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Elektra/Asylum is of course famously associated with the earth-toned California sound of the ‘70s. Meanwhile, on the New York City underground, something both weird and wonderful was happening. Led by guitarists Tom Verlaine (née Thomas Miller) and Richard Lloyd, Television formed in 1973 from the ashes of the legendary Neon Boys, which featured Verlaine, drummer Billy Ficca, and a gifted poet/bassist by the name of Richard Hell. With Lloyd as second guitarist, Television persuaded CBGB’s owner Hilly Kristal to give the fledgling band a gig at his recently opened Bowery bar, making them the first rock band to officially play at the soon-to-be-celebrated venue.
A demo recorded with producer Brian Eno failed to get the band signed and by 1975, friction between Verlaine and Hell saw the latter leaving Television to co-found The Heartbreakers with Johnny Thunders and later, his own hugely significant Richard Hell & The Voidoids. Now counting original Blondie bassist Fred Smith among their ranks, Television began turning heads with their geometric dual guitar interplay, psych-garage energy, and Verlaine’s cryptic lyricism.

The band soon signed to Elektra, whose long history of releasing brave new artists continued with 1977’s milestone debut, Marquee Moon. Epic and eloquent, the album remains an all-time masterwork of forward-thinking rock‘n’roll. Television’s sophomore effort, entitled Adventure, followed in 1978, bearing a more textured sound than its esteemed predecessor.
Television broke up shortly after their second album’s release, with Lloyd and Verlaine each opting to pursue their own singular creative visions. In Verlaine’s case, that included a brilliant self-titled solo debut, released on Elektra in 1979.

By the 1990s, Television was appreciated as both pre-punk pioneers and one of rock’s all-time most important bands. As such, they reunited in 1992 for an eponymous third album and then continued performing live on a semi-regular basis. In 2007, Lloyd was forced to leave Television following an extended hospital stay that prevented him from performing at the band’s sold-out concert in New York’s Central Park. Though Lloyd was replaced on that evening by guitarist Jimmy Ripp, the gig now officially stands as Television’s last.

ng@ng-productions.ch
Eisentanz does not just choose the usual presets and default settings using synthesizers and other electronic instruments, but instead dedicates himself to the time-consuming and challenging path of sound research. He elicits a fascinating and archaic sound from the most diverse materials, whether it’s metal, wood, or stone, and thus finds his own interpretation of a timeless yet modern industrial sound. He builds his instruments himself as prototypes made from everyday scrap materials. The variety of noises he is able to produce from scrap iron, barrels, and metal springs is truly spectacular.


On the stage, he lets loose with hammers on the pipes, sets metal plates whirring, and is himself part of a flowing electric current. Eisentanz moves to the groove of a robot-accented sound system in which he himself steers his musical spaceship through expanded hearing loops. All live elements are then woven together and, using meticulously placed microphones, are incorporated into a total concept that whisks the listener away on a journey into the exciting, rhythmic heart of electronic music. This “sound of the “underground” will appeal equally to lovers of dark, melancholic, yet also percussive, sound collages, and fans of spherical, conceptual film music, and will delight enthusiasts of art exhibitions and genre-spanning performances anew. 


The visual aspect of his performances is likewise an important component of his fundamental concept. Thus, abstract visuals, animated computer streams, and futuristic processes are displayed on the monitors. Eisentanz has performed his challenging music at important locations around the world between Berlin and India; he is a cosmopolitan who follows his own rules and does not fit in any musical pigeon hole. With somnambulistic openness, Eisentanz falls upon curious ears even after quarter of a century of sound technology.

October 22, 2015 officially marked 25 years of Pearl Jam performing live. Ten studio albums, hundreds of unique live performances and hundreds of official live concert bootleg releases later, the band continue to be critically acclaimed and commercially successful -- with over 60 million albums sold worldwide.

Pearl Jam released their Grammy Award-winning tenth studio album, Lightning Bolt, through Monkeywrench Records/Republic Records on October 15, 2013. Lightning Bolt debuted at #1 on the Billboard Top 200 chart as well as #1 on iTunes in over 50 countries and is available now at www.pearljam.com via iTunes and all major retailers.

The Soundcloud for the Massive Attack fansite - MASSIVEATTACK.IE.

This profile will be gradually uploading live recordings of Massive Attack as well as audio interviews with the band.

Everything will be available to download in lossless audio quality as FLAC files.

Listening closely. An independent platform for contemporary culture.

compiler / producer / DJ / soundsystem
ambient - ambient dub - dub - over-dub-cuts - live reshapes - live remixes
    
the extraordinary sub atlas movement, atlas music dubtainment,  atlas dub soundsystem, atlas sub system,  jaeda dub inc. and extron project by ex-deep absorber cherryman mackami aka macka x "the nubian robot" aka mackaroot  - (former deep absorber dub soundsystem 1989-1998 & bass enforcement dub soundsystem 1998-2001) - presents unusual mighty OVERDUB remixes made by himself of the most astonishing and powerful dub, ambient dub, minimal dub and dub influenced electronica  to come out of london, new york and far east......macka x using unusual riddim tunings and very deep radical space bass leads................ r e l e a s e s: 5th generation (12inch, dodge) - wandara (12inch, dodge) - chillout basscapes 1 (dcd), mixed, dubbed & overdubbed by macka x aka mackaroot - chillout basscapes 2 (dcd), mixed, dubbed & overdubbed by macka x aka mackaroot  - subsonic basscapes 1 (dcd), mixed, dubbed & overdubbed by macka x aka mackaroot...

 (...)'chillout basscapes' and subsonic basscapes released on cologne..s area code 221 label is an accomplished compilation, mixed by germany's premier dub / chillout 'atlas soundsystem' - former bass enforcement soundsystem. highlights include, bowery electric 'passages', natascha atlas 'bestet (bullinuts remix)', gus gus 'anthem', ken ishi 'enso online', mouse on mars 'sehn sud', smith & mighty 'move you run', the vision 'sunset', zombie nation 'velcrosquat light' & many more. fans of kruder & dorfmeister, thievery corporation, plaid, sofa surfers and the like will dig this exclusive german collection....'
    
    Projects:
    
    SOUNDSYTEM OVERDUB / RESHAPE PROJECTS: DUB-A-DELICS, DUB CHILLENIUM, SABAYINDAH DUB, WHITE IN,
    RED WEED, SUBTOPIA VOLUME 1-28, AUDIOMETRICS, DUBWORLD, MAPS OF IMPOSSIBLE WORLDS,
    EXPLORE YOUR OWN IMAGINATION VOLUME 1 - 44, TERRA MAGICA VOLUME 1 - 30,
    VIRTUAL SINE WAVE, RIGHT ROAD TO DUBLAND, SPEARHEAD DUB, TEMPLE OF SMOKE,
    STATIC MINDS VOLUME 1 - 55, NEPTUNE DAY SHOTS, DUBPLEX LUSTRAL, DUBTECTONIC,
    MONOMANIA DUB, DUB NEXUS
    
    

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