contaminate your DNA.
Scientists will tell you that it is "practically improbable, if not impossible..."
However, you should know that the AIDS virus can write in the DNA of the infected person and that a vaccine is unrealizable, even with mRNA!
All this to say that when you “make” a virus, you have to be careful unless you want to create a “chimerical catastrophe”...

Lorsque l'on joue avec l'ADN d'un virus, il y a toujours un risque qu'il puisse contaminer votre ADN.
Les scientifiques vous dirons que c'est "pratiquement improbable, voir impossible..." 
Il faut savoir pourtant que le virus du Sida peut écrire dans l'ADN de la personne contaminée et qu'un vaccin est irréalisable, même avec un ARNm ! 
Tout cela pour dire que lorsque l'on "fabrique" un virus, il faut être prudent sauf si l'on veut créer une "catastrophe chimérique"... ________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental 
________________________________________________________________________

❤️🕊️🙏

Reverse Transcriptase

Harmonica, Tongue Drum and Banjolele along with a track of Alchemy (Camel Audio version)
Peaceful, until it's not
Image done with AI

On The Walls

Sea Mother

Lyrics and composition, piano and vocals by Joliz

October 2024

---

If I was a butterfly
I'd map the countries from on high.
If I was a butterfly
On every flower I'd stop by.

If I was a butterfly
I'd cross the ocean in the sky.
If I was a butterfly
I'd rest on sails to paint their white.

If I was a butterfly
A graceful dance would be my flight.
If I was a butterfly
The weight would fall and I’d feel light.

If I was a butterfly
A graceful dance would be my flight.
If I was a butterfly
The weight would fall and I’d feel light.

---

Inspired and supported by Robert S. Dean.

Passing Butterfly

"And they said then, 'But play, you must,
A tune beyond us, yet ourselves,..."

The Man With the Blue Guitar is a poem published in 1937 by Wallace Stevens. It is divided into thirty-three brief sections, or cantos. In the poem, an unnamed "they" says, of the titular man, "you do not play things as they are", sparking a prolonged meditation on the nature of art, performance, and imagination.

Release date:
27 March 2025

The Man With the Blue Guitar - a tune beyond

Written, Arranged, Performed, and Produced by Kyle Bolan

Fallen Bird

The moment of full clarity. Pure, powerful, and luminous. This is the peak of the cycle—where energy, intention, and truth converge.
A cinematic blend of pulse and spaciousness.

Zenith

Some basic ambient jamming out on Tidal Cycles with simultaneous TEOP1 keyboard at the same time.  If you want to watch me code in Haskell and play the keyboard at the same time, watch here: https://www.youtube.com/watch?v=-g_n5ztNvvk

Multitasking

Herzi

We are Sound

Frequency found
Faced cosmical resonance
Heal of all hound
Or leaf levitation dance
The strings of our world
Found beside tuned tree
Sound peaceful now light
As these moments bare free

Proof of this place
Shone by knowledge of night
Harmony confirmed morn
Luminous liquid life
Horizon, have hope
We play as one
Good universe answers
With vision to stun

We are us
We are found
We feel love
Unity bound
In light we trust
We are but hound
We are love
We are sound

Cool conscious crux
Clued consequential
Fed this song
To tame essential
Prudential thought
Where value is life
Creed competition
'Seed crucified

This way of walk
We hold suffered hands
As born, Blank slate
Clean conscious glands
All karmic crime
Your experienced self
From no previous life
Is punishment dealt

We are just
We are found
We give love
Future bound
In light of moment
We are but hound
As ever love
We are sound

Resonance tuned
Eased Earthly rock
Healed hound heart boon
Being timed
Tick Tock
We trade a market
Coined with spirit and soul
We tame the starkest selves whom sold

Being of water
Liquid life
Harmonise today
Transmute our strife
As we laugh and caress our tree
Find tantric tuned
Cosmic frequency

We are Sound (Poem)

Front kick jam. Live recording.wav

(FR) Robot Spleen explore un paradoxe émotionnel : et si un robot pouvait ressentir du vague à l’âme ?
La composition navigue entretextures électroniques veloutées et rythmique minimaliste, comme un cœur qui bat à contretemps.
Elle évoque une romance post-humaine, un spleen élégant, presque raffiné, où la froideur des circuits n’empêche pas la tendresse du timbre.
Idéal pour accompagner un coucher de soleil sur une planète déshumanisée.
(EN ) “Robot Spleen” explores an emotional paradox: what if a robot could feel melancholy?
The composition drifts between velvety electronic textures, and minimalist rhythms — like a heart beating out of sync.
It evokes a post-human romance, an elegant, almost refined kind of melancholy, where the coldness of circuits doesn’t prevent the tenderness of tone.
Perfect for watching the sunset on a dehumanized planet.

Robot Spleen

Heal burnt skin and scars from burns.m4a

I enjoy mashing sounds together that please me...would love to collaborate with like-minded souls...

The tools I have currently are a Samson Graphite 49 midi controller fed into Logic Pro X run on an @pple Studio. A heavily modified Crate branded Electra Guitar, a Crate branded Electra Bass with Wilkonson pups, an Alvarez-Yairi YM-1 Acoustic, a Vangoa Mandolin, a Kmise Ukelele, a mountain Dulcimer and some other noise-making toys fed into a Focusrite Scarlett 2i2 via various mikes.

Likes are nice,
Comments are even better,
But re-posts can get AI to suck us all up even quicker!

All images are ones I've taken unless otherwise specified...prolly Dall-E3

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

On The Walls

Remnant60

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moth

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