The experimental music creates the splendid world beautifully.
And we release the music with  CDr & CD & more format.

Booking: booking@denovali.com 
Press: pr@denovali.com
Publishing: timo@denovali.com

A place mainly for sketches and cooperative pieces.

"influences from everywhere like IDM, Experimental Hiphop, Industrial, Noise, Electro, Techno, Dubstep – unconventional very Düsseldorf.
totally underestimated." (sequencer.de)


elektronika-duo from düsseldorf
graph (stefan jürke, jens beyer) begeben sich auf eine klangsuche jenseits von trends innerhalb der elektronischen musik. im vordergrund steht die beschäftigung mit klang und rhythmischen strukturen, die mithilfe von digitalen musikalischen instrumenten und effekten konstruiert und dekonstruiert werden. insbesondere in ihren live-performances wagen sie den versuch die präzision digitaler musik-tools in kontrast zu improvisierten texturen, flächen und „beats" zu stellen. im vordergrund steht hier der versuch, einen lebendigen, organischen „soundspace" zu erschaffen. die statik, präzision und synchronizität von zwei digitalen workstations werden als gleichwertige parameter, aber auch als kontrast zum improvisatorischen eingriff und der manipulation des klanggeschehens in echtzeit betrachtet.

producer: electronic music, based in Los Angeles. 


The Australian Art Orchestra has built an unparalleled reputation over nearly twenty years for the breadth and quality of its output. Initially conceived as a contemporary jazz orchestra the group was soon recognised as a serious commissioner and interpreter of new notated works. It also developed a reputation for cross-cultural collaborations that were more ambitious than anything seen in Australian music previously and it delved into hybrid forms well before the terminology for such approaches became commonplace. 

The AAO’s work constantly seeks to stretch genres and break down the barriers separating disciplines, forms and cultures. It explores the interstices between the avant-garde and the traditional, between art and popular music, between electronic and acoustic approaches, and creates works that traverse the continuum between improvised and notated forms.

In January 2013, the AAO entered a new period of artistic leadership under the guidance of Artistic Director, Peter Knight. Knight is an internationally acclaimed composer, trumpeter and sound artist who has toured extensively throughout Europe, North America, Asia and Australia, garnering wide acclaim for an eclectic approach that integrates jazz, world music, and experimental traditions.

With its multi-faceted programming initiatives, the AAO fosters and supports a strong and vibrant local contemporary music scene drawing inspiration from Australia’s cultural diversity. Central to this is an ongoing dedication to nurturing and deepening its dialogues with Australian indigenous cultures as well as maintaining strong connections with artistic collaborators in India, Korea, China and Indonesia. The Orchestra has a record of commitment to the notion of a future in which truly new music that integrates Asian and Western influences is part of the cultural fabric of our region.

The Australian Art Orchestra regularly tours both locally and internationally with recent cities including Paris, London, Brisbane and Chennai.  It has won numerous awards for its work including two Australian Jazz Bell awards, a 2010 Sidney Myer Performing Arts Awards (Group Award), the H C Coombs Creative Arts Fellowship (2010), a Helpmann Award (2004), and a 2009 Classical Music award for ‘Outstanding Contribution to Australian Music in a Regional Area’.


Dreamgirl and the Motorist is a blend of dark, atmospheric pop music taking its influence from bands and filmmakers such as Cocteau Twins, Dead Can Dance, PJ Harvey, The Smiths, Nick Cave, Anouar Brahem, David Lynch, Angelo Badalamenti, Wim Wenders and Clint Eastwood.

Dreamgirl and the Motorist is the musical alter ego of Australian composer, Carolyn Nowaczyk. Also a producer and musician, Carolyn enjoys the process of writing and recording songs in her home studio – experimenting with texture and harmonics through layered jangly guitars, pianos, distorted soundscapes and vocals to create her blend of atmospheric, dark pop that invokes thought and emotion.

A completely self-taught musician, composer and producer, Carolyn plays all instruments on all of her recordings and sings all harmonies. She has recorded 2 albums and written over 100 songs.

She has recently studied filmmaking and enjoys composing for the screen, having composed for the short films Drowning Not Waving, The None’s Pool and the short documentary Abandoned.

All photos by Carolyn Nowaczyk (except black hole image).

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Sampling, Microsampling & Sound Design

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