Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

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Lang ist es her….
 ….damals, noch ganz klein BassTy, nervte so lange seine Leute bis es dann soweit war und die erste, mit elektronischer Musik gefüllte CD war da! Schließlich konnte es dann nicht schnell genug gehen um die ersten Schritte auf elektronischen Tanzboden der verrückten Thüringer Technoszene zu wagen! 
Puhhhh….hin und weg war er von der Genialität und Können vieler Plattendreher und Mixern der Basskunst!


Wenn man BassTy in den Massen mal nicht finden konnte, brauchte man nur in Richtung DJ-Pult zu gehen, da fand man ihn bestimmt, beim feiern oder direkt auf den Pult, um zu sehen wie die DJ's die Feiermenge mit geilen Beats zum ausrasten bringt. 
Das Ist genau das was BassTy von den DJ Leuten erwartete und auch heute noch erwartet……Spaß am Werk hört und sieht er gern!

Nach langen und vielen Feiereien und vielen verrücktesten Bekanntschaften mussten doch irgendwann Ende 2009 die ersten Plattenspieler her! 
Zu groß war die Neugierde geworden, zu erfahren wie es funzt die schrägen Töne zu mixen…..schnell machte es BassTy Spaß…..und ja keine Frage, viel wurde probiert und schließlich bekam er ordentliche Statements von seinen Freunden und bald auch mehr!
2011 war es so weit…..in Rotterode durfte er das erste mal zeigen was er kann…..pssst vor lauter Nervosität musste die Nadel mit Anlauf die Rille der Platte finden, aber schöne wars und alle Freunde waren da und haben ordentlich gefeiert! 
Vorallem Nico, sein besten Kumpi, hat er nicht nur den Namen Bassty zu verdanken sondern einiges an Unterstützung!
Danke sagt BassTy aber auch zu all seine anderen Freunden für die tolle Unterstützung bis Heute!

Neben Minimal-Techno und Tech-House ist vor allem der Techno von Anfang bis Heute das was er treu geblieben ist!

es gibt nur cool und uncool und wie man sich fühlt.

René de Drum is following