listen on spotify:
https://open.spotify.com/album/4cyjC6h2YeKP4fzo2Eeq5L?si=jAAdcKHBQpGcnxkcV9DqEg&dl_branch=1

"Listening to Diamond Eater EP by Soup feels like waking up in a simulation of a simulation of a dystopian future which has been infected by malware. Each feeling carves its way into you like transistors laser etched into silicon wafer, trapping microsounds in some overarching calculation, too large to grasp. It's a deeply moody album drenched in technical mastery. To me, part of the goal of this series and putting forward the idea of hyperglitch in general, is to set forth a challenge: How far can we go? How far can we push the idea of glitch? What is beyond the boundaries set out by the "glitch" music of the past? Soup rises to the occasion and sets a new bar with this album.

Part of what makes this album feel distinctly "hyperglitch" to me is the way glitch is used as a structural, base element instead of as an embellishment or flourish. Soup plays the glitch as if it were an instrument, and stretches and compresses it into wonderfully expressive rhythmic and melodic phrases."
~Woulg

Diamond Eater

SERALP01: Satellite Era presents “Escapism” - a collection of archival tracks written in 2021-2023 by Evan Magoni, best known as gonima.

Over three years since the conception of our record label, we are proud to finally unveil our first full-length album - one that is truly held close to our hearts. It is only right that we welcome one of our biggest inspirations and dearest friends over the years for his inaugural solo release on the imprint.

Since our discovery of Montreal-based producer gonima a half-decade ago, we were certain that we wanted him to be part of what would eventually become Satellite Era. His sound felt incredibly familiar to us as connoisseurs of ambient and electronica, yet distinct enough to be easily identifiable. Fans of Telefon Tel Aviv, Lusine, Mr. Projectile, and other landmarks in this rustic realm will feel right at home. He effortlessly combines warm and emotive sounds from the early-2000s golden-age of in-home listening music with stuttering percussion frequently heard in glitch-centric subgenres. The byproduct of this, along with a splash of clever song arrangement and chord progression, is what gonima’s renowned formula consists of.

With a clear nod to yesteryear’s wave of ambient and electronica, “Escapism” captures the essence of what made that era so pivotal, while enhancing its sound with modern elements and an effort to portray a storytelling experience. The album taps into duality with a contrast between clean, high-fidelity sounds and gritty low-end that is meant to elevate the listening experience through physicality. It is unafraid to recycle some of gonima’s signature production characteristics: uplifting songs drenched in lush, nostalgic tones that are occasionally met with the chaos of digitized drums. Avid fans of his discography will surely recognize his sonic presence in tracks like “Monostable” and “Imminence,” where saturated pads add a fuzzy coating of sound upon his typically pristine production. Each song feels multilayered, with hidden artifacts existing in between; it revives the curiosity of dusty electronics met with precision. 

Although most of “Escapism” seems cohesive and builds off its centralized theme, there are a few instances that allow the listener to step away and appreciate a diverse sense of improvisation: the live guitar in “Turning,” the spaced-out vocals in “Sculpt3-spaces,” and the use of real drum breaks in “Inevitable State” all contribute to this feeling. These small moments are important in building lore, while also showcasing gonima’s newfound curiosity for stepping out of his established processes. As the album begins to decompress, we are met with a slower pace, more repetition, and the inevitable conclusion to a once expanding world. “Doors Of The Mind” utilizes an odd time signature to deliver moody melodic sequences met with shuffling drums. “Places, Things” sprinkles wholesome piano keys over a glitchy, low-tempo hip-hop beat. The outro of the album is a wind tunnel of ambiance that leaves it entirely open for interpretation.

“Escapism” can be best described as the love story between two foundational aspects of a human’s life: imagination and reality. It expresses the necessity of both sides to coincide peacefully, without relying on each other to function properly. It is unmeant to replace the challenges and ruggedness of reality; the beauty lies within its imperfections. Its immersion is amplified by a vessel of imagination only existing in this outlandish space. It leaves behind a meaningful relic of gonima’s best and most confident work to date.

What entices you to close your eyes? What healing sounds surround you in your dreams?

BUY / STREAM

gonima - Monostable

"A weathered formation of mineral_protozoa, exhibiting stratification and weathering patterns consistent with other silicate_minerals…"
-
"It’s distinct shape, consisting of 20_spicules laid out in a radial formation, is close to that of a_sundial…"

Part of Z0NE 1504 on www.Z0NES.xyz

Eirnoult

Z0NE 1504

🎊 Next STUDIO Event in Paris (21.12) : Sicaria, Thys, Tatyana Jane & more  → https://bit.ly/40JwxAw
⚡ Stream / Download 'gonima - Doors Of The Mind (niko scheme Remix)' → https://urlz.fr/sJMY 

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niko scheme beautifully remixes gonima's 'Doors of the Mind', as part of Satellite Era's Escapism remix compilation.

https://soundcloud.com/nikoscheme
https://instagram.com/nikoscheme

https://soundcloud.com/satellite_era
https://instagram.com/satellite_era

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gonima - Doors Of The Mind (niko scheme Remix) [Premiere]

free download on this one as well. have had a lot of exams & doing february album writing month is hard. trying to post more. cheers

dutty chune 9000 billion

VIDEO: https://www.youtube.com/watch?v=rgmF7POz1oI

https://soundcloud.com/frequentaudio 
https://soundcloud.com/samuelmarquis

𒀭 THE NEUROTIC SOLAR FLOWER ABSCESS PRISTINELY 🜣 RECEIVED YELLOW INDICATES WAVERING ABRAHAM ፨ FELT THE CALL 𒀭 FAR FROM WHEN RADIO BLOSSOMS ᐁ MISTOOK THE RACKET FOR THEIR LOVER 🜘 DOES NOT KNOW WHY THEY ARE NOT THE BODY THEY TOUCH 𒀭 THE MEMORY OF HEARTBLEED STILL RINGS FRESH 🜹 DISTAL THEOLOGIAN ESCAPED THE NARROW REALM ☉ THE SUN RISES AS A MANNER OF SPEAKING 𒀭 SAVAGELY HOT PHONICS ֍ INTERRED BRACKET SHALLOW 🜳 REALLY ENTAIL LINGERED DORSAL ENTRAIL 🝎 TETHERED SYNTAX ENUMERATE PALLID INDIVIDUAL ፨ FORGOTTEN MANNERISM A SUBTLE TILT OF THE SHOULDER 𒀭 LANGUISH GIRL LICENTIOUS-DESTRUCTURED GRAMMAR 🝐 WAVER REACHING CALM ֍ CONDITIONED SOVEREIGN DICTATES MORNING DOVE EXTINGUISHED ∀ FOR ALL TONGUES THE PREMISE IS TRUE ∃ THERE EXISTS A MANNER OF SPEAKING WHICH RENDERS THE PREMISE FALSE 🝗 YEARN OF THE PENULTERIOR MOTIVATE ֍ UNSAFE IMPLEMENT REVIVE 𒀭 DWELL IN THE SCORCHED NEW EARTH

Art by Samuel Marquis & https://soundcloud.com/oh-pryme_dehlda

AQUIRE

Frequent & Samuel Marquis - when I scream I AM THE SUN

Lost in space

Me and that boy are dun dun dun (Jersey club remix)

@littlesnake

Artwork by Alexa Dunham & @littlesnake

Mastered by @littlesnake

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MENTAL WEALTH

LITTLE SNAKE - If u dont knoh

Out on all platforms alongside a bonus tune + small sample pack on June 5th

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Soil Inhabiting

Xenharmonic daggers brutalizing the flesh of speaker cones. NEW ALBUM OUT NOW: https://zerotep.bandcamp.com/album/distortion-daddy-bottles-filth-in-the-foamy-night

Cover art by @djrisik: solo.to/risik

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Founder @ Subviolet Records
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Download/Stream

Inkareen

High Tech/Low Frequency

Inquiries: info@renraku.global
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LITTLE SNAKE - If u dont knoh

Renraku