Ojos cerrados me acerco a tí ooohhh Sin palabras Que puedo pedir Tu calma Sin razones Para seguir Temo acercarme tengo temor Ojos cerrados me acerco a tí ooohhh Brazos cruzados Palabras de aliento Debo acercarme No tengo temor Escuchame un poco Mi alma te está llamando Mi alma te está llamando Clama por tí

Es muy bueno, ya le había dado su like pues!!!

piano, composition : MELAINE DALIBERT (all rights reserved)
electronics : DAVID SYLVIAN
copyright : ELSEWHERE MUSIC

YANG (feat. David Sylvian)

Use Somebody

Paul Amlehn - Text, vocal, music, editing, mixing, production
Paul Freeman - Vocal, electronic erosions, choir oxidation
Alice Dupree - Vocal
The Hamina Choir - Voices
Brian Eno and Paul Schmidt - Oblique Strategies
Hugo Simberg - Painting

Lyrics:

We do the strangest things
To each other.
We do the strangest things
To each other.

Now
Feel the absence.
Now 
Taste the damage.

I have learned to enjoy
Hurting you
I learned this from you.

You get a sexual thrill
From making me suffer.

Your nervous system
Lights up
Like a pinball machine
When you abuse me.

Now 
Taste the damage.

It hurt.
And because it hurt, it meant something.
And because it meant something, it was beautiful.
And because it was beautiful, it was holy.
And because it was holy, the angels spoke of it.

Wounded Angels

A rare mix from the critically acclaimed experimentalist.

Lucrecia Dalt isn't your typical electronic artist. The Colombian singer and composer approaches music-making in the way a fantasy writer builds worlds. Over the past two decades, she's produced a catalogue that reads more like a bookshelf of strange, interlinked novels, each with its own laws, characters and textures, extending the one before it.

Dalt's <i>RA Mix</i> is a fascinating entry into the series (and will sit comfortably with <i> RA's</i> recent archival playlist, <a href="https://1000.ra.co/playlists" target="_blank">Mixes From Artists Who Don't Call Themselves DJs, But Probably Should</a>). Take the opening track, "Cellophane," by Beak>, the band led by Portishead's Geoff Barrow. The lyrics set the tone for the hour to come: "Now the wind has blown down / Now the truth is laid out there." 

True to Dalt's oeuvre, RA.1005 has little regard for convention. Kick drums and beatmatching are nowhere to be heard; instead, she offers a collage of inspiration, drawing connections across eras, moods and geographies. 

The mix includes the work of close collaborators (David Sylvian, Juana Molina and Niño de Elche) as well as excursions into psychedelic jazz (Lloyd's Miller's "Gol-E-Gandom"), sombre downtempo (Muslimgauze's "Enchante, Monsieur") and Korean pop (Leenalchi's "Magic Pocket). Spanning just over an hour, it unfolds like another chapter in Dalt's ongoing project of world-building through sound. 

@lucreciadalt
Find the tracklist and interview at https://ra.co/podcast/1023

RA.1005 Lucrecia Dalt

Non Sono Pazza

Higgledy-piggledy

lovbe song involving Microbiology and physics

esto no es un sueño, criatura (1)

This is my Latest idea for some new mixes on the channel, my John O'Callaghan Vs Cold Blue mix all their biggest tracks mixed together over the las few years, this idea ill will do more often with other big trance djs so please follow, like, comment, share, enjoy!

John O'Callaghan Vs Cold Blue - Uplifting Vocal Trance Mix 2025

Miremos al ombligo  nuestra humanidad, no puedo entender como la crueldad es lo normal, esa que niega y que lo justo para todos les parece un crimen, con el alma les digo, esto no lo entiendo, entonces la ternura, la bondad es el acto revolucionario,.

Oscar&thenadie - Yanieponimaio  -

Пожалуйста, только не домой

Лиловые тюльпаны - Пожалуйста, только не домой

Drum programming, treatments, piano, bit crushed organ, bass piano: Reprodestruxion
Chapman stick bass , Electric Guitars : Daniel Cartes https://soundcloud.com/daniel-cartes-guitarras
vox: René Moncayo

Reprodestruxion Tu Calma (piano Version)

Reprodestruxión

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