EPGrimoire130A#BbMinor_ADDED_Samples_MASTERED

AthenA Instrumental

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Introduction.

@vizcxrbeatz

pic curated by us from my archives

ctrl+s type beat +vizcxr (vizcxr & libertae)

Guitars: Bill Scherer
Pedal Steel: Milo Deering
Drums: Josh Rodgers
Bass: Pete Miller
Keyboards: Bob Patin
Lead Vocal: Will Montgomery
Backup Vocals: Julie Laverty, Spencer Brochard
Engineering: Paul Osborn @ Audio Dallas
Written, Mixed & Produced by Will Montgomery

[Verse 1]
Half a step from where I stood
Said I might, never said I would
Traced your name across the glass
Watched the moment slowly pass

[Pre-Chorus]
Too much doubt, too little to say
You moved on while I looked away

[Chorus]
Took the long way from maybe
Drew a line, then looked away
Held my breath while you were waiting
Now there’s nothing left to say
You were steady, I was slow
Now I walk this road alone

[Verse 2]
Called your name, then changed my mind
Hoped you’d read between the lines
Told myself it’s not too late
But fear will always hesitate

[Pre-Chorus]
Held back words I thought you’d understand
Now they’re ashes in my hands
[Chorus]
Took the long way from maybe
Let it drift, then walked away
Built a wall instead of meaning
Now there’s nothing I can say
You were ready, I said no
Now I walk this road alone

[Bridge]
Built a home on ifs and when
Closed the door, then asked again
Watched you leave without a sound
Now I’m stuck on this battleground

[Final Chorus]
Took the long way from maybe
Truth was there, I looked away
Spoke too soft and far too slowly
Now there’s nothing left to say
You were sure, and I was slow
Now I walk this road alone

[Outro]
The signs were clear, I looked away
Now it’s just me and yesterday

Long Way From Maybe

" EARTH ALCATRAZ " wrote 20/09/25

Waiting for Another Day

Lyrics written by Badtripp Inc/Geir Arne Moi,. copyright 1980-2025. Music made in collaboration with Suno., This one took a long time to coach forth from the AI Suno, maybe punkrock has become too quaint?! HERE'S THE LYRICS:

Go get a rope 
Go get a gun 
Go get some dope 
Tell me what to do

To kill my
Deathwish Deathwish 
Deathwish Deathwish 

Sex and drugs
And rock and roll
Just ain't got 
what it takes 

To kill my 
Deathwish  Deathwish  
Deathwish Deathwish

DEATHWISH

Amber (311 cover)

This is the overture to a journey. The first chapter of a story told in symphony and steel. Welcome to THE OPERA OF ADELHEIDE AND HER HEALING WISDOMS.

"Four Corners of Loss" is the moment of the gathering. Four strangers—two women, two men—arrive from the ends of the map, drawn together by an unspoken grief. Each carries a relic of their past: a key to a house that no longer exists; a picture, burned and torn apart; a father's watch whose hands are frozen in time; a mother's book with pages soaked in tears. They meet in a place where the compass is broken and secrets hide in plain sight.

This track is the first single from a full, four-act Symphonic Metal Opera. It's an epic tale that explores the weight of memory, the burden of unspoken words, and the arduous path toward collective healing. It asks the question: Can our deepest wounds become the source of our greatest strength?

A fusion of crushing metal riffs, soaring orchestral arrangements, and theatrical, narrative vocals creates a cinematic soundscape for a story of loss and redemption.

You are hearing the very beginning. This is the first step in a larger release strategy that will unfold act by act. Follow Beyond & Before Music to experience the full story and discover how the light returns.

----

Dies ist die Ouvertüre zu einer Reise. Das erste Kapitel einer Geschichte, erzählt mit symphonischer Wucht und stählerner Härte. Willkommen zu THE OPERA OF ADELHEIDE AND HER HEALING WISDOMS.

"Four Corners of Loss" ist der Moment des Sammelns. Vier Fremde – zwei Männer und zwei Frauen – finden von den Enden der Landkarte zusammen, vereint durch eine unausgesprochene Trauer. Jeder von ihnen trägt ein Relikt seiner Vergangenheit: einen Schlüssel zu einem Haus, das nicht mehr existiert; ein verbranntes, zerrissenes Bild; die Uhr eines Vaters, deren Zeiger in der Zeit eingefroren sind; das Buch einer Mutter, dessen Seiten von Tränen getränkt sind. Sie treffen sich an einem Ort, an dem der Kompass zerbrochen ist und Geheimnisse sich offen verbergen.

Dieser Song ist die erste Single aus einer vollständigen, vieraktigen Symphonic Metal Oper. Es ist eine epische Erzählung über das Gewicht der Erinnerung, die Last ungesagter Worte und den steinigen Weg zur kollektiven Heilung. Die Oper stellt die Frage: Können unsere tiefsten Wunden zur Quelle unserer größten Stärke werden?

Eine Fusion aus brachialen Metal-Riffs, opulenten Orchester-Arrangements und theatralischem, narrativem Gesang erschafft eine cineastische Klanglandschaft für eine Geschichte über Verlust und Erlösung.

Du hörst hier den allerersten Anfang. Dies ist der erste Schritt einer größeren Veröffentlichungsstrategie, die sich Akt für Akt entfalten wird. Folge Beyond & Before Music, um die ganze Geschichte mitzuerleben und zu entdecken, wie das Licht zurückkehrt.

Four Corners of Loss

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Boombox Cartel - Máquina (BYXCO Remix)

Remy Horizon drifts between light and shadow—crafting ambient serenity one moment, and plunging into raw, dark electronic depths the next. Blending R&B textures, experimental edges, and cinematic mood, their music is both escape and confrontation, inviting listeners into a sound that heals and haunts.
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